"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Archive for November, 2016

Daily Prompt Love <3

11/16/2016

Make art about focus, about losing focus, about regaining focus, about staying focused. 

stay-focused

 

Daily Prompt Love <3 Convergence

11/15/2016

“There is no other space, no other time. This moment is all. In this moment the whole existence converges. In this moment all is available.”-Osho

Make art about convergence. 

convergence-t2

Daily Prompt Love <3 Dissent

11/14/2016

dissent (v.)

early 15c., from Latin dissentire “differ in sentiments, disagree, be at odds, contradict, quarrel,” from dis- “differently” (see dis-) + sentire “to feel, think” (see sense (n.)).

Related: Dissenteddissenting. The noun is 1580s, from the verb.

Has there ever been a society which has died of dissent? Several have died of conformity in our lifetime. [Jacob Bronowski “Science and Human Values,” 1956] 

Make art about dissent. 

dissent

Must Read–and Must See–Monday: Poetry of Witness

 

poetry-of-witness-posterSomething a little different this week: recommending a documentary, Poetry of Witness. Poetry of Witness is a 2015 documentary film directed by Billy Tooma and Anthony Cirilo about the lives of six contemporary poets who have lived through, and survived, extremities such as war, torture, exile, and repression, using poetry to preserve their memories.It debuted October 16, 2015 at the Buffalo International Film Festival.

The film documents the struggle of six contemporary poets who have faced the duress of war, exile, and human rights violations to give voice to their experiences while wrestling with the complex moral quandaries of artistic production, memory, and trauma. The poets: Carolyn Forché (Salvadoran Civil War), Saghi Ghahraman (Iranian Revolution), Fady Joudah (Doctors Without Borders), Claudia Serea (Socialist Republic of Romania), Mario Susko (Bosnian War), and Bruce Weigl (Vietnam War) offer first-person accounts of how their experiences as soldier, activist, doctor, and survivor imprint their poetry as evidence of those conflicts, rather than as representations of them.

Buy Poetry of Witness: The Documentary

A Couple of Suggested Anthologies (there are so many more…)

Against Forgetting: Twentieth-Century Poetry of Witness

Award winning poet Carolyn Forché spent 13 years compiling Against Forgetting: 20th Century Poetry of Witness. It is an exhaustive and illuminating work of breadth, beauty, wisdom and tragedy.

Poetry of Witness: The Tradition in English, 1500 – 2001

More about the Poetry of Witness

Anthony Cirilo Talks about Poetry of Witness

Carolyn Forché talks about the poetry of witness

Poet Carolyn Forché gathers 500 years of suffering in new anthology

Sandra Beasley: “Flint and Tinder – Understanding the Difference Between ‘Poetry of Witness’ and ‘Documentary Poetics’”

More About Against Forgetting at3Generations

Love y’all. 

Mary

 

 

Daily Prompt Love <3 Our Work

11/13/2016

Make art about our work, about what you think our work is, about what work means now. 

work

Because I Needed to Stand in the Light <3

The moon does not fight. It attacks no one. It does not worry. It does not try to crush others. It keeps to its course, but by its very nature, it gently influences. What other body could pull an entire ocean from shore to shore? The moon is faithful to its nature and its power is never diminished.  -Ming-Dao Deng

 

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One More Call for Submissions: Tenemos Deadline Nov 18. Submission Fee

Temenos Fall Call for Submissions: Skin Suits & Bare Bones

Deadline: November 18, 2016

 

We are born into a society that judges our skins, our genders, and our love lives. This Fall, Temenos asks you to expose the skeletons in your closets to share the deep dark of all our selves. We want to know: what are your bones made of—steel, or sand? The best submissions of poetry, fiction, creative nonfiction, and art and photography will be accepted.

Fee for submission is $4.

Submission deadline is Friday, November 18th, 2016.

See temenosjournal.com/index.php/submit for more information.

Gettin to the Heart of It All <3 Call for Submissions <3 HeartWood Literary Magazine

HeartWood, an online literary magazine in association with West Virginia Wesleyan’s Low-Residency MFA program, publishes twice yearly, in April and October. Our inaugural issue will go live April 2017.


We accept submissions year round through Submittable, and welcome previously unpublished poetry, fiction, and creative nonfiction, from both established and emerging writers. We do love Appalachian voices, but we enthusiastically encourage writers from all backgrounds to submit. 

General Submissions

What We Want:

We are interested in writing that pushes into, dares to reveal, its own truth, that takes emotional risks, that gets to the heart of the matter.

Simultaneous submissions are fine, provided you notify us if the work is accepted elsewhere.

We also welcome queries from Appalachian artists (writers, visual artists, musicians, performers, folk artists, etc) interested in being included in our Appalachian Arts section.

Submission Details

Prose submissions, fiction or nonfiction, should be 3000 words or less.

Fiction: Fiction submissions may include short stories, flash fiction, or novel excerpts if the excerpt can stand alone. You may submit more than one piece of flash fiction, as long as the total word count does not exceed 3000 words.

Creative Nonfiction: We’re open to a wide range of nonfiction, with the exception of academic articles, or that which would be considered more traditionally journalistic. Personal essay, memoir, lyric, literary journalism, or some blurring in between, are all acceptable.

Poetry: Poets should submit no more than 3-5 single-spaced poems at a time. Include all poems in a single document for upload. Lyric, narrative, experimental, prose poems–we’re open to all variations of the poetic voice.

Surprise us. Make us think. Make us feel. Make our hearts race.

Appalachian Arts Interviews

We also welcome queries from Appalachian artists (writers, visual artists, musicians, performers, folk artists, etc) interested in being included in our Appalachian Arts section. We define Appalachian artists as an artist who is heavily influenced by the Appalachian region and its traditions, history, and people. At HeartWood, we are looking for artists who take these traditions and speak to them in a new and unexpected way.

To query about possible inclusion in the Appalachian Arts section: Submit the following in one document (doc, docx) through the Appalachian Arts link on our Submittable page:

  • Artist bio
  • Artist statement addressing what being an “Appalachian artist” means to you, how you uniquely define yourself as an Appalachian artist, and how your connection to Appalachia as you see/define it connects (or doesn’t) to your work.
  • At least one link to where artwork or samples can be seen/heard (artist website, other publications, YouTube, etc).

If we’re interested, based on the query, editors will email requesting additional information and work sample.

What We’ll Do

Submissions will be responded to within three months. If you haven’t heard from us after three months, feel free to inquire by sending us a note through Submittable.  If your work is accepted, HeartWood acquires first North American rights. All rights revert to the author upon publication, but we do ask for first publication attribution in any future publications. We also reserve the right to include accepted pieces in any future anthologies or promotions. If we have passed on a submission, please wait 6 months before submitting again. Regrettably, time being as it is, we are unable offer feedback on submissions. 

As much as we would love to be able to pay our contributors, unfortunately we are not able to do so. This is a labor of love for all of us, and we will do our best to honor and promote your work. 

(Please note: We regret that current or past employees, current or past students, and alumni of WVWC are not eligible for publication in HeartWood, but we wish you much luck with your work elsewhere.)

 

Website: http://www.heartwoodlitmag.com/

Submit Here!

HeartWood

 

Daily Prompt Love <3 Conversation, and Loneliness

11/11/2016

Make art about conversations that heal.

conversations_matter

11/12/2016

Make art about standing alone.

alone_in_the_crowd_by_yasir82

Daily Prompt Catch-Up <3

11/8/2016

Make art about hard choices.

tough-decisions

 

11/9/2016

Make art about not learning the lessons of history.

aldous-huxley-trading-quotes

11/10/2016

Make art about Love as Resistance.

love-resistance

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