Caroline Malone was born and lives in the foothills of the Great Smoky Mountains in East Tennessee. A graduate of The University of Tennessee with a B.A. in English and Classics, she earned the MFA in Writing and Literature from the Bennington Writing Seminars. Her poems have appeared in Boulevard, The Dos Passos Review, Women’s Voices, Women Period, Heartwood, and others. The collection Dark Roots explores the meaning of family, heritage, and identity. Currently, she teaches writing and literature at South College in Knoxville, TN. She also plays Irish traditional music on the bouzouki, mandolin, guitar, concertina, and fiddle.
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“Stark and haunting, these poems dig deep to the roots of identity and the self.”–Julia Watts, author of Gifted and Talented
“I know how things sink in;” drawing deeply from the ancient land, the collective soul that hums beneath her feet, and in her words, Caroline Malone does, indeed, know, and reveals to us that knowing, of fear and prayer and loss, of the paths we make to seek—and find—our own souls, even when they seem to flee from us, into the history of the secret city of Oak Ridge, to the rubble at the feet of the Parthenon, into the arms of the Civil War ghosts who linger at the shoulders of every Southerner. -Mary Carroll-Hackett, author of (Un)Hinged, Death for Beginners, A Little Blood, A Little Rain, and The Night I Heard Everything.
Julie Brooks Barbour is the author of two full-length collections, Haunted City (2017) and Small Chimes(2014), both from Kelsay Books, and three chapbooks, including Beautifully Whole (Hermeneutic Chaos Press, 2015) and Earth Lust (Finishing Line Press, 2014). Her poems have recently appeared in South Dakota Review, Glass: A Journal of Poetry, Whale Road Review, and The Indianapolis Review. She is co-editor of Border Crossing and Poetry Editor at Connotation Press: An Online Artifact. She teaches writing at Lake Superior State University and is a Guest Artist Mentor for Wilson College’s MFA Program.
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Praise for Haunted City!
Julie Brooks Barbour’s exciting new book, Haunted City, occupies the edge between poetry and fable, dream and nightmare. These vivid prose poems, themselves between genres, construct a terrifying metropolis of desire. -Stuart Dischell, author of Backwards Days and Dig Safe
This book of prose poems, or perhaps it is a short novel with poetic lines backlit by lightning, is mysterious and involving, indeed haunting. Barbour is a true poet with a muse at her side. As she explains, what she has created is “really what someone else created when I relinquished control.”-Kelly Cherry, author of The Life and Death of Poetry: Poems
Presented in brief glimpses of lyric prose, an extended sequence of image-driven evocations, Barbour gives us experimental writing at its very best, offering innovations in form and technique that are thought-provoking as they are charged with affect and suspense. This is an accomplished book by a truly remarkable writer. -Kristina Marie Darling, author of Scorched Altar: Selected Poems & Stories 2007-2014
Clare L. Martin’s Seek the Holy Dark was selected as the 2017 Louisiana Series of Cajun and Creole Poetry by Yellow Flag Press. Her debut, Eating the Heart First, was published in 2012 by Press 53. Martin founded and edits the poetry magazine, MockingHeart Review. She lives in Louisiana with her husband and daughter.
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Praise for Crone
“Clare Martin’s Crone is a feast for eyes and ears, seductive in its use of both imagery and sound. Celebrating the sometimes terrifying, sometimes life-giving teachings of the wise woman, Crone evokes a woman’s coming-to-power, an epic “cronesong” of spells and potions in the form of poetry.”
–Sheryl St.Germain, author of The Small Door of Your Death.
Clare Martin’s Crone glows equal parts magic, music, and muscle. Her lines are laced with ambergris and jasmine, ghosts and wolfbreath. I would call Martin’s art a gorgeous dream, but that would ignore the blood, bone, and heart that drive this book at its core. Crone is the creation of a poet at the height of her powers, in full voice, and mesmerizing. Immerse yourselves in these lines, friends. You’ll rise from their waters cleansed and awed. —Jack B. Bedell, author of No Brother, This Storm, Poet Laureate, State of Louisiana, 2017-2019
“Clare L. Martin is a mysterious spellcaster. CRONE is a lush and dizzying monster of a poem. Coming through it made me see the world anew.”
Luis Alberto Urrea, author of House of Broken Angels
Jonathan Corcoran is the author of the story collection, The Rope Swing, published in 2016 by West Virginia University Press. The Rope Swing was a finalist for the 2017 Lambda Literary Awards and long-listed for The Story Prize. His stories have been anthologized in Eyes Glowing at the Edge of the Woods: Fiction and Poetry from West Virginia and Best Gay Stories 2017. He received a BA in Literary Arts from Brown University and an MFA in Fiction Writing from Rutgers University-Newark. Jonathan is currently Visiting Assistant Professor at Wesleyan University and serves as a Visiting Writer in the low-residency MFA program at West Virginia Wesleyan College. He was born and raised in a small town in West Virginia and currently resides in Brooklyn, NY.
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Praise for The Rope Swing
“Jonathan Corcoran’s Appalachian voice, so fierce, so tender,portrays tradition as both weapon and soothing balm. The Rope Swingtakes us inside quiet revolutions of the soul in mountain towns far from Stonewall: we can never go home again, but we recognize ourselves in these linked stories of love, loss, the economic tyranny of neglect and exploitation, and the lifelong alliance between those who stay and those who leave. The Rope Swing establishes a new American writer whose unerring instincts are cause for celebration.”
—Jayne Anne Phillips, author of Quiet Dell, Lark and Termite, and Black Tickets
19 March 2019
Make art about what you found hidden in an old book.