"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Archive for the ‘litmags’ Category

Friday Call for Submissions Love! Sediments Literary-Arts Journal

Friday Call for Submissions Love!

Sediments Literary-Arts Journal

About

Sediments Literary-Arts Journal is a quarterly online literary journal that features work from new and emerging writers and artists as well as the established ones who inspire them. We understand how hard it is to get that first publication under your belt. The process can sometimes be disheartening. Unsure of what publishers really want, new artists can be blown with the wind, changing their aesthetic and losing their passion in order to conform to standards they think publishers want. Here at Sediments, we provide a platform where you can deposit your artistic style.  We want your submissions to be compelling, thought-provoking, and force us to question our reality. We love diversity, and we are obsessed with controversy. Help us build a rock of unpublished artists whose voices are finally scratching the surface of the literary sphere. We accept poetry, flash fiction, short stories, and art.

Submit to Sediments

Sediments Literary-Arts Journal accepts poetry, short stories, and art. Accepted work will be published to the homepage every Sunday at 11AM, as well as be collected into a quarterly, digital zine. View previous issues here.

What We Want…

Art

  • Please submit your paintings, illustrations, drawings, digital media, photography, etc.
  • You may submit up to 15 pieces. We most likely will select more than one, and we want a lot to choose from.
  • Include your preferred name, third-person biography, the preferred title(s) of your piece(s), and the medium you used (photography, acrylic on canvas, etc.) in your cover letter.
  • Artwork should be high-resolution digital copies.
  • Images of your artwork must be in jpeg, png, or tiff format.
  • All submitted artwork will automatically be considered for the cover art of that issue.

Poetry

  • Please submit 3-5 poems of any length (keeping in mind that shorter poems have a higher chance of being published) in ONE Word document (DOC or DOCX only).
  • Separate ONE poem per page.
  • We’d love to see prose/narrative or lyrical poems and poems that experiment with form.
  • Submit your poems about anything. We accept poems on a variety of topics, humorous or serious. We’re not against love poems, but give those love poems some edge, something we’ve never seen before!

Fiction

  • Please submit ONE short story up to 3,500 words or no more than THREE flash fiction pieces up to 1,000 words each.
  • Flash fiction pieces should be in ONE document. Each story should start on a new page.
  • Submit your fiction in Word documents only (DOC or DOCX).
  • Your pieces should be well-written, adult literary fiction.
  • Although we welcome genres like science fiction, horror, fantasy, and even erotica, your stories should be written within the scope of adult literary fiction with elements of the aforementioned genres very subtle.
  • Formatting should be in 12-point Times New Roman or a font that is easy to read, with one-inch margins and double-spaced.
  • Please include the word count in the top left-hand margin of the first page.

Read Current Issue of Sediments Literary-Arts Journal: http://sedimentslit.com/project-type/issue-four/

Hey Artists! HeartWood wants to hear from you!

Hey Artists! HeartWood wants to hear from you!

Check out the guidelines for our

Appalachian Arts Interviews

We also welcome queries from Appalachian artists (writers, visual artists, musicians, performers, folk artists, etc) interested in being included in our Appalachian Arts section. We define Appalachian artists as an artist who is heavily influenced by the Appalachian region and its traditions, history, and people. At HeartWood, we are looking for artists who take these traditions and speak to them in a new and unexpected way.

To query about possible inclusion in the Appalachian Arts section: Submit the following in one document (doc, docx) through the Appalachian Arts link on our Submittable page:

  • Artist bio
  • Artist statement addressing what being an “Appalachian artist” means to you, how you uniquely define yourself as an Appalachian artist, and how your connection to Appalachia as you see/define it connects (or doesn’t) to your work.
  • At least one link to where artwork or samples can be seen/heard (artist website, other publications, YouTube, etc).

If we’re interested, based on the query, editors will email requesting additional information and work sample.

Complete guidelines here: 

http://www.heartwoodlitmag.com/submit/

A VERY Special Special Call for Submissions: HeartWood: Getting to the Heart of the Matter

Why is this one special special? 

Because in the company of an amazing group of people, this Call for Submissions is coming directly from me!

😀

Allow me to introduce

HeartWood

an online literary journal in association with West Virginia Wesleyan’s Low-Residency MFA program, publishes twice yearly, in April and October. Our inaugural issue will go live April 2016.

HeartWood

 

General Submissions

We accept submissions year round through Submittable, and welcome previously unpublished poetry, fiction, and creative nonfiction, from both established and emerging writers.

What We Want:

We are interested in writing that pushes into, dares to reveal, its own truth, that takes emotional risks, that gets to the heart of the matter.

Simultaneous submissions are fine, provided you notify us if the work is accepted elsewhere.

We also welcome queries from Appalachian artists (writers, visual artists, musicians, performers, folk artists, etc) interested in being included in our Appalachian Arts section.

 

Submission Details

Prose submissions, fiction or nonfiction, should be 3000 words or less.

Fiction: Fiction submissions may include short stories, flash fiction, or novel excerpts if the excerpt can stand alone. You may submit more than one piece of flash fiction, as long as the total word count does not exceed 3000 words.

Creative Nonfiction: We’re open to a wide range of nonfiction, with the exception of academic articles, or that which would be considered more traditionally journalistic. Personal essay, memoir, lyric, literary journalism, or some blurring in between, are all acceptable.

Poetry: Poets should submit no more than 3-5 single-spaced poems at a time. Include all poems in a single document for upload. Lyric, narrative, experimental, we’re open to all variations of the poetic voice.

Surprise us. Make us think. Make us feel. Make our hearts race.

 

Appalachian Arts Interviews

We also welcome queries from Appalachian artists (writers, visual artists, musicians, performers, folk artists, etc) interested in being included in our Appalachian Arts section. We define Appalachian artists as an artist who is heavily influenced by the Appalachian region and its traditions, history, and people. At HeartWood, we are looking for artists who take these traditions and speak to them in a new and unexpected way.

To query about possible inclusion in the Appalachian Arts section: Submit the following in one document (doc, docx) through the Appalachian Arts link on our Submittable page:

  • Artist bio
  • Artist statement addressing what being an “Appalachian artist” means to you, how you uniquely define yourself as an Appalachian artist, and how your connection to Appalachia as you see/define it connects (or doesn’t) to your work.
  • At least one link to where artwork or samples can be seen/heard (artist website, other publications, YouTube, etc).

If we’re interested, based on the query, editors will email requesting additional information and work sample.

 

What We’ll Do

Submissions will be responded to within three months. If you haven’t heard from us after three months, feel free to inquire by sending us a note through Submittable.

If your work is accepted, HeartWood acquires first North American rights. All rights revert to the author upon publication, but we do ask for first publication attribution in any future publications. We also reserve the right to include accepted pieces in any future anthologies or promotions.

If we have passed on a submission, please wait 6 months before submitting again.

Submit here:

http://www.heartwoodlitmag.com/submit/

Write on! We can’t wait to hear from you!

 

Two New Publications :-) Grateful to Generous Editors

My house concert tour isn’t over, but has been put on hold while my oldest sister, a tiny fierce woman named Andrea but whom we call Crickett because she’s only 4’9 and quick as all get out 🙂 and who has worked as a nurse for more than forty years, primarily attending to those at the end of their journey, those tender hands midwifing soul after soul after soul into the next life, has been battling cancer herself. Twelve years older than me, she wagged that little finger at me, touting her position as ‘the elder’ in our family now, and told me I ‘better not be neglecting that writin!’ So, while my travel has been limited mostly to running back and forth from Virginia to North Carolina, I have been sending these crazy lil prose pomes out into the world.

“A Chant Against Lonely” at Josephine Quarterly (This poem will be included in my book, A Little Blood, A Little Rain, coming out from FutureCycle Press in 2016)

http://issuu.com/josephinequarterly/docs/summer_2015_issue/5?e=6563413%2F14573219

The Girl Who Read the Land” at Sediments Literary-Arts Journal (This poem is included in my most recent book, The Night I Heard Everything, available now from FutureCycle Press)

http://sedimentslit.com/portfolio/the-girl-who-read-the-land-mary-carroll-hackett/

I’m very grateful to the kind editors who have made homes for some of them.  ❤

 

Featured Author Profile at Spank the Carp :-)

Thrilled to be included as the Author Profile in Pond 11 over at Spank the Carp 😀 If you haven’t checked out this great pub, then do 🙂 Great work, and great fun! Ken. the editor, is a blast! 🙂

http://www.spankthecarp.com/profile_carrollhackett.html

Special Tuesday Call for Submissions: A-Minor Magazine

Special Tuesday Call for Submissions

from the fabulous editors who brought out my book If We Could Know Our Bones

A-MINOR Magazine: Stories in the Chord of Am

Reading submissions for the September issue of A-Minor Magazine! Send your prose, poetry or artwork. Spread the word!

Editor Nicolette Wong says, “p.s. we have more room in the prose/fiction house at the moment.”

GUIDELINES/SUBMISSIONS

We’re now reading submissions for our next September 2015 issue.

Please submit in ONE category only. Prose and poetry should be pasted in the body of the email. If your poems require special formatting, you may send an attachment.

Simultaneous submissions are fine. Include a 50-word, third person bio. Longer bio will be subject to editing. Send your work to aminormagazine@gmail.com

Short Fiction/Prose: 1000 to 4000 words. One story/prose piece only.

Flash Fiction/Prose: 100 to 1000 words apiece. One to three pieces.

Poetry: Three to Five poems. Prose poetry and hybrid form welcome.

For fiction/prose, we are partial to surrealist, experimental and quirky writing. For poetry, we lean toward the lyrical, eccentric, ambivalent and wildly imaginative.

Art/Text: One to three flash prose pieces or poems, based on or paired with artwork by the writer or a visual artist.

Artwork: Two to five pieces of visual poetry, asemic writing or other post-literate variety. Preferences will be given to images that work as a series. Collaborations are welcome.

Prose and poetry must be entirely unpublished. Artwork may be previously posted on the artist’s web site or blog.

Please check out the list of selected back issues and features to get a sense of our editorial drift.

If your work has been featured in A-Minor, please wait at least six months before submitting again.

If your submission has been declined, please wait at least one month before submitting again.

A-Minor requires First North American Serial Rights and all archival rights. All rights revert back to the author upon publication. If your work appears elsewhere in print or online, please give due credit to A-Minor.

Send all questions to aminormagazine@gmail.com

Check out A-Minor Magazine’s Fifth Anniversary Issue here:

http://aminormagazine.com/2015/05/28/a-minor-magazines-fifth-anniversary-issue-4/

Friday Call for Submissions: carbonate: Satisfy Your Read

Friday Call for Submissions: carbonate: Satisfy Your Read

carbonate

Deadline for Fall issue: August 31, 2015

About

carbonate is a quarterly literary magazine published online in January, April, July, and October. We accept submissions of poetry, essays, short fiction, novel excerpts, art, and photography year-round.

Originating in the heart of the Colorado Rocky Mountains, carbonate® is produced by The Foundry/Rocky Mountain Centre for Writing, a non-profit organization increasing access and visibility of the literary arts in the mountain regions.

We are seeking deeply human, fully realized work from far and wide, and always hope to include voices new to us and new to publication. We publish online: one story, one portfolio of poems, one essay or piece of narrative nonfiction, and visual art. Subscribers and selected contributors get the full edition electronically in a beautifully formatted, full color e-book.

We’re exceptionally partial to works that are well-written and engaging.

Please send us work that truly resonates and brings the reader to a new place. The online journal also publishes interviews with accepted authors and artists. Please inquire before submitting interviews.

We’ll take a look at everything, but boring work will probably not find a home here. Send us your best. Try something new. We might love it.

Deadline for Fall issue: August 31, 2015

Send your submission as an attachment to: carbonatemagazine@gmail.com

Put your contact information and a short bio in the body of the email.

Submission Guidelines

Short Fiction: 5,000 words or less.

Short fiction submitted to the magazine must be original and previously unpublished. carbonate considers work that has appeared online (including on blogs and Facebook) to be previously published.

All manuscripts must be typed and double-spaced, with the author’s name, address, phone number, and approximate word count at the top of the first page, and numbered throughout and sent as a WORD attachment to the email address listed herein.

Send only your best work. Submit only one story at a time.

We are not accepting paper submissions at this time. All paper submissions will be recycled upon receipt.

All manuscripts must be written in English. Translations are acceptable, but must be accompanied by a copy of the original text.

Poetry: 3-5 poems (no more than 8 pages)

Novel Excerpts: 5,000 words or less.  You must indicate that your submission is part of an unpublished novel.  The ideal excerpt will be self contained in terms of characterization and storyline.  We will not print setups or explanations of what is taking place.  Your writing should embody a smaller version of the overall story arc.

Creative Non-Fiction: We draw heavily from unsolicited submissions. Our editors believe that providing a platform for emerging writers and helping them find readers is an essential role of literary magazines, and it’s been our privilege to work with many fine writers early in their careers. A typical issue of carbonate contains at least one essay by a previously unpublished writer.

We’re open to all types of creative nonfiction, from immersion reportage to personal essay to memoir. Our editors tend to gravitate toward submissions structured around narratives, but we’re always happy to be pleasantly surprised by work that breaks outside this general mold. Above all, we’re most interested in writing that blends style with substance, and reaches beyond the personal to tell us something new about the world. We firmly believe that great writing can make any subject interesting to a general audience.

Art: Please submit only 4-6 pieces per email. However, you may submit more than one email. We prefer to receive submissions digitally as JPEGs or PNGs sent via email to salidafoundry@gmail.com. Please make sure that your name and contact information appears in the body of the email. Each piece should be accompanied by the work’s title (if any), medium, and contact information should one of our readers want to purchase your work.

We are unable to provide critiques or feedback regarding art submissions or the selection process. If your artwork is selected for publication, you will be notified by telephone or email with further information.  If you do not hear from us in 4-8 week’s time, you should assume that your submission was not a fit for our publication at this time, but we will place them in our files for potential use in future publications. We do accept professionally presented pencil or pen/ink images.

Photography: The photography published in ‘carbonate’ is very high level, professional-quality imagery suitable for commercial purposes. If you are a recreational photographer/hobbyist, unfortunately your work will likely not be a fit for our product lines.

Submission Deadlines

The following publishing deadlines are set for the forthcoming publications.  If we receive a submission between deadlines, we will assume it is meant for the next issue.

October 2015   deadline August 31, 2015

January 2016  deadline October 31, 2016

April 2016  deadline February 1, 2016

July 2016 deadline May 1, 2016

October 2016 deadline August 31, 2016

Publication Rights

Simultaneous submissions must be marked as such, and you should notify us immediately in the event your work is accepted elsewhere.

We do not pay contributors for any work published in carbonate. However, accepted contributors will receive a 1-year digital subscription beginning with the edition your work appears in.

Upon acceptance, we acquire first rights for publication in our online magazine and one-time rights for pieces selected for re-publication. Following publication, all rights revert to the author. Should we desire to use your work in any other context (primarily, this might occur in an advertisement-type context), we will contact you via email requesting the appropriate permission.

Visit carbonate: http://carbonatemagazine.org/

Special Thursday Call for Submissions: That, Brand New Litmag Wants Your Work

Brand New Litmag Seeking Submissions

That Literary Review

About THAT

THAT Literary Review is affiliated with the Creative Writing Program, the Department of English and Philosophy, and the College of Arts and Sciences at Auburn University at Montgomery. Published annually, THAT will be available online with print copies available at additional cost.

Submission Guidelines

All manuscripts should be in 12-point type, preferably Times Roman. All poems should be submitted in a single document. Fiction must be double-spaced, poetry single-spaced. Please send us your work as a .doc, .docx, .pdf, or .rtf file via the Submittable portal below. We do not accept submissions by post.

Our reporting time is three months; if you have not heard from us by then, feel free to query us at editor@thatliteraryreview.com.

The author’s name, address, telephone number, email address, and approximate word count should be typed at the top of the first page; all other pages should include the page number and the author’s last name in the header.

Fiction

We’re looking for excellently written fiction between 100 and 5,000 words in length.
It should be surprising, relentlessly engaging, fun, and humming with vibrancy. Include compelling characters, lively but minimal dialogue, and plots charting the unexpected.

Poetry

The poetry that we prefer is alive and idiosyncratic and that opens new vistas to the reader. We stay away from rhyming poetry, conventional forms, and love poetry unless brilliantly revisited. Three poems may be submitted (as a single document) at a time, with a total maximum of twenty pages.

General Guidelines

– We are interested only in work that has not appeared previously in either electronic or print format.

– Submit only one story or three poems at one time. If you have material under consideration with THAT, please do not submit additional work until you have heard back from us.

– Simultaneous submissions are permissible, but notify us if the work you’ve sent to us has been accepted elsewhere.

– It is recommended that all interested writers take a look at a sample issue of THAT. It really helps.

-THAT acquires first serial rights, including both print and electronic rights. Copyright remains with the author.

Payment

Authors published in THAT will receive a print copy of the issue in which they appear.

Website for That: http://www.thatliteraryreview.com/home.html

 

 

 

New Work Up at Hound Lit

New poem publication up at HOUND Lit 🙂 Thrilled to be included. Love this publication 🙂

http://www.houndlit.com/mary-carroll-hacket-when-dirt-is-hunger

Friday Call for Submissions Love! Synaesthesia: “Tell us where you’re going”

Friday Call for Submissions Love!

Synaesthesia

Theme

ATLAS

DEADLINE: 30 July 2015

noun | a book of maps or charts

Tell us where you’re going. Tell us about the bridge above the river that looks like milk. Point out your favourite spot. Map out your route. Show us how it happened, where he was, where he is now. Circle the place you first kissed, the place you kissed him last. Show us where you left him, do it in red. Take us to Tibet. Get us lost. Take us home again. Draw us a map of your hand. The muscles and tendons. Where she kissed it, where she pinched it, scratched it, slapped it, held it. Send us tickets and postcards. Think about structure, style. Break conventions: give us stories and poems told through graphs, tables, charts and maps.

Be part of our collection about maps and the roads that fall between them. Be part of the atlas that makes us human, or not.

About

Editors are mothers. They cradle words in their ink-stained hands and rock them gently until they hiccup and burp and sleep without fidgeting. Sometimes they have to be strict, and tell words that they can’t play with that other word because that other word isn’t good for them. Sometimes they have to say no because that’s how stories get better. But mostly they love words and just want to see them grow into great, great stories that others point at and go, heck, I wish I’d written that.

So we’ve decided to write about what we like and what we don’t like in our submissions. And if you don’t like what we do like, then that’s fine. Maybe it’s just not meant to be. It’s important to remember that your submission absolutely doesn’t have to be perfect. We’re not expecting Shakespeare. If you bring us something that makes us coo we’ll tell you it makes us coo, and we’ll work with you to turn that extra o into an r so it makes us go corr.


We like poetry that howls from the rooftops. We don’t like poetry that shouts into a microphone. One commands, the other imposes rudely. We like modest poetry, poetry that tells us, actually, it’s pretty terrifying being human but y’know what? Here’s a puddle. Look at its rainbow.


We’re not particularly drawn to poetry that laments, or mourns, or talks about how much it misses its boyfriend. We don’t like poetry that feels sorry for itself.


We like poetry that talks to us like we’re humans, sometimes even friends, and poetry that goes bungee jumping and, if it’s not feeling up to it, puts its feet up and flicks through crappy TV channels. Not because it can’t be bothered, but because it’s honest. It doesn’t try hard. 


We like short stories that come to bed with you and kiss you somewhere you didn’t know you liked. Stories that tease and don’t necessarily give us what we want. If there’s a word in your story that you have to think twice about, get rid of it. Get in and get out. We don’t like stodgy prose or long-winded narratives.

 

We like short stories that say hey, babe, take a walk on the wide side. We like stories that pad barefoot into the kitchen on a summer night, spilling secrets. Short stories that are the beginnings of a knock knock joke but not the end. We don’t like sob stories, but we do like stories that whisper, I had to write this.

Guidelines

We like short stories that come to bed with you and kiss you somewhere you didn’t know you liked. Stories that pad barefoot into the kitchen on a summer night, spilling secrets. We like short stories that say hey, babe, take a walk on the wide side.

We like poems that jump into puddles. Poems about the ordinary: these yellow wellington boots, your hand-me-down prom dress. We like poems that have been gunned down to the ground and come back fighting.

We like short stories that are the beginnings of a knock knock joke but not the end. Stories that hum, some that blister. We don’t like sob stories, but we do like stories that whisper, I had to write this.

We are currently open for submissions for our ATLAS issue (publishing late summer/autumn). We will announce our last theme of the year very soon. Please read our submission guidelines before submitting (seriously, please do it, it will help you), and remember the following:

  • Your submission must correspond to the current theme in some way, however loosely you interpret it
  • Simultaneous submissions are totally fine and heartily encouraged, but if your submission is accepted elsewhere please inform us asap
  • We do not accept previously published submissions. We obtain First Serial Rights, which means we have the rights to publish your work for the first time. More info on our guidelines page
  • It’s completely free to submit to us and read our magazine
  • As part of the magazine’s ethos, we blend art and writing – please be aware that your work may be accompanied with another form of art
  • Response time: approx 1-4 months.

Okay, your turn now. Blow our senses

Guidelines and Submit Here: https://synaesthesia.submittable.com/submit

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