"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Posts tagged ‘publish’

Call For Submissions Love <3 Lumina: Borders and Boundaries

LUMINA, Vol. XVI: Borders and Boundaries

Deadline: September 15, 2016

 

We are looking for bold, beautiful, and new interpretations of all the ways we interface with borders and boundaries in our world: travel, immigration, maps, gender, sexuality, love, citizenship, race, the physical body, language, death, the interior vs. the exterior, atmospheric layers, psychological barriers, prisons, fences, rules and relationships, challenging the boundaries among genres, and anything else this theme conjures up.

Lumina website: luminajournal.com

 

Full Submissions Guidelines here: https://luminajournal.com/submission-guidelines/

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Art, Artists, Bless the Day, Call for Submissions, Creativity, Editing, fiction, Friday Call for Submissions, Gratitude, litmags, nonfiction, One Love, poetry, publishing, Writing

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Monday Must Read! Monty Campbell Jr: A Large Dent in the Moon

monty campbellMeet Monty Campbell Jr, author of Train through the Video Game (Shabda Press) and A Large Dent in the Moon(Foothills). Monty is a member of the Cayuga Tribe of the Six Nations. He grew up in and around Gowanda, NY, the Cattaraugus Reservation and Rochester, NY’s inner city. His work is also included in the indigenous poets anthology, I was Indian (FootHills Publishing, 2009) and Simpatico, On the Road (Simpatico, 2009).

Buy A Large Dent in the Moon!

http://www.foothillspublishing.com/2011/id21.htm

Praise for A Large Dent in the Moon

Erupting from the junkyards, dead eyed alleys and psycho-babble of our raped and compromised Turtle Island, Monty Campbell, Jr., incandescently stands for truth in all its flawed magnificence. A Large Dent in the Moon is a clarion call to non-Indians and Indians alike to get it together before we drown in a tsunami of exploitation, lies and mediocrity. Monty Campbell is a wichasha wakan for our times.  I’ve had the great fortune of reading through his book three times now and each time I was left shattered, awed and breathless.  May these poems be the first of many such incantations.~Paul Hapenny

This first book by Monty Campbell, Jr. makes a large dent, indeed.  Careening around every corner the reader finds startling metaphors, precision line-breaks, and enough poetic arsenal to supply NASA’s next mission.  Monty’s “music slides / through the genetic / garbage of a / Rochester alley…” His poems are Manifestos / written on / cell phones / portraits of / everyday / struggle” and “Rez Photos” where “all the skin is brown, / weighed / and forgiven…”  These poems are alternately sensual, despairing, angry, hopeful, but always crafted with love out of three decades of survival on the real side of America’s tracks.  If Lou Reed is correct that it takes a “Busload of Faith to get by,” here it is, achieving lift-off.~John Roche

From the Introduction:

I think that never have I read work by an indigenous writer in which so much is said about the beauty of Earth filtered through palimpsest-images of city, ghost streets, train tracks, and litter forced upon Turtle Island and our planet altogether.  It is beauty conveyed through loss.  I literally hurt when I read Monty’s poetry.  Yet, as I state in my blurb, Monty’s poems have led me to understand something about love which I never understood before.  When you read this book, I trust you will get why I cannot paraphrase any poems herein; doing so would strip the tropes, deep song, and enfolding spaces of their haunting realness, evocations and dreamscapes (if not nightmare-scapes).  It would do dishonor to that love.~Susan Deer Cloud

Read More From Monty Online

http://www.alestlelive.com/lifestyles/article_da20c15c-2faa-11e3-9855-0019bb30f31a.html

https://spaceslitmag.wordpress.com/2013/01/12/writers-reading-monty-campbell-jr/

http://www.amerinda.org/talkingstick/15-2/

 

 

Happy Reading!

xo

Mary

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Call for Submissions Love <3 Print-Oriented Bastards

PRINT-ORIENTED BASTARDS

A quarterly online literary magazine that features emerging writers and artists. All genres are welcome, including literary comics, interviews, reviews, and cross-genre work. Simultaneous submissions accepted year-round. Response time is typically 1 month. For guidelines and the latest issue, visit www.printorientedbastards.com.

Complete Guidelines Here: http://www.printorientedbastards.com/submit.html

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Call for Submissions Love In My Email This Morning :-)

Doorknobs & BodyPaint
Guidelines & Prompts
Issue 82, May, 2016
Off to Work We Go

Submission deadline:
Opens–March 15, 2015 / Closes–April 17, 2016
Publication date: May 2016

Send Submissions to:
doorknobsandbodypaint@gmail.com

Call for Submissions

Off to Work We Go.  For many of us work is a daily destination filled with demands on our time and endless routine.  There is little time left for our dreams.  But, we all have them.  And, for a moment, over a cup of coffee or sandwich from home, we imagine what it would be like to do something else.  Something more exciting.  Something with a little adventure in it. Write your story within the limits of our contest guidelines (hoops):

DOORKNOBS Kieron Devlin, editor
1. Maximum length: 250 words.
2. The sub-theme is: discipline.
3. The year is:  2004.
4. Within the story, you must use this text:  sticking to the rules.TAPAS  (tiny morsels) Joanne Faries, editor
1.  Maximum length:  250 words.
2.  The sub-theme is: vacation.
3. Within the story, you must use this bit of text:  an embellished resume.
4. Like seasoning, it is language that makes your story unique. Surprise us.

HAYWARD FAULT LINE (shake us up) Leila Rae, editor 
1. Maximum length: 450 words.
2. The sub-theme is: endurable.
3. The setting is: Milwaukee, WI.
4. Within the story, you must use this bit of text: without yielding.

DORSAL CONTEST:  Bara Swain, editor

In John Steinbeck’s Of Mice and Men, two migrant workers, George and his mentally disabled life-long friend Lennie, have come to a ranch in the Salinas Valley to find work in the middle of the Great Depression. George speaks of saving their stake so that they can one day buy a little place of their own where they can live off the fat of the land. The possibility of realizing their dream dissolves entirely when Curley’s wife makes advances on the bear-like Lennie, and horrible consequences ensue. The tragedy reveals the power of friendship and how even the simplest dream can provide hope in the face of desperation.

George’s hands stopped working with the cards. His voice was growing warmer. “An’ we could have a few pigs. I could build a smoke house like the one gran’pa had, an’ when we kill a pig we can smoke the bacon and the hams, and make sausage an’ all like that. An’ when the salmon run up river we could catch a hundred of ‘em an’ salt ‘em down or smoke ‘em. We could have them for breakfast. They ain’t nothing so nice as smoked salmon. When the fruit come in we could can it—and tomatoes, they’re easy to can. Ever’ Sunday we’d kill a chicken or a rabbit. Maybe we’d have a cow or a goat, and the cream is so God damned thick you got to cut it with a knife and take it out with a spoon.”

Write a 450 word story on the theme of work where a dream provides a way to overcome desolation. (Please note word count correction.)CAIRO ROOM
The Cairo Room contains all non-contest and writer’s pool selections under 450 words. From the exotic to the post-modern to hypertext to first time writers, this room welcomes all writers.

General Guidelines: 
1. Send your submission by email, please include your name, mailing address, email address, and bio at the beginning of each story; paste your story into the body of your email and send it in rich text form.

2. If you send more than one story (four total), send each story as a separate email. 

3. This is important. Put the category DK (Doorknobs), HF (Hayward Fault), DO (Dorsal), TA (Tapas), PB (Planet Betty), CR (Cairo Room), the issue #, and your last name on the subject line. (example: DK, 61, Argure) We use a filter for all email; therefore, if you do not put this information in the subject line, your email will automatically go into trash.

4. Do not send your story in HTML format or as an attachment. If you send your story in HTML format or as an attachment, it will be discarded.

Contest Prizes for each section (Doorknobs, Hayward Fault Line, Dorsal, Tapas):

An opportunity to read at one of Pandemonium Press Presents reading series.
We do not pay money for publishing your work.
The writers retains all copyright to their work.

 

 

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Call for Submissions Love <3 Sun Star Review

SUN STAR REVIEW
Sun Star Review is currently open for submissions to their Fall 2016 issue.
“We are seeking prose (whether fiction, nonfiction, flash, long, or simply unclassifiable), poetry, visual art, and mixed media work. We love depth and emotional resonance. We appreciate risk taking and ambitiousness—so long as the ambition is earnest. We love work that blends the real and the fantastical. We love experiments with craft. Our journal is also committed to promoting diverse voices and points of view that aren’t well represented in the general literary scene. Thanks for your interest, and we look forward to reading your work!”
To submit, please visit sunstarlit.com

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Call for Submissions Love! Common Ground

Road trip tomorrow, so here’s some Call for Submissions Love before I go 🙂 

COMMON GROUND REVIEW seeks engaging, well-crafted poems that surprise and illuminate, amuse and inform. Creative non-fiction and short stories must be no more than 12 pages, double-spaced. Two publications a year (Spring/Summer and Fall/Winter), no reading fees. We accept year-round submissions at our website; see submission guidelines, use the Submittable link, or send snail mail. Excite us!

Common Ground Website

Submissions Guidelines

 

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A Little Different Call for Submissions: The Artist Unleashed, and It Pays!

Write About Your Personal Experience as a Writer or Artist.

Submissions accepted year-round.

Earn $0.015 per word to be published on our blog, The Artist Unleashed. We want articles based on your personal experience as a writer or artist to help fellow creatives. Articles for this website must be about an aspect of writing and/or art and must also inspire and/or motivate, encourage discussion, offer advice or argue an opinion, and be rich with informative/engaging content. We will tweet and Facebook your post to get it as much exposure as possible. Views on a single post have reached 1500+ within 24 hours.

Please visit our website for submission guidelines: www.theartistunleashed.com.

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Call for Submissions: HeartWood

Poets, please submit.
Also seeking fiction and creative nonfiction.
Reading now for the October issue.
 

HeartWood

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The Birds of Grief

This week I keep going back to a poem I wrote a couple of years ago, about grief, about sheer physicality of grief and loss. About feeling helpless. About how loss, no matter what, belongs to all of us. 

________________________________________

 

I Want to Bring the Birds

inside, hold them in my hands, tuck them inside my shirt, claws and all, feel the sharp tic of each frightened beak, surround them with my fingers, cradle them against the cage of my ribs, whisper shh shh shh—until they each find and linger in their place: the titmice tatting nests into my hair, crested sparrows and juncos perched and singing from my feet, the jays who see me as so much meat, supplier of suet and otherwise foolish and useless, each take a shoulder, their alarm squawk sudden and hard as a couple of crows stand sentry on my back. The chickadees, those flying golf balls with their punk rock eyes and ebony mohawks, bossy and brazen, take my ears, letting me know just how they see this whole thing going, while the shy nuthatch hides, its cinnamon shadow disappearing under my shirt as it hops up my ribs and nuzzles in like a newborn near my heart. A pair of doves, and then another, their wings ash gray and spotted with apricot, nestle in on the soft give of my belly; I touch them with just the tips of my fingers, hoping, praying, they’ll teach me the tender songs only possible in the dark. One by one, they all settle in, on my limbs, my skin, feathering, resting, and maybe, so will I, settle for real, for the first time in years, as I hear and feel their heartbeats steady, slow, ease finally, into a companion rhythm with my own. Or mine to theirs? In my dreams, it doesn’t matter. In my dreams,we are the same.

___________________________________________________________

This poem is included in my collection The Night I Heard Everything from FutureCycle Press. 

birds of grief

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Friday Call for Submissions Love: Brand New Mag: Collateral

Collateral Literary Journal—New Military Themed Magazine
Submissions accepted year-round.

Collateral is a new online literary journal affiliated with the University of Washington, Tacoma. We showcase high quality creative writing and art that explores the impact of the military and military service on the lives of people beyond the active service person. These voices sometimes go unheard, and this journal captures the “collateral” impact of military service, whether it is from the perspective of the partner or child; parent or sibling; friend or co-worker; veteran, refugee, or protester. Our editorial vision is to be as inclusive as possible and ideologically diverse. We encourage submissions from professional and emerging writers.

From their About page: 

 

MISSION STATEMENT:
Collateral explores the perspectives of those whose lives are touched indirectly by the realities of military service. Numerous journals already showcase war literature, but we provide a creative platform that highlights the experiences of those who exist in the space around military personnel and the combat experience. We feel these voices sometimes go unheard, and this journal captures the “collateral” impact of military service, whether it is from the perspective of the partner or child; the parent or sibling; the friend or co-worker; or the elderly veteran, the refugee, or the protester. In any issue, you might find the haiku of a seven-year old girl whose father is in Afghanistan alongside the short story of an award-winning fiction writer. Or the first-person essay of a military spouse alongside the critical essay of an academic.

Our editorial vision is to be as inclusive as possible and ideologically diverse. We encourage submissions from professional and emerging writers alike. Regardless of authorship, we are committed to publishing high-quality fiction, poetry, nonfiction, and art that speaks authentically about the collateral impact of military service.

Collateral Website

Submission Guidelines

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