"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Archive for the ‘Bless the Day’ Category

Must Read–and Must See–Monday: Poetry of Witness

 

poetry-of-witness-posterSomething a little different this week: recommending a documentary, Poetry of Witness. Poetry of Witness is a 2015 documentary film directed by Billy Tooma and Anthony Cirilo about the lives of six contemporary poets who have lived through, and survived, extremities such as war, torture, exile, and repression, using poetry to preserve their memories.It debuted October 16, 2015 at the Buffalo International Film Festival.

The film documents the struggle of six contemporary poets who have faced the duress of war, exile, and human rights violations to give voice to their experiences while wrestling with the complex moral quandaries of artistic production, memory, and trauma. The poets: Carolyn Forché (Salvadoran Civil War), Saghi Ghahraman (Iranian Revolution), Fady Joudah (Doctors Without Borders), Claudia Serea (Socialist Republic of Romania), Mario Susko (Bosnian War), and Bruce Weigl (Vietnam War) offer first-person accounts of how their experiences as soldier, activist, doctor, and survivor imprint their poetry as evidence of those conflicts, rather than as representations of them.

Buy Poetry of Witness: The Documentary

A Couple of Suggested Anthologies (there are so many more…)

Against Forgetting: Twentieth-Century Poetry of Witness

Award winning poet Carolyn Forché spent 13 years compiling Against Forgetting: 20th Century Poetry of Witness. It is an exhaustive and illuminating work of breadth, beauty, wisdom and tragedy.

Poetry of Witness: The Tradition in English, 1500 – 2001

More about the Poetry of Witness

Anthony Cirilo Talks about Poetry of Witness

Carolyn Forché talks about the poetry of witness

Poet Carolyn Forché gathers 500 years of suffering in new anthology

Sandra Beasley: “Flint and Tinder – Understanding the Difference Between ‘Poetry of Witness’ and ‘Documentary Poetics’”

More About Against Forgetting at3Generations

Love y’all. 

Mary

 

 

One More Call for Submissions: Tenemos Deadline Nov 18. Submission Fee

Temenos Fall Call for Submissions: Skin Suits & Bare Bones

Deadline: November 18, 2016

 

We are born into a society that judges our skins, our genders, and our love lives. This Fall, Temenos asks you to expose the skeletons in your closets to share the deep dark of all our selves. We want to know: what are your bones made of—steel, or sand? The best submissions of poetry, fiction, creative nonfiction, and art and photography will be accepted.

Fee for submission is $4.

Submission deadline is Friday, November 18th, 2016.

See temenosjournal.com/index.php/submit for more information.

Gettin to the Heart of It All <3 Call for Submissions <3 HeartWood Literary Magazine

HeartWood, an online literary magazine in association with West Virginia Wesleyan’s Low-Residency MFA program, publishes twice yearly, in April and October. Our inaugural issue will go live April 2017.


We accept submissions year round through Submittable, and welcome previously unpublished poetry, fiction, and creative nonfiction, from both established and emerging writers. We do love Appalachian voices, but we enthusiastically encourage writers from all backgrounds to submit. 

General Submissions

What We Want:

We are interested in writing that pushes into, dares to reveal, its own truth, that takes emotional risks, that gets to the heart of the matter.

Simultaneous submissions are fine, provided you notify us if the work is accepted elsewhere.

We also welcome queries from Appalachian artists (writers, visual artists, musicians, performers, folk artists, etc) interested in being included in our Appalachian Arts section.

Submission Details

Prose submissions, fiction or nonfiction, should be 3000 words or less.

Fiction: Fiction submissions may include short stories, flash fiction, or novel excerpts if the excerpt can stand alone. You may submit more than one piece of flash fiction, as long as the total word count does not exceed 3000 words.

Creative Nonfiction: We’re open to a wide range of nonfiction, with the exception of academic articles, or that which would be considered more traditionally journalistic. Personal essay, memoir, lyric, literary journalism, or some blurring in between, are all acceptable.

Poetry: Poets should submit no more than 3-5 single-spaced poems at a time. Include all poems in a single document for upload. Lyric, narrative, experimental, prose poems–we’re open to all variations of the poetic voice.

Surprise us. Make us think. Make us feel. Make our hearts race.

Appalachian Arts Interviews

We also welcome queries from Appalachian artists (writers, visual artists, musicians, performers, folk artists, etc) interested in being included in our Appalachian Arts section. We define Appalachian artists as an artist who is heavily influenced by the Appalachian region and its traditions, history, and people. At HeartWood, we are looking for artists who take these traditions and speak to them in a new and unexpected way.

To query about possible inclusion in the Appalachian Arts section: Submit the following in one document (doc, docx) through the Appalachian Arts link on our Submittable page:

  • Artist bio
  • Artist statement addressing what being an “Appalachian artist” means to you, how you uniquely define yourself as an Appalachian artist, and how your connection to Appalachia as you see/define it connects (or doesn’t) to your work.
  • At least one link to where artwork or samples can be seen/heard (artist website, other publications, YouTube, etc).

If we’re interested, based on the query, editors will email requesting additional information and work sample.

What We’ll Do

Submissions will be responded to within three months. If you haven’t heard from us after three months, feel free to inquire by sending us a note through Submittable.  If your work is accepted, HeartWood acquires first North American rights. All rights revert to the author upon publication, but we do ask for first publication attribution in any future publications. We also reserve the right to include accepted pieces in any future anthologies or promotions. If we have passed on a submission, please wait 6 months before submitting again. Regrettably, time being as it is, we are unable offer feedback on submissions. 

As much as we would love to be able to pay our contributors, unfortunately we are not able to do so. This is a labor of love for all of us, and we will do our best to honor and promote your work. 

(Please note: We regret that current or past employees, current or past students, and alumni of WVWC are not eligible for publication in HeartWood, but we wish you much luck with your work elsewhere.)

 

Website: http://www.heartwoodlitmag.com/

Submit Here!

HeartWood

 

Daily Prompt Love <3 Conversation, and Loneliness

11/11/2016

Make art about conversations that heal.

conversations_matter

11/12/2016

Make art about standing alone.

alone_in_the_crowd_by_yasir82

Daily Prompt Catch-Up <3

11/8/2016

Make art about hard choices.

tough-decisions

 

11/9/2016

Make art about not learning the lessons of history.

aldous-huxley-trading-quotes

11/10/2016

Make art about Love as Resistance.

love-resistance

Special Call for Submissions <3 New Journal: The Trump Years–"We need to document this."

The Trump Years is a literary magazine dedicated to documenting this country’s years under Donald Trump. Please send 2-4 poems or under 2,000 words of anything else to trumpyears@gmail.com.

We particularly look forward to submissions from women, people of color, people who identify as LGBT, people with disabilities, and others who are underrepresented in publishing.

We need, somehow, to document this.

And because I feel like squawking–Some Call for Submissions Love

Thanks to Paul McVeigh for sharing this call. 

Squawk Back seeks Fiction, Poetry & Creative Non-fiction

“Send any materials that you wish to have considered for publication in (the) Squawk Back—preferably as attachments in .doc, .rtf, .txt, or .odt format; or copy-pasted in the body of an email—but under no circumstances as .wps files or PDFs, and preferably not .docx’s—to…..

editor@thesquawkback.com

We read year round. All first-time submitters will hear back from us within two weeks. Those previously published in Squawk Back will wait a bit longer, as their submissions do, unfortunately, go to the bottom of a pile, owing to that we try very hard to feature new contributors in every issue.

We primarily publish fiction, poetry, and creative non-fiction. We do not publish plays or screenplays, but we may consider monologues. We will consider excerpts from unpublished novels, poetry collections &c, but please do not submit entire books.

No individual prose submission should exceed ten-thousand words in length. For submitters of poems, we’d prefer it if you kept it under ten pieces per submission. Multiple-poem submissions go in one document or are pasted into the body of one email.

Upon acceptance for publication, submitted pieces which appear in their entirety on personal blogs either Must Be Removed from those pages or replaced with excerpts and/or links to their new home in Squawk Back.

Upon submitting your work, you hereby grant (the) Squawk Back a non-exclusive, royalty-free, perpetual and irrevocable license to use, reproduce, distribute, modify and display your content for any purpose, including without limitation promoting and redistributing part or all of the site. Works submitted to Squawk Back, whether officially or unofficially copyrighted, will remain the full intellectual property of their authors. We are far less interested in exploiting emergent literary voices than providing them with a louder box with which to squawk.”

submit

Daily Prompt Love <3 Better Angels

11/7/2016

 “I am loath to close. We are not enemies, but friends. We must not be enemies. Though passion may have strained it must not break our bonds of affection. The mystic chords of memory, stretching from every battlefield and patriot grave to every living heart and hearthstone all over this broad land, will yet swell the chorus of the Union, when again touched, as surely they will be, by the better angels of our nature.”–Abraham Lincoln, First Inaugural Address, Monday, March 4, 1861

Make art about the better angels of our nature (’cause we sure need ’em now). 

thebetterangels

 

Monday Must Read! Peter Grandbois, Nahoonkara

peter-grandbois-b-1-1024x1024This week meet one of my most beloved brother mans 🙂 Peter Grandbois, author of seven books, including: The Gravedigger, selected by Barnes and Noble for its “Discover Great New Writers” program, The Arsenic Lobster: A Hybrid Memoir, chosen as one of the top five memoirs of 2009 by the Sacramento News and Review, Nahoonkara, winner of the gold medal in literary fiction in Foreword magazine’s Book of the Year Awards for 2011, a collection of surreal flash fictions, Domestic Disturbances, a finalist for Book of the Year in Foreword magazine’s 2013 awards, and the novella collections or “monster double features,” Wait Your Turn, The Glob Who Girdled Granville (Honorable Mention, IndieFab award in the category of best fantasy of 2014), and The Girl on the Swing. His essays and short stories have appeared in numerous journals and been shortlisted for both the Pushcart Prize and Best American Essays. His plays have been performed in St. Louis, Columbus, Los Angeles, and New York. He is senior editor at Boulevard magazine and fiction co-editor at Phantom Drift.

Peter is a graduate of the University of Denver (Ph.D. 2006) and Bennington College (M.F.A. 2003). Previously, he taught at California State University in Sacramento and is currently an associate professor at Denison University.

Nahoonkara is my favorite 🙂

Praise for Nahoonkara

In the tradition of nature writers Rick Bass and Annie Dillard, award winning writer Peter Grandbois’ new novel Nahoonkara opens up an oneiric space of wonder, a place outside preconceived notions of reality and identity, a place where we are free to re-imagine ourselves.

“[Nahoonkara]…incorporates elements of historical fiction with experimental fiction, but nothing that pulls the reader out of the fictional dream.”
—Robin Martin,Gently Read Literature

“Departing from traditional narrative form, Grandbois moves masterfully between first, second, and third persons to invite readers into a textual visualization of how individual choices affect the well-being of the community.” —Review of Contemporary Fiction

“Peter Grandbois is a splendid writer I intend to follow very closely.”
—Robert Olen Butler, Pulitzer Prize Winning author of A Good Scent From a Strange Mountain

“Vividly drawn, exquisitely crafted, Nahoonkara bespeaks not just the promise of its author, but also his undeniable power.”—Laird Hunt, author of Ray of the Star

Buy Peter’s beautiful books!

Nahoonkara

https://www.amazon.com/Nahoonkara-Peter-Grandbois/dp/0981968767/ref=sr_1_1?ie=UTF8&qid=1478522617&sr=8-1&keywords=nahoonkara

The Gravedigger

https://www.amazon.com/Gravedigger-Peter-Grandbois/dp/0811858189

The Girl on the Swing: Two Novellas

http://www.wordcraftoforegon.com/#wsfn3_girl

The Glob Who Girdled Granville & The Secret Lives of Actors: Two Novellas

http://www.wordcraftoforegon.com/#wsfn2_glob

Wait Your Turn & The Stability of Large Systems: Two Novellas

http://www.wordcraftoforegon.com/#grandbois1_waityourturn

The Arsenic Lobster: A Hybrid Memoir

http://www.spuytenduyvil.net/arsenic-lobster1.html

Domestic Disturbances

http://www.subitopress.org/catalog/2013-2/grandbois

More from Peter Online

http://www.wordriot.org/archives/2971

http://penmenreview.com/spotlight/penmen-profile-peter-grandbois/

http://midwestgothic.com/2015/07/interview-peter-grandbois/

https://heavyfeatherreview.com/2015/01/14/we-push-up-against-change-and-resist-it-sometimes-violently-so-an-interview-with-peter-grandbois/

http://thestoryprize.blogspot.com/2013/10/peter-grandbois-listens-to-images.html

http://www.smokelong.com/smoking-with-peter-grandbois/

And he fences too!!! 🙂

https://denisonmagazine.com/article/uncommon-ground-the-secret-lives-of-professors-peter-grandbois

Hear Peter Read 🙂

https://www.youtube.com/watch?v=awJ9W7SlQ6o

https://www.youtube.com/watch?v=_DHaPjIYTro

https://www.youtube.com/watch?v=Su84xHD7PXs

And there’s fencing video too! 🙂

https://www.youtube.com/watch?v=TeJK5-q1WG0

Happy Reading!

xo

Mary

Weekend Prompt Love <3

11/5/2016

Make art about turning around, going back.

turning-around

 

11/6/2016

Make art about slipping away.

sand-fingers

 

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