"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Posts tagged ‘editing’

Call For Submissions Love <3 Lumina: Borders and Boundaries

LUMINA, Vol. XVI: Borders and Boundaries

Deadline: September 15, 2016

 

We are looking for bold, beautiful, and new interpretations of all the ways we interface with borders and boundaries in our world: travel, immigration, maps, gender, sexuality, love, citizenship, race, the physical body, language, death, the interior vs. the exterior, atmospheric layers, psychological barriers, prisons, fences, rules and relationships, challenging the boundaries among genres, and anything else this theme conjures up.

Lumina website: luminajournal.com

 

Full Submissions Guidelines here: https://luminajournal.com/submission-guidelines/

Call for Submissions Love <3 Print-Oriented Bastards

PRINT-ORIENTED BASTARDS

A quarterly online literary magazine that features emerging writers and artists. All genres are welcome, including literary comics, interviews, reviews, and cross-genre work. Simultaneous submissions accepted year-round. Response time is typically 1 month. For guidelines and the latest issue, visit www.printorientedbastards.com.

Complete Guidelines Here: http://www.printorientedbastards.com/submit.html

Monday Must Read! Jonathan Moody: Olympic Butter Gold

iv_jonathanmoody_headshotThis week meet Jonathan Moody. Jonathan holds an MFA from the University of Pittsburgh and a BS degree in Psychology from Xavier University of Louisiana. Author of The Doomy Poems (Six Gallery Press, 2012) and Olympic Butter Gold (Northwestern University Press, 2015), winner of the 2014 Cave Canem Northwestern University Press Poetry Prize, his poetry has appeared in such publications as African American Review, Beloit Poetry Journal, Borderlands, Boston Review, The Common, and Harvard Review Online. He lives in Fresno, Texas, with his wife and son.

Buy Jonathan Moody’s Books

Olympic Butter Gold

http://www.nupress.northwestern.edu/content/olympic-butter-gold

Jonathan Moody grew up during the Golden Ages of hip-hop and listened to rap that was as adventurous and diverse as his military upbringing. When rap’s Golden Ages expired, the music’s innovativeness and variety diminished. Moody’s second book, Olympic Butter Gold, winner of the 2014 Cave Canem Northwestern University Press Poetry Prize, responds to Chuck D’s claim that “if there was a HIP-HOP or Rap Olympics, I really don’t think the United States would get Gold, Silver or Brass.” From the poem “Opening Ceremony,” in the voice of a heroin addict struggling to use Lady Liberty’s torch to cook “The American Dream,” to “Dear 2Pac,” an autobiographical account of teaching Tupac Shakur’s poetry to engage high school students indifferent to literature, Moody shares a worldview that is simultaneously apocalyptic and promising.

The Doomy Poems

https://www.amazon.com/Doomy-Poems-Jonathan-Moody/dp/1926616448

The Doomy Poems challenges the notion that the blues embodies resignation: a self-imposed suffering in which one chooses to remain stuck at the crossroads of nostalgia and obsession. Through persona poems written in the voices of three characters, Jonathan Moody illustrates that in both the South (Houston) and the North (Pittsburgh) the roads to love and integrity, although freshly paved, are strewn with nails and shards of glass.”

Read More From Jonathan Online

http://harvardreview.fas.harvard.edu/?q=features/poetry/inefficiency-burning

https://www.bostonreview.net/poetry/npm15-jonathan-moody-aubade-the-son-rising

http://www.storysouth.com/poetry/2006/07/moody_three_poems.html

http://fplrefdesk.blogspot.com/2013/12/2-poems-by-featured-poet-jonathan-moody.html

Interviews

http://thecommononline.org/features/topical-poetry-interview-jonathan-moody

http://1839mag.com/profiles/observing-the-wider-universe-through-hip-hop-a-look-at-jonathan-moody/

http://thecommonmag.tumblr.com/post/109985371108/topical-poetry-an-interview-with-jonathan-moody

Hear Jonathan Read

https://www.youtube.com/watch?v=l10VqL4VSZ8

https://www.youtube.com/watch?v=WMJNpbW8W6Q

https://www.youtube.com/watch?v=M4lkbkp4e1w

Happy Reading, y’all!

xo

Mary

 

 

Friday Call for Submissions Love <3 Split This Rock

So so needed. 

Call for Poems that Speak Against Violence and for Embrace

If the back & arms you carry riddle with black

spots & marks made by birds who don’t want us here—

I will remind you: There are people who did this before us,

brown & black-spotted, yellow, with rattails,

born from what others did not want & loathed & aimed

to never let belong, & so, we are here today—

the field is wide. We make saliva from root & light.

Our spikelets grow, & do you feel the wind?

       – Joe Jiménez, Smutgrass

Orlando. Dhaka. Istanbul. Baghdad. Medina. The killings of Alton Sterling and Philando Castile, and the murder of police officers in Dallas. This summer, terrible bigotry and violence have rent our global community. The killings must end, and we in the poetry community must contribute in any way we can. As we search for answers to these horrors and for ways to combat hatred and prejudice, we are reminded of poetry’s capacity to respond to violence, to help us regenerate, like spikelets sprouting in a contested field, claiming our public spaces for everyone.

In solidarity with all those targeted at home and abroad, from the LGBT community in the United States to devastated families of Baghdad, Split This Rock is offering its blog as a Virtual Open Mic. Over the next couple of weeks, from July 14 to 28, we are requesting poems in response to and against violence toward marginalized communities:

  • Poems will be accepted until July 28, 2016. 
  • Send us your poems in response to this violent summer, and we will publish them on Split This Rock’s blog, Blog This Rock (blogthisrock.blogspot.com), to create a Virtual Open Mic. We welcome poems new and old, whether previously published or not. (Please include credit information for previously published work.) 
  • Thematically we are wide open: resistance, mourning, rage, celebration, love. We are especially open to poems focused on how we build again, how we heal, the places of light shining through the pain. 
  • Unfortunately, Split This Rock’s blog is not compatible with poems with complex formatting. Should we find that your poem can not be properly we will be in touch to request a different poem.
  • Send the poem(s) as email attachments (.doc or .docx only) with the subject line “A Call in Response to Violence” to info@splitthisrock.org. 
  • Please include the poem’s title and your full contact information in the body of the email. 
  • We invite one poem per person. 
  • From the open mic collection, we may occasionally choose poems to run as Poem of the Week in the weeks ahead. We will contact you directly if we decide to use your poem for Poem of the Week. 

After the Virtual Open Mic closes, we hope to print out and mail all of the poems to Congress and the National Rifle Association.

Split This Rock is also accepting poems for its 10th Annual Poetry Contest until November 1, 2016.

For submissions guidelines, visit Split This Rock’s website or Submittable.

 

 

 

 

http://blogthisrock.blogspot.com/2016/07/call-for-poems-that-speak-against.html

Call for Submissions Love In My Email This Morning :-)

Doorknobs & BodyPaint
Guidelines & Prompts
Issue 82, May, 2016
Off to Work We Go

Submission deadline:
Opens–March 15, 2015 / Closes–April 17, 2016
Publication date: May 2016

Send Submissions to:
doorknobsandbodypaint@gmail.com


Call for Submissions

Off to Work We Go.  For many of us work is a daily destination filled with demands on our time and endless routine.  There is little time left for our dreams.  But, we all have them.  And, for a moment, over a cup of coffee or sandwich from home, we imagine what it would be like to do something else.  Something more exciting.  Something with a little adventure in it. Write your story within the limits of our contest guidelines (hoops):


DOORKNOBS Kieron Devlin, editor
1. Maximum length: 250 words.
2. The sub-theme is: discipline.
3. The year is:  2004.
4. Within the story, you must use this text:  sticking to the rules.TAPAS  (tiny morsels) Joanne Faries, editor
1.  Maximum length:  250 words.
2.  The sub-theme is: vacation.
3. Within the story, you must use this bit of text:  an embellished resume.
4. Like seasoning, it is language that makes your story unique. Surprise us.

HAYWARD FAULT LINE (shake us up) Leila Rae, editor 
1. Maximum length: 450 words.
2. The sub-theme is: endurable.
3. The setting is: Milwaukee, WI.
4. Within the story, you must use this bit of text: without yielding.

DORSAL CONTEST:  Bara Swain, editor

In John Steinbeck’s Of Mice and Men, two migrant workers, George and his mentally disabled life-long friend Lennie, have come to a ranch in the Salinas Valley to find work in the middle of the Great Depression. George speaks of saving their stake so that they can one day buy a little place of their own where they can live off the fat of the land. The possibility of realizing their dream dissolves entirely when Curley’s wife makes advances on the bear-like Lennie, and horrible consequences ensue. The tragedy reveals the power of friendship and how even the simplest dream can provide hope in the face of desperation.

George’s hands stopped working with the cards. His voice was growing warmer. “An’ we could have a few pigs. I could build a smoke house like the one gran’pa had, an’ when we kill a pig we can smoke the bacon and the hams, and make sausage an’ all like that. An’ when the salmon run up river we could catch a hundred of ‘em an’ salt ‘em down or smoke ‘em. We could have them for breakfast. They ain’t nothing so nice as smoked salmon. When the fruit come in we could can it—and tomatoes, they’re easy to can. Ever’ Sunday we’d kill a chicken or a rabbit. Maybe we’d have a cow or a goat, and the cream is so God damned thick you got to cut it with a knife and take it out with a spoon.”

Write a 450 word story on the theme of work where a dream provides a way to overcome desolation. (Please note word count correction.)CAIRO ROOM
The Cairo Room contains all non-contest and writer’s pool selections under 450 words. From the exotic to the post-modern to hypertext to first time writers, this room welcomes all writers.

General Guidelines: 
1. Send your submission by email, please include your name, mailing address, email address, and bio at the beginning of each story; paste your story into the body of your email and send it in rich text form.

2. If you send more than one story (four total), send each story as a separate email. 

3. This is important. Put the category DK (Doorknobs), HF (Hayward Fault), DO (Dorsal), TA (Tapas), PB (Planet Betty), CR (Cairo Room), the issue #, and your last name on the subject line. (example: DK, 61, Argure) We use a filter for all email; therefore, if you do not put this information in the subject line, your email will automatically go into trash.

4. Do not send your story in HTML format or as an attachment. If you send your story in HTML format or as an attachment, it will be discarded.


Contest Prizes for each section (Doorknobs, Hayward Fault Line, Dorsal, Tapas):

An opportunity to read at one of Pandemonium Press Presents reading series.
We do not pay money for publishing your work.
The writers retains all copyright to their work.


 

 

Call for Submissions Love <3 Sun Star Review

SUN STAR REVIEW
Sun Star Review is currently open for submissions to their Fall 2016 issue.
“We are seeking prose (whether fiction, nonfiction, flash, long, or simply unclassifiable), poetry, visual art, and mixed media work. We love depth and emotional resonance. We appreciate risk taking and ambitiousness—so long as the ambition is earnest. We love work that blends the real and the fantastical. We love experiments with craft. Our journal is also committed to promoting diverse voices and points of view that aren’t well represented in the general literary scene. Thanks for your interest, and we look forward to reading your work!”
To submit, please visit sunstarlit.com

Call for Submissions Love! Common Ground

Road trip tomorrow, so here’s some Call for Submissions Love before I go 🙂 

COMMON GROUND REVIEW seeks engaging, well-crafted poems that surprise and illuminate, amuse and inform. Creative non-fiction and short stories must be no more than 12 pages, double-spaced. Two publications a year (Spring/Summer and Fall/Winter), no reading fees. We accept year-round submissions at our website; see submission guidelines, use the Submittable link, or send snail mail. Excite us!

Common Ground Website

Submissions Guidelines

 

A Little Different Call for Submissions: The Artist Unleashed, and It Pays!

Write About Your Personal Experience as a Writer or Artist.

Submissions accepted year-round.

Earn $0.015 per word to be published on our blog, The Artist Unleashed. We want articles based on your personal experience as a writer or artist to help fellow creatives. Articles for this website must be about an aspect of writing and/or art and must also inspire and/or motivate, encourage discussion, offer advice or argue an opinion, and be rich with informative/engaging content. We will tweet and Facebook your post to get it as much exposure as possible. Views on a single post have reached 1500+ within 24 hours.

Please visit our website for submission guidelines: www.theartistunleashed.com.

Call for Submissions: HeartWood

Poets, please submit.
Also seeking fiction and creative nonfiction.
Reading now for the October issue.
 

HeartWood

Friday Call for Submissions Love! Brand New Mag: The Quiet Circle

The Quiet Circle: Introspective Essays, Subtle poems, Gently Unreal Fiction

Submissions accepted year-round.

 

“For its inaugural issue, The Quiet Circle seeks writing that journeys inward and cares about the human condition while avoiding flashiness or shock value. We seek fiction in non-realist categories (surreal, fabulist, speculative, and others) but we avoid harshness and spectacle in favor of depth. We desire sincerity and humanity in essays. We seek poems that maintain grace and gentleness even in revolution.”

Submit here! 

 

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