Daily Prompt Love <3 Our Work
11/13/2016
Make art about our work, about what you think our work is, about what work means now.

11/13/2016
Make art about our work, about what you think our work is, about what work means now.

The moon does not fight. It attacks no one. It does not worry. It does not try to crush others. It keeps to its course, but by its very nature, it gently influences. What other body could pull an entire ocean from shore to shore? The moon is faithful to its nature and its power is never diminished. -Ming-Dao Deng
Temenos Fall Call for Submissions: Skin Suits & Bare Bones
Deadline: November 18, 2016
We are born into a society that judges our skins, our genders, and our love lives. This Fall, Temenos asks you to expose the skeletons in your closets to share the deep dark of all our selves. We want to know: what are your bones made of—steel, or sand? The best submissions of poetry, fiction, creative nonfiction, and art and photography will be accepted.
Fee for submission is $4.
Submission deadline is Friday, November 18th, 2016.
See temenosjournal.com/index.php/submit for more information.
We accept submissions year round through Submittable, and welcome previously unpublished poetry, fiction, and creative nonfiction, from both established and emerging writers. We do love Appalachian voices, but we enthusiastically encourage writers from all backgrounds to submit.
General Submissions
What We Want:
We are interested in writing that pushes into, dares to reveal, its own truth, that takes emotional risks, that gets to the heart of the matter.
Simultaneous submissions are fine, provided you notify us if the work is accepted elsewhere.
We also welcome queries from Appalachian artists (writers, visual artists, musicians, performers, folk artists, etc) interested in being included in our Appalachian Arts section.
Submission Details
Prose submissions, fiction or nonfiction, should be 3000 words or less.
Fiction: Fiction submissions may include short stories, flash fiction, or novel excerpts if the excerpt can stand alone. You may submit more than one piece of flash fiction, as long as the total word count does not exceed 3000 words.
Creative Nonfiction: We’re open to a wide range of nonfiction, with the exception of academic articles, or that which would be considered more traditionally journalistic. Personal essay, memoir, lyric, literary journalism, or some blurring in between, are all acceptable.
Poetry: Poets should submit no more than 3-5 single-spaced poems at a time. Include all poems in a single document for upload. Lyric, narrative, experimental, prose poems–we’re open to all variations of the poetic voice.
Surprise us. Make us think. Make us feel. Make our hearts race.
Appalachian Arts Interviews
We also welcome queries from Appalachian artists (writers, visual artists, musicians, performers, folk artists, etc) interested in being included in our Appalachian Arts section. We define Appalachian artists as an artist who is heavily influenced by the Appalachian region and its traditions, history, and people. At HeartWood, we are looking for artists who take these traditions and speak to them in a new and unexpected way.
To query about possible inclusion in the Appalachian Arts section: Submit the following in one document (doc, docx) through the Appalachian Arts link on our Submittable page:
If we’re interested, based on the query, editors will email requesting additional information and work sample.
What We’ll Do
Submissions will be responded to within three months. If you haven’t heard from us after three months, feel free to inquire by sending us a note through Submittable. If your work is accepted, HeartWood acquires first North American rights. All rights revert to the author upon publication, but we do ask for first publication attribution in any future publications. We also reserve the right to include accepted pieces in any future anthologies or promotions. If we have passed on a submission, please wait 6 months before submitting again. Regrettably, time being as it is, we are unable offer feedback on submissions.
As much as we would love to be able to pay our contributors, unfortunately we are not able to do so. This is a labor of love for all of us, and we will do our best to honor and promote your work.
(Please note: We regret that current or past employees, current or past students, and alumni of WVWC are not eligible for publication in HeartWood, but we wish you much luck with your work elsewhere.)
Website: http://www.heartwoodlitmag.com/
Submit Here!

11/11/2016
Make art about conversations that heal.

11/12/2016
Make art about standing alone.

11/8/2016
Make art about hard choices.

11/9/2016
Make art about not learning the lessons of history.

11/10/2016
Make art about Love as Resistance.

Thanks to Paul McVeigh for sharing this call.
“Send any materials that you wish to have considered for publication in (the) Squawk Back—preferably as attachments in .doc, .rtf, .txt, or .odt format; or copy-pasted in the body of an email—but under no circumstances as .wps files or PDFs, and preferably not .docx’s—to…..
We read year round. All first-time submitters will hear back from us within two weeks. Those previously published in Squawk Back will wait a bit longer, as their submissions do, unfortunately, go to the bottom of a pile, owing to that we try very hard to feature new contributors in every issue.
We primarily publish fiction, poetry, and creative non-fiction. We do not publish plays or screenplays, but we may consider monologues. We will consider excerpts from unpublished novels, poetry collections &c, but please do not submit entire books.
No individual prose submission should exceed ten-thousand words in length. For submitters of poems, we’d prefer it if you kept it under ten pieces per submission. Multiple-poem submissions go in one document or are pasted into the body of one email.
Upon acceptance for publication, submitted pieces which appear in their entirety on personal blogs either Must Be Removed from those pages or replaced with excerpts and/or links to their new home in Squawk Back.
Upon submitting your work, you hereby grant (the) Squawk Back a non-exclusive, royalty-free, perpetual and irrevocable license to use, reproduce, distribute, modify and display your content for any purpose, including without limitation promoting and redistributing part or all of the site. Works submitted to Squawk Back, whether officially or unofficially copyrighted, will remain the full intellectual property of their authors. We are far less interested in exploiting emergent literary voices than providing them with a louder box with which to squawk.”

11/7/2016
“I am loath to close. We are not enemies, but friends. We must not be enemies. Though passion may have strained it must not break our bonds of affection. The mystic chords of memory, stretching from every battlefield and patriot grave to every living heart and hearthstone all over this broad land, will yet swell the chorus of the Union, when again touched, as surely they will be, by the better angels of our nature.”–Abraham Lincoln, First Inaugural Address, Monday, March 4, 1861
Make art about the better angels of our nature (’cause we sure need ’em now).

This week meet one of my most beloved brother mans 🙂 Peter Grandbois, author of seven books, including: The Gravedigger, selected by Barnes and Noble for its “Discover Great New Writers” program, The Arsenic Lobster: A Hybrid Memoir, chosen as one of the top five memoirs of 2009 by the Sacramento News and Review, Nahoonkara, winner of the gold medal in literary fiction in Foreword magazine’s Book of the Year Awards for 2011, a collection of surreal flash fictions, Domestic Disturbances, a finalist for Book of the Year in Foreword magazine’s 2013 awards, and the novella collections or “monster double features,” Wait Your Turn, The Glob Who Girdled Granville (Honorable Mention, IndieFab award in the category of best fantasy of 2014), and The Girl on the Swing. His essays and short stories have appeared in numerous journals and been shortlisted for both the Pushcart Prize and Best American Essays. His plays have been performed in St. Louis, Columbus, Los Angeles, and New York. He is senior editor at Boulevard magazine and fiction co-editor at Phantom Drift.
Peter is a graduate of the University of Denver (Ph.D. 2006) and Bennington College (M.F.A. 2003). Previously, he taught at California State University in Sacramento and is currently an associate professor at Denison University.
Nahoonkara is my favorite 🙂
Praise for Nahoonkara
In the tradition of nature writers Rick Bass and Annie Dillard, award winning writer Peter Grandbois’ new novel Nahoonkara opens up an oneiric space of wonder, a place outside preconceived notions of reality and identity, a place where we are free to re-imagine ourselves.
“[Nahoonkara]…incorporates elements of historical fiction with experimental fiction, but nothing that pulls the reader out of the fictional dream.”
—Robin Martin,Gently Read Literature
“Departing from traditional narrative form, Grandbois moves masterfully between first, second, and third persons to invite readers into a textual visualization of how individual choices affect the well-being of the community.” —Review of Contemporary Fiction
“Peter Grandbois is a splendid writer I intend to follow very closely.”
—Robert Olen Butler, Pulitzer Prize Winning author of A Good Scent From a Strange Mountain
“Vividly drawn, exquisitely crafted, Nahoonkara bespeaks not just the promise of its author, but also his undeniable power.”—Laird Hunt, author of Ray of the Star
Buy Peter’s beautiful books!
Nahoonkara
The Gravedigger
https://www.amazon.com/Gravedigger-Peter-Grandbois/dp/0811858189
The Girl on the Swing: Two Novellas
http://www.wordcraftoforegon.com/#wsfn3_girl
The Glob Who Girdled Granville & The Secret Lives of Actors: Two Novellas
http://www.wordcraftoforegon.com/#wsfn2_glob
Wait Your Turn & The Stability of Large Systems: Two Novellas
http://www.wordcraftoforegon.com/#grandbois1_waityourturn
The Arsenic Lobster: A Hybrid Memoir
http://www.spuytenduyvil.net/arsenic-lobster1.html
Domestic Disturbances
http://www.subitopress.org/catalog/2013-2/grandbois
More from Peter Online
http://www.wordriot.org/archives/2971
http://penmenreview.com/spotlight/penmen-profile-peter-grandbois/
http://midwestgothic.com/2015/07/interview-peter-grandbois/
http://thestoryprize.blogspot.com/2013/10/peter-grandbois-listens-to-images.html
http://www.smokelong.com/smoking-with-peter-grandbois/
And he fences too!!! 🙂
https://denisonmagazine.com/article/uncommon-ground-the-secret-lives-of-professors-peter-grandbois
Hear Peter Read 🙂
https://www.youtube.com/watch?v=awJ9W7SlQ6o
https://www.youtube.com/watch?v=_DHaPjIYTro
https://www.youtube.com/watch?v=Su84xHD7PXs
And there’s fencing video too! 🙂
https://www.youtube.com/watch?v=TeJK5-q1WG0
Happy Reading!
xo
Mary
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