We’re so excited and honored to share with you the amazing work in K’in, Issue 4!
Womxn at Red Door 104: Words and Art, created to celebrate Virginia womxn writers, is a partnership between Creative Writing at Longwood University and Red Door 104, a unique gallery and art learning center owned and operated by the tireless and talented Audrey Sullivan, in historic downtown Farmville,Virginia.
The series will consist of two events annually:
The first Womxn at Red Door 104 reading will take place from 2-4 pm on Saturday, April 4, 2020. The art opening will take place in October 2020, date tba.
Selected writers must be available to read in person, and should be willing to attend both events.
Believing that artists should be compensated when possible, we will award all selected readers a small token honorarium.
Please submit writing samples, as detailed below, along with a 50-75 word bio, via Submittable. Please include in your bio your current Virginia city of residence.
Submissions are limited to current Virginia residents.
Send us your best! We’re looking for work that is visually rich, and that will make for a compelling live reading.
The Festival Seeking New and Diverse Voices for Fall Issue
An enrolled member of the Ohlone-Costanoan Esselen Nation of California, poet Deborah Miranda was born in Los Angeles to an Esselen/Chumash father and a mother of French ancestry. She grew up in Washington State, earning a BS in teaching moderate special-needs children from Wheelock College in 1983 and an MA and PhD in English from the University of Washington. Miranda’s collections of poetry include Raised by Humans (2015); Indian Cartography: Poems (1999), winner of the Diane Decorah Memorial First Book Award from the Native Writers’ Circle of the Americas; and The Zen of La Llorona (2005), nominated for a Lambda Literary Award. Miranda also received the 2000 Writer of the Year Award for Poetry from the Wordcraft Circle of Native Writers and Storytellers. Her mixed-genre collection Bad Indians: A Tribal Memoir (2013) won a Gold Medal from the Independent Publisher’s Association and the PEN Oakland Josephine Miles Literary Award, and was shortlisted for the William Saroyan Award. She teaches at Washington & Lee.
“The poems in Raised by Humans are about surviving childhood and colonization. Childhood did not agree with Deborah Miranda, mostly because the adult humans in charge of her life were not prepared to manage their own lives, let alone the life of a human-in-training. Humans raised Deborah, but it wasn’t a humane childhood.
This poetry collection is also about how indigenous people survive civilization and become readers and writers of the same alphabet that colonized their culture. The complexity of being forced to find her way into relationship with the very people or cultures that have hurt/raised Miranda is a paradox at the heart of her poetry, which pushes language past what Miranda calls the “alphabet of walls.”
Manzano Mountain Review Seeks Submissions!
Deadline: October 1, 2019
Manzano Mountain Review, an online literary journal based in New Mexico, seeks flash prose, poetry, short prose, & image.
“We love flash—little pieces that explode in our hands. We like plot, but not at the expense of character. Brevity, lyric, place, experiment. The terse and the lyrical. Work that crosses boundaries. Provoke us. The theme is “Wilderness.”
Activism Anthology Call for Submissions
Deadline: October 15, 2019
Something happened and made you want to get involved in transforming your organization, neighborhood, community, state, or country. You decided to speak up for something you care about, and did so through words, images, or actions. Or, maybe this is the first time you are speaking out. MuseWrite Press seeks short stories, poems, essays, and creative nonfiction that capture your journey, work, and/or goals regarding your activism. Considering unpublished submissions of no more than 2,500 words.
Email submissions to email@example.com by October 15, 2019. Include a 50-word bio.
Visit www.MuseWrite.com for info on press and editors.