"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Posts tagged ‘editing’

Friday Call for Submissions Love <3 The Hunger

The Hunger: Open for Submissions Until April 15th

Deadline: April 15, 2019

“The Hunger is a journal of visceral writing that publishes fiction, poetry, nonfiction, hybrid work, and visual art. The theme of “hunger” is not confined only to food, but hungers and thirsts of all kinds: the craving for connection, the human need to be filled or emptied, the devastating desires that define our most alive moments. Hungers can be sexual, romantic, familial, individualistic, spiritual, creative, sorrowful, conflicted, humanistic, and/or existential. Send us work that bleeds. We want to be devoured.”

For submission guidelines visit www.thehungerjournal.com/submit.

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Friday Call for Submissions Love <3 Oyster River

Oyster River Pages Call for Submissions – Special & Regular Issue

Deadline: May 31, 2019

Oyster River Pages is a literary and artistic collective seeking submissions of fiction, creative nonfiction, poetry, and visual arts that stretch creative and social boundaries.

“We believe in the power of art to connect people to their own and others’ humanity. Because of this, we seek to feature artists whose voices have been historically decentered and marginalized. In addition to regular submissions, we are temporarily seeking submissions for our themed issue, Delta, which is reflective of change, transformation, expansion, unification, and of the liminal spaces between land and water.

Please visit Oyster River  for more submission details.

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Openings in March & April for Distance Manuscript Consultations

Distance One-on-One Manuscript Consultation Proposal

A Month By Mail, Focused Completely On Your Work!

Week 1: I receive and focus on a close reading of your manuscript.

Week 2: I will closely read a second time, this time making line by line editorial comments, returning the line-edited manuscript to you, and a detailed 6-8 page letter with initial response and suggestions by mail at the end of the first week. Upon your receipt of the manuscript, we’ll have an initial phone call (these usually last around 2 hours) to discuss those suggested edits, focusing that first week primarily on characterization, consistency, voice, the perceived goals of the narrative.

Week 3: I’ll compose a second detailed letter, this time focusing on structure and control of the narrative throughline, as well as any other elements I see presenting in the submitted work. This I’ll email to you by midweek, and again, we can schedule a phone meeting at week’s end to address this second editorial run through.

Week 4: I’ll ask that you send to me a list of your questions or comments early in the week, which I’ll address in writing, as well as sending you another detailed critique letter, focused on language and new ways of understanding and crafting voice and storytelling. We’ll finish with a third phone meeting to tie up any loose ends, address any remaining questions you might have on the critique provided.

So that’s Full Line Edits, Three Critique Letters, and Three Phone Meetings.

Contact me at carrollhackettma@gmail.com for a quote and scheduling.

editing

Summer’s a Great Time to Get That Book in Shape!

Distance One-on-One Manuscript Consultation Proposal

A Month By Mail, Focused Completely On Your Work!

Week 1: I receive and focus on a close reading of your manuscript.

Week 2: I will closely read a second time, this time making line by line editorial comments, returning the line-edited manuscript to you, and a detailed 6-8 page letter with initial response and suggestions by mail at the end of the first week. Upon your receipt of the manuscript, we’ll have an initial phone call (these usually last around 2 hours) to discuss those suggested edits, focusing that first week primarily on characterization, consistency, voice, the perceived goals of the narrative.

Week 3: I’ll compose a second detailed letter, this time focusing on structure and control of the narrative throughline, as well as any other elements I see presenting in the submitted work. This I’ll email to you by midweek, and again, we can schedule a phone meeting at week’s end to address this second editorial run through.

Week 4: I’ll ask that you send to me a list of your questions or comments early in the week, which I’ll address in writing, as well as sending you another detailed critique letter, focused on language and new ways of understanding and crafting voice and storytelling. We’ll finish with a third phone meeting to tie up any loose ends, address any remaining questions you might have on the critique provided.

So that’s Full Line Edits, Three Critique Letters, and Three Phone Meetings.

Contact me at carrollhackettma@gmail.com for a quote and scheduling.

Let’s Make Your Beautiful Work Even Better! 

Check out all of the editing services I offer here!

editing

One on One Manuscript Consultations This Summer!

I have openings for manuscript consultations in June. 
Poetry, Fiction, Nonfiction
 
Distance One-on-One Manuscript Consultation!
 
A Month By Mail, Focused Completely On Your Work!
 
More details HERE!
 
Let’s make your beautiful work even better!
 
editing

Call for Submissions Love <3 K'in! Still Reading For Our Inaugural Issue. Especially Seeking Fiction

Submission Details

Prose: 5000 words or less, open to content, form, structure.

Fiction: We welcome short stories of all shapes and sizes, from the mind-blowing traditional story to fiction that blurs the lines between forms, genre fiction, experimental fiction, etc. We also welcome flash and micro fiction.

Nonfiction: We’re looking for slow burns in a world of hot takes, questions asked instead of answers proved. We welcome a wide variety of nonfiction—traditional essay, narrative nonfiction, micro/flash memoir—and encourage experimentation, though not at the expense of factual truth. Too many true stories go untold, and we want to offer space to honor those voices.

Poetry: 3-5 poems, open to content, form, structure. Please don’t forget the power voice, sound, and time can have in poetry.

For all submissions, simultaneous submissions are permitted, but please let us know. To withdraw one part of a submission, please add a note in Submittable so that the information is instantly available to all editors. We will not process emailed withdrawal requests.
Experimental, traditional, playful, prayerful, celebratory, challenging: human—try us. Show us a new way to tell one of the millions of stories under that glorious sun.  

SUBMIT HERE

Sunrise for K'in--Large               

Special Call for Submissions Love <3 Dove Tales Seeking Work Exploring Empathy In Art

Dove Tales

Our DoveTales journal is a manifestation of the Writing for Peace mission to promote writing that explores the many aspects of peace. One of our goals is to expose young writers to a diverse collection of thoughtful works by both established and emerging writers, as well as our Writing for Peace advisers.

DoveTales also features works by the winners of our annual Young Writer Competition. The journal will be released on July 1, 2018. There is no fee for submission, but please read our guidelines carefully.

Theme: The theme of our 2018 issue of DoveTales is Empathy in Art: Embracing the Other. As in our previous issues, we encourage contributors to take a broad view of the definitions of “empathy,” “art,” and “other” within the context of peace.

  • The reading period begins October 1st, 2017, and ends March 15th, 2018, for a publication date of July 1, 2018
  • We prefer previously unpublished work, but if you feel your published piece is especially relevant to our theme, and you own the rights to it, please give us all the particulars of its publishing history so we can be sure to properly credit the previous publisher.
  • Work must be submitted electronically through Submittable.  Please include a 50-word third-person biography, and make sure your contact information and mailing address are current.
  • We are happy to accept simultaneous submissions, but please inform us immediately if your work has been accepted elsewhere.
  • Contributors maintain all rights to their work, but grant Writing for Peace the right to publish work in both hard copy and e-book formats. Contributors will receive one complimentary hard copy of the journal. Should the piece be re-published later, we would be grateful for a mention.

The theme of our 2018 issue of DoveTales is Empathy in Art: Embracing the Other. As in our previous issues, we encourage contributors to take a broad view of the definitions of “empathy,” “art,” and “other” within the context of peace.

Learn More About Writing For Peace Here

Complete Guidelines Here

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