"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Posts tagged ‘literary journals’

Friday Call For Submissions Love! TulipTree Review

TulipTree Review

Stories That Need To Be Told

TULIPTREE REVIEW is a quarterly print literary journal accepting submissions of fiction, nonfiction, and poetry. There is no reading fee and authors whose works are accepted will receive free subscriptions. For guidelines and contact information, visit www.tuliptreepub.com.

GENERAL SUBMISSIONS

No Reading Fee

You can submit your work at any time for free if you would like to be considered for publication in the TulipTree Review.

How It Works

General submissions are not eligible for cash prizes. If your work is selected for publication in TulipTree Review, you will receive a one-year subscription toTulipTree Review.

How to Format Your Submission

  • Entries should be in Microsoft Word-compatible or PDF format and sent as an attachment to an email (not in the body of the email).
  • Fiction and nonfiction entries should be double-spaced.
  • Poetry format is open; for general submissions please put all of the poems in one document.

INCLUDE YOUR CONTACT INFORMATION

In the body of your email…

  • Include your name, mailing address, and title(s) of the work(s) you are submitting.
  • Include a bio that will appear with your work if it’s published.
  • Also, because we are usually accepting submissions for various anthologies as well as the journal, please indicate in the subject or body that your submission is for TulipTree Review.

​On your submission…

  • Include your name, mailing address, email address, and title of the work on the first page.

Word Limits

There are no word limits (min. or max.) for general submissions.

Legal Stuff

By submitting your work, you are stating and agreeing that (1) the work is your own original work, (2) no one else owns the rights to publish said work, and (3) you are granting TulipTree Publishing, LLC (TulipTree) the right to publish said work, unless you withdraw your work prior to TulipTree’s decision to publish.

TulipTree does not retain rights to your work after we publish it. If it is published again we ask only for an acknowledgment in the new publication (e.g., “previously published in TulipTree Review,” etc.).

How to Submit

Email general submissions to submissions@tuliptreepub.com.

Friday Call for Submissions Love! Conclave: Looking for Work Focused on Change

Conclave 

(Feb 2016 issue)

Ends on 1/15/2016

As this established literary journal changes hands, the theme for the next edition accordingly focuses on change as an inevitable force in our lives, ideally though not certainly a force for progress and growth. We’re looking for contributions relating to political and social change and well as changes in the human character. We’re looking for work that envisions the future, better tomorrows and bitter tomorrows, changes in love and life and the heart of humankind.

Conclave: A Journal of Character seeks poetry, fiction, and non-fiction of exceptional literary merit. The work we seek has a transcendent aesthetic impact on the reader. It is not merely about the mystery of being, but heightens the reader’s sense of the mystery underlying the fabric of our daily lives. We are looking for work about character or work that displays character, that holds it up to a fresh light and helps reader see what they did not see before.

We seek to be broad, inclusive, and open to perspectives spanning all spectrums of thought, ethnicity, gender identity, and sexual orientation.

We are interested in work originally written in English and work in English translation from any language. We are interested in all genres, including mixed or multiple genre works, or work that simply defies classification.

Guidelines:

1   We are an environmentally conscious journal and only accept submissions through Submittable.

2   Format and Length. Poetry: Submit 1-3 original, unpublished poems, in a single document, each poem on a separate page, no longer than 10 pages total. Short Fiction: Submit 1 story, no longer than 5000 words. Creative Nonfiction: Submit one essay, no longer than 5000 words. Photography: Submit 1-3 photographs, black and white only. Unclassifiable: No longer than 2000 words.

3   You are welcome to submit more than once, but each submission must be a separate file uploaded to Submittable.

4   Do not put your name or any other identifying information on the document that holds your submission. Do not include your name in the file name for your submission. We follow a “blind” reading system: our editors read all submissions without knowing who wrote them.

5   Use Times New Roman 12 pt. for the text of your submission. Single-space your poems; double space between stanzas. Double-space prose manuscripts.

6   Include a 60-word bio written in third person, providing specific information about your writing life and your previous publishing credits.

7   No previously published work — print or online — including work posted on personal websites or social network websites. If your work can be found searching Google, we consider it published.

8   If you have questions, please visit our website, conclavejournal.com, or email wbernhardt@conclave.com.

Conclave’s Website: conclavejournal.com

 

Sometimes You Give the Prompt Away

Daily Prompt
It’s Giving Tuesday
Make art about giving, about an act of charity.
GiveTuesday_700x

A Very Special Call For Submissions: HIV Here & Now Project

The HIV Here & Now Project uses poetry and flash prose to advocate for a world without HIV or AIDS.

#hivtest #hivtreat #hivprevent #nohivshame #nohivstigma

Please submit your work to the HIV Here & Now Project!

Details on submission guidelines, as well as suggested prompts, are below.

Please share widely!

Huge thanks and appreciation to Michael H. Broder for his tireless and necessary work with the HIV Here & Now Project!

Poetry and Nonfiction: Visit the website for more details.

Curator Michael Broder writes:

I’m very proud of the variety of poets featured to date on HIV Here & Now Project and grateful to the 180 poets whose work has appeared on the site to date. If you are my friend and a poet, please join them. Write a poem for the site and send it to me via Facebook message, the HIV Here & Now website, or Submittable ( https://indolentbooks.submittable.com/submit)

A lot of my poet friends respond well to prompts.

Here are some to consider:

Write a poem in the voice of an HIV virion (virus)
Write a poem in the voice of a CD4 cell (T-cell) being attacked by an HIV virion
Write a poem about a time you had unprotected sex with a partner whose HIV status you did not know
Write a poem about a time you had sex, protected or unprotected, with someone you knew was HIV-positive and how his or her status affected the experience
Write a poem about someone you know who died of AIDS
Write a poem about someone you know who is HIV-positive
Write a poem in your own voice imagining you were just handed an HIV diagnosis
Write a poem in your own voice imagining your mother, father, sister, brother, aunt, uncle, cousin, niece, nephew, best friend, beloved teacher, cherished mentor just told you they were HIV-positive

Subscribe and support this project in any way you can, please!

Thanks!

HIV Here & Now Project

http://www.hivhereandnow.com/

Friday Call for Submissions Love! SLAB, Submissions closing soon!

Slab

Submissions close December 1

SLAB WANTS IT ALL, your raise-the-roof, funky creative nonfiction, fiction, poetry, and text/image pieces. We love flash, too. Reading period: late summer until December 1. All submissions read by bipedal mammals, accompanied by the occasional marsupial.

Samples and more info at slablitmag.org

MONDAY MUST READ! LYNN PEDERSEN: TIKTAALIK, ADIEU

Monday Must Read!

pedersenauthorphotoThis week meet Lynn Pedersen. Lynn’s poems, essays, and reviews have appeared in New England Review,EcotonePoet LoreSouthern Poetry ReviewPalo Alto Review, and Heron Tree. She has two chapbooks, Tiktaalik, Adieu (2014 Finishing Line Press New Women’s Voices Series) and Theories of Rain (2009 Main Street Rag’s Editor’s Choice Chapbook Series). A full-length collection, The Nomenclature of Small Things, is forthcoming from Carnegie Mellon University Press in early 2016. A graduate of the Vermont College of Fine Arts, she lives in Atlanta, Georgia.

Lynn’s website:

www.lynnpedersen.wordpress.com

Buy books!

Finishing Line Press

https://finishinglinepress.com/product_info.php?products_id=2179

Amazon

http://www.amazon.com/Tiktaalik-Adieu-NWVS-Lynn-Pedersen/dp/1622297997

Praise for Tiktaalik, Adieu

Science looms large and lives well in Tiktaalik, Adieu. Pedersen’s lovely poems speak for, and to, our ever evolving, rapidly changing natural world, wherein the human animal seeks peace, or simply survival, from “resting place to resting place.” ~ Nance Van Winckel, author of Pacific Walkers

Lynn Pedersen gathers the world into her poems: its classical elements, its intricate patterns, its infinite mysteries. She makes gorgeous lyrics of stars and bone. ~Tania Rochelle, author ofKaraoke Funeral and The World’s Last Bone

Interviews/Reviews of Tiktaalik, Adieu:

https://chapbookinterviews.wordpress.com/2015/03/08/lynn-pedersen/

http://dailydoseoflit.com/2015/08/17/three-questions-lynn-pedersen/

Find more Lynn’s works online:

Heron Tree

A Catalog of What We’re Not Meant to See” Heron Tree (2014)

http://herontree.com/wp-content/uploads/2014/02/pedersen2pdf.pdf

Wilson’s Warbler” Heron Tree (2013)

http://herontree.com/wp-content/uploads/2013/11/pedersen1pdf.pdf

Cider Press Review

Begin” Cider Press Review (2014)

http://ciderpressreview.com/cpr-volume-16-1/begin/#.Vjdvy6SirmG

Eve Paints the Apple Tree” Cider Press Review (2013)

http://ciderpressreview.com/cpr-volume-15-4/eve-paints-the-apple-tree/#.

Got book? Let’s work together to make your beautiful work even better!

Got book? Let’s work together to make your beautiful work even better!
editor
 
I offer full manuscript consultations in all genres, drawing on my two decades as a writing teacher, more than ten years editing, and lessons learned in pursuit of publication of my own five, soon to be six, books.
 
My consultations are offered two ways, by correspondence, or in a three-day intensive one-on-one weekend totally focused on your manuscript at the beautiful and inspiring writers retreat The Porches in Norwood VA.
 
PM or email at carrollhackettma@gmail.com if interested 🙂
Check out the website for more details!
 

Friday Call for Submissions Love! Bluestem, until December 1

Bluestem
 
“Bluestem magazine is waiving submission fees for the month of November and seeking fiction, poetry, nonfiction, and art. Based out of Eastern Illinois University, Bluestem produces two quarterly online issues (September and December) and an annual spring print issue. Please submit no more than five poems at one time, or one short story, or one creative non fiction essay, or five black & white drawings. Fiction / prose / essays should be no longer than 5,000 words. All work is considered for both print and online publication.”
 
We only accept submissions via our online submission manager ,which can be accessed at bluestem.submittable.com. 
 
Submissions close for the year on December 1.

Special Tuesday Call for Submissions :-) HeartWood

HeartWood, an online literary magazine in association with West Virginia Wesleyan’s Low-Residency MFA program, publishes twice yearly, in April and October. Our inaugural issue will go live April 2016.

HeartWood

We accept submissions year round through Submittable, and welcome previously unpublished poetry, fiction, and creative nonfiction, from both established and emerging writers. We do love Appalachian voices, but we enthusiastically encourage writers from all backgrounds to submit.

General Submissions

What We Want:

We are interested in writing that pushes into, dares to reveal, its own truth, that takes emotional risks, that gets to the heart of the matter.

Simultaneous submissions are fine, provided you notify us if the work is accepted elsewhere.

We also welcome queries from Appalachian artists (writers, visual artists, musicians, performers, folk artists, etc) interested in being included in our Appalachian Arts section.

Submission Details

Prose submissions, fiction or nonfiction, should be 3000 words or less.

Fiction: Fiction submissions may include short stories, flash fiction, or novel excerpts if the excerpt can stand alone. You may submit more than one piece of flash fiction, as long as the total word count does not exceed 3000 words.

Creative Nonfiction: We’re open to a wide range of nonfiction, with the exception of academic articles, or that which would be considered more traditionally journalistic. Personal essay, memoir, lyric, literary journalism, or some blurring in between, are all acceptable.

Poetry: Poets should submit no more than 3-5 single-spaced poems at a time. Include all poems in a single document for upload. Lyric, narrative, experimental, prose poems–we’re open to all variations of the poetic voice.

Surprise us. Make us think. Make us feel. Make our hearts race.

Appalachian Arts Interviews

We also welcome queries from Appalachian artists (writers, visual artists, musicians, performers, folk artists, etc) interested in being included in our Appalachian Arts section. We define Appalachian artists as an artist who is heavily influenced by the Appalachian region and its traditions, history, and people. At HeartWood, we are looking for artists who take these traditions and speak to them in a new and unexpected way.

To query about possible inclusion in the Appalachian Arts section: Submit the following in one document (doc, docx) through the Appalachian Arts link on our Submittable page:

  • Artist bio
  • Artist statement addressing what being an “Appalachian artist” means to you, how you uniquely define yourself as an Appalachian artist, and how your connection to Appalachia as you see/define it connects (or doesn’t) to your work.
  • At least one link to where artwork or samples can be seen/heard (artist website, other publications, YouTube, etc).

If we’re interested, based on the query, editors will email requesting additional information and work sample.

What We’ll Do

Submissions will be responded to within three months. If you haven’t heard from us after three months, feel free to inquire by sending us a note through Submittable.  If your work is accepted, HeartWood acquires first North American rights. All rights revert to the author upon publication, but we do ask for first publication attribution in any future publications. We also reserve the right to include accepted pieces in any future anthologies or promotions. If we have passed on a submission, please wait 6 months before submitting again. Regrettably, time being as it is, we are unable offer feedback on submissions. 

As much as we would love to be able to pay our contributors, unfortunately we are not able to do so. This is a labor of love for all of us, and we will do our best to honor and promote your work. 

(Please note: We regret that current or past employees, current or past students, and alumni of WVWC are not eligible for publication in HeartWood, but we wish you much luck with your work elsewhere.)

HeartWood website: http://www.heartwoodlitmag.com/

Friday Call for Submissions Love! Posit: A Journal of Literature & Art

Friday Call for Submissions Love! 

Posit: A Journal of Literature & Art 

Posit considers submissions between September 1st and May 31st, via Submittable.

Posit publishes four issues per year of finely crafted contemporary literary and visual art. Due to the large number of excellent submissions we receive, we are currently reading for publication in mid- and late- 2016. We are looking for innovation, aesthetic vision, and accomplished craftsmanship. Our tastes are non-sectarian, with an interest in the experimental. We accept simultaneous submissions, but please notify us immediately if your work is accepted elsewhere.

Posit considers only unpublished written work, and acquires first-time North American rights upon publication. Thereafter, all rights revert to the author, and the work may be reprinted as long as appropriate acknowledgement to Posit is made. No such restrictions apply to visual art submissions.

  • Poetry: 3-6 poems, no line limits, but no epics, please.
  • Fiction and hybrids: 1000 words or less.
  • Visual Art: Please submit six to twelve jpeg images, an inventory list, an artist’s statement and a one-paragraph bio.
  • Film and animation: no longer than 3 minutes, please.

See Posit’s website for complete details.

 

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