"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Archive for the ‘Writing Coaching & Workshops’ Category

Openings This Summer for Manuscript Consultations

Got manuscript? I have openings this summer for manuscript consultations.
____________________________________________
 
Distance One-on-One Manuscript Consultation
Poetry, Fiction, or Nonfiction
 
A Month By Mail, Focused Completely On Your Work!
 
Week 1: I receive and focus on a close reading of your manuscript.
 
Week 2: I will closely read a second time, this time making line by line editorial comments, returning the line-edited manuscript to you, and a detailed 6-8 page letter with initial response and suggestions by mail at the end of the first week. Upon your receipt of the manuscript, we’ll have an initial phone call (these usually last around 2 hours) to discuss those suggested edits, focusing that first week primarily on characterization, consistency, voice, the perceived goals of the narrative.
 
Week 3: I’ll compose a second detailed letter, this time focusing on structure and control of the narrative throughline, as well as any other elements I see presenting in the submitted work. This I’ll email to you by midweek, and again, we can schedule a phone meeting at week’s end to address this second editorial run through.
 
Week 4: I’ll ask that you send to me a list of your questions or comments early in the week, which I’ll address in writing, as well as sending you another detailed critique letter, focused on language and new ways of understanding and crafting voice and storytelling. We’ll finish with a third phone meeting to tie up any loose ends, address any remaining questions you might have on the critique provided.
 
So that’s Full Line Edits, Three Critique Letters, and Three Phone Meetings.
 
Contact me at carrollhackettma@gmail.com for a quote and scheduling.
 
the note

Openings in March & April for Distance Manuscript Consultations

Distance One-on-One Manuscript Consultation Proposal

A Month By Mail, Focused Completely On Your Work!

Week 1: I receive and focus on a close reading of your manuscript.

Week 2: I will closely read a second time, this time making line by line editorial comments, returning the line-edited manuscript to you, and a detailed 6-8 page letter with initial response and suggestions by mail at the end of the first week. Upon your receipt of the manuscript, we’ll have an initial phone call (these usually last around 2 hours) to discuss those suggested edits, focusing that first week primarily on characterization, consistency, voice, the perceived goals of the narrative.

Week 3: I’ll compose a second detailed letter, this time focusing on structure and control of the narrative throughline, as well as any other elements I see presenting in the submitted work. This I’ll email to you by midweek, and again, we can schedule a phone meeting at week’s end to address this second editorial run through.

Week 4: I’ll ask that you send to me a list of your questions or comments early in the week, which I’ll address in writing, as well as sending you another detailed critique letter, focused on language and new ways of understanding and crafting voice and storytelling. We’ll finish with a third phone meeting to tie up any loose ends, address any remaining questions you might have on the critique provided.

So that’s Full Line Edits, Three Critique Letters, and Three Phone Meetings.

Contact me at carrollhackettma@gmail.com for a quote and scheduling.

editing

Daily Prompt <3 The Kicked Dog

12 February 2019 

Once when I was a little girl, with my mama, we encountered a particularly grumpy, difficult person. As we moved away from the angry man, under her breath, Mama murmured in her lilting Southern accent, “Mmm, somebody kicked that dog.” 

Being the mouthy kid I was, and an animal lover 🙂 I immediately asked, “Dog? What dog, Mama?” 

She smiled, saying, “Not a real dog, Mary. That man.”

“The mean one?” I asked. 

She nodded, and explained, “When we meet a dog that seems mean, or aggressive, growling at us, we never assume the dog was born vicious, right? We assume that something has happened, that the dog has been mistreated or hurt in some way that made it mean. But we don’t give difficult people the same benefit of the doubt, do we?” She smiled. “Maybe we should.” 

Make art about compassion, about a moment you learned compassion, or recognized that you needed to respond with compassion. 

dog-1149188_640

Daily Prompt Love <3 On Coming Back

4 February 2019 

For a number of reasons, over the last eighteen months, I found myself unable to keep up my daily prompts. But I’m back for another try. 

Make art about coming back. 

bees come back

Summer’s a Great Time to Get That Book in Shape!

Distance One-on-One Manuscript Consultation Proposal

A Month By Mail, Focused Completely On Your Work!

Week 1: I receive and focus on a close reading of your manuscript.

Week 2: I will closely read a second time, this time making line by line editorial comments, returning the line-edited manuscript to you, and a detailed 6-8 page letter with initial response and suggestions by mail at the end of the first week. Upon your receipt of the manuscript, we’ll have an initial phone call (these usually last around 2 hours) to discuss those suggested edits, focusing that first week primarily on characterization, consistency, voice, the perceived goals of the narrative.

Week 3: I’ll compose a second detailed letter, this time focusing on structure and control of the narrative throughline, as well as any other elements I see presenting in the submitted work. This I’ll email to you by midweek, and again, we can schedule a phone meeting at week’s end to address this second editorial run through.

Week 4: I’ll ask that you send to me a list of your questions or comments early in the week, which I’ll address in writing, as well as sending you another detailed critique letter, focused on language and new ways of understanding and crafting voice and storytelling. We’ll finish with a third phone meeting to tie up any loose ends, address any remaining questions you might have on the critique provided.

So that’s Full Line Edits, Three Critique Letters, and Three Phone Meetings.

Contact me at carrollhackettma@gmail.com for a quote and scheduling.

Let’s Make Your Beautiful Work Even Better! 

Check out all of the editing services I offer here!

editing

One on One Manuscript Consultations This Summer!

I have openings for manuscript consultations in June. 
Poetry, Fiction, Nonfiction
 
Distance One-on-One Manuscript Consultation!
 
A Month By Mail, Focused Completely On Your Work!
 
More details HERE!
 
Let’s make your beautiful work even better!
 
editing

Prompts for Poetry Month! All in One Place!

Happy National Poetry Month!!! Let’s get that write on! 

Wanta play Poem a Day? Or Flash? Or micromemoir? 

Instead of the Daily Prompt Love, I’ve posted 15 Brand New Prompts all together for a Poetry Month celebration! Write whatever you want–poem a day, flash, microessays!

I’ll add 15 more in a couple of weeks to finish out the month’s celebration!

Join us over in the Better Than Black Friday Writing Group on Facebook for some poem a day, or whenever prompted action 

Party on, writers! 

https://www.facebook.com/groups/1512919158978356/   

be writing

Daily Prompt Love <3 Light & Transformation

15 March 2018

Make art about what the light reveals.

DSCN0195

16 March 2018

Do the transformations of memory

become the changing lines of divination?

Is the continuum of a moment a red

poppy blooming by a fence?” – Arthur Sze

Make art about the transformation of memory.

poppy

Daily Prompt Love <3 Quoth the Raven

14 March 2018

Make art about what the raven said. 

common raven

 

Daily Prompt Love <3 Cultural Landscape

Geographer Otto Schlüter is credited with having first formally used “cultural landscape” as an academic term in the early 20th century. He defined two forms of landscape: the Urlandschaft (transl. original landscape) or landscape that existed before major human induced changes and the Kulturlandschaft (transl. ‘cultural landscape’) a landscape created by human culture. The major task of geography was to trace the changes in these two landscapes.

It was Carl O. Sauer, a human geographer, who was probably the most influential in promoting and developing the idea of cultural landscapes. Sauer was determined to stress the agency of culture as a force in shaping the visible features of the Earth’s surface in delimited areas. Within his definition, the physical environment retains a central significance, as the medium with and through which human cultures act. His classic definition of a ‘cultural landscape’ reads as follows:

“The cultural landscape is fashioned from a natural landscape by a cultural group. Culture is the agent, the natural area is the medium, the cultural landscape is the result.”

A 2006 academic review of the combined efforts of the World Heritage Committee, multiple specialists around the world, and nations to update and apply the concept of ‘cultural landscapes’, observed and concluded that:

“Although the concept of landscape has been unhooked for some time from its original art associations … there is still a dominant view of landscapes as an inscribed surface, akin to a map or a text, from which cultural meaning and social forms can simply be read.”

Make art about a cultural landscape, on reading cultural meaning in the shaping of land.

cultural landscape

 

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