"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Archive for the ‘Friday Call for Submissions’ Category

Very Special Call for Submissions

Very Special Call for Submissions

HIV Here & Now

from publisher Michael H. Broder 

It’s that time again. The submission and solicitation wells are dry. The HIV Here & Now Project WEBSITE needs new work FAST (I have nothing for today, for example, let alone the next 152 days). NEW OR PREVIOUSLY PUBLISHED poems or short (up to 500 words) prose pieces. By any poet regardless of HIV status. Preferably touching on HIV in some way shape or form, even if metaphorical. Our key advocacy themes are testing, treatment, prevention, dispelling shame, and eliminating stigma. You can really use any of those ideas as a way into a poem that never even mentions HIV or AIDS. Or just any pieces you think would work on the site. You’re a poet! Use your imagination!!

While I appreciate the dedication, please do not submit if your work has already appeared on the site; we are trying not to repeat poets or writers.

Send work to michael@indolentbooks.com. Include a face pic and a brief bio emphasizing your publications.

Previous HIV Here & Now Project poets and writers, please solicit one poet or writer directly, post this on your timelines and share with your groups and other social networks. (I’ll tag 20 of you each week.)
http://www.hivhereandnow.com

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Friday Call For Submissions Love! TulipTree Review

TulipTree Review

Stories That Need To Be Told

TULIPTREE REVIEW is a quarterly print literary journal accepting submissions of fiction, nonfiction, and poetry. There is no reading fee and authors whose works are accepted will receive free subscriptions. For guidelines and contact information, visit www.tuliptreepub.com.

GENERAL SUBMISSIONS

No Reading Fee

You can submit your work at any time for free if you would like to be considered for publication in the TulipTree Review.

How It Works

General submissions are not eligible for cash prizes. If your work is selected for publication in TulipTree Review, you will receive a one-year subscription toTulipTree Review.

How to Format Your Submission

  • Entries should be in Microsoft Word-compatible or PDF format and sent as an attachment to an email (not in the body of the email).
  • Fiction and nonfiction entries should be double-spaced.
  • Poetry format is open; for general submissions please put all of the poems in one document.

INCLUDE YOUR CONTACT INFORMATION

In the body of your email…

  • Include your name, mailing address, and title(s) of the work(s) you are submitting.
  • Include a bio that will appear with your work if it’s published.
  • Also, because we are usually accepting submissions for various anthologies as well as the journal, please indicate in the subject or body that your submission is for TulipTree Review.

​On your submission…

  • Include your name, mailing address, email address, and title of the work on the first page.

Word Limits

There are no word limits (min. or max.) for general submissions.

Legal Stuff

By submitting your work, you are stating and agreeing that (1) the work is your own original work, (2) no one else owns the rights to publish said work, and (3) you are granting TulipTree Publishing, LLC (TulipTree) the right to publish said work, unless you withdraw your work prior to TulipTree’s decision to publish.

TulipTree does not retain rights to your work after we publish it. If it is published again we ask only for an acknowledgment in the new publication (e.g., “previously published in TulipTree Review,” etc.).

How to Submit

Email general submissions to submissions@tuliptreepub.com.

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Friday Call for Submissions Love! Conclave: Looking for Work Focused on Change

Conclave 

(Feb 2016 issue)

Ends on 1/15/2016

As this established literary journal changes hands, the theme for the next edition accordingly focuses on change as an inevitable force in our lives, ideally though not certainly a force for progress and growth. We’re looking for contributions relating to political and social change and well as changes in the human character. We’re looking for work that envisions the future, better tomorrows and bitter tomorrows, changes in love and life and the heart of humankind.

Conclave: A Journal of Character seeks poetry, fiction, and non-fiction of exceptional literary merit. The work we seek has a transcendent aesthetic impact on the reader. It is not merely about the mystery of being, but heightens the reader’s sense of the mystery underlying the fabric of our daily lives. We are looking for work about character or work that displays character, that holds it up to a fresh light and helps reader see what they did not see before.

We seek to be broad, inclusive, and open to perspectives spanning all spectrums of thought, ethnicity, gender identity, and sexual orientation.

We are interested in work originally written in English and work in English translation from any language. We are interested in all genres, including mixed or multiple genre works, or work that simply defies classification.

Guidelines:

1   We are an environmentally conscious journal and only accept submissions through Submittable.

2   Format and Length. Poetry: Submit 1-3 original, unpublished poems, in a single document, each poem on a separate page, no longer than 10 pages total. Short Fiction: Submit 1 story, no longer than 5000 words. Creative Nonfiction: Submit one essay, no longer than 5000 words. Photography: Submit 1-3 photographs, black and white only. Unclassifiable: No longer than 2000 words.

3   You are welcome to submit more than once, but each submission must be a separate file uploaded to Submittable.

4   Do not put your name or any other identifying information on the document that holds your submission. Do not include your name in the file name for your submission. We follow a “blind” reading system: our editors read all submissions without knowing who wrote them.

5   Use Times New Roman 12 pt. for the text of your submission. Single-space your poems; double space between stanzas. Double-space prose manuscripts.

6   Include a 60-word bio written in third person, providing specific information about your writing life and your previous publishing credits.

7   No previously published work — print or online — including work posted on personal websites or social network websites. If your work can be found searching Google, we consider it published.

8   If you have questions, please visit our website, conclavejournal.com, or email wbernhardt@conclave.com.

Conclave’s Website: conclavejournal.com

 

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A Very Special Call For Submissions: HIV Here & Now Project

The HIV Here & Now Project uses poetry and flash prose to advocate for a world without HIV or AIDS.

#hivtest #hivtreat #hivprevent #nohivshame #nohivstigma

Please submit your work to the HIV Here & Now Project!

Details on submission guidelines, as well as suggested prompts, are below.

Please share widely!

Huge thanks and appreciation to Michael H. Broder for his tireless and necessary work with the HIV Here & Now Project!

Poetry and Nonfiction: Visit the website for more details.

Curator Michael Broder writes:

“I’m very proud of the variety of poets featured to date on HIV Here & Now Project and grateful to the 180 poets whose work has appeared on the site to date. If you are my friend and a poet, please join them. Write a poem for the site and send it to me via Facebook message, the HIV Here & Now website, or Submittable ( https://indolentbooks.submittable.com/submit)

A lot of my poet friends respond well to prompts.

Here are some to consider:

Write a poem in the voice of an HIV virion (virus)
Write a poem in the voice of a CD4 cell (T-cell) being attacked by an HIV virion
Write a poem about a time you had unprotected sex with a partner whose HIV status you did not know
Write a poem about a time you had sex, protected or unprotected, with someone you knew was HIV-positive and how his or her status affected the experience
Write a poem about someone you know who died of AIDS
Write a poem about someone you know who is HIV-positive
Write a poem in your own voice imagining you were just handed an HIV diagnosis
Write a poem in your own voice imagining your mother, father, sister, brother, aunt, uncle, cousin, niece, nephew, best friend, beloved teacher, cherished mentor just told you they were HIV-positive

Subscribe and support this project in any way you can, please!

Thanks!

HIV Here & Now Project

http://www.hivhereandnow.com/

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Friday Call for Submissions Love! SLAB, Submissions closing soon!

Slab

Submissions close December 1

SLAB WANTS IT ALL, your raise-the-roof, funky creative nonfiction, fiction, poetry, and text/image pieces. We love flash, too. Reading period: late summer until December 1. All submissions read by bipedal mammals, accompanied by the occasional marsupial.

Samples and more info at slablitmag.org

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Friday Call for Submissions Love! Bluestem, until December 1

Bluestem
 
“Bluestem magazine is waiving submission fees for the month of November and seeking fiction, poetry, nonfiction, and art. Based out of Eastern Illinois University, Bluestem produces two quarterly online issues (September and December) and an annual spring print issue. Please submit no more than five poems at one time, or one short story, or one creative non fiction essay, or five black & white drawings. Fiction / prose / essays should be no longer than 5,000 words. All work is considered for both print and online publication.”
 
We only accept submissions via our online submission manager ,which can be accessed at bluestem.submittable.com. 
 
Submissions close for the year on December 1.

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Friday Call for Submissions Love! Posit: A Journal of Literature & Art

Friday Call for Submissions Love! 

Posit: A Journal of Literature & Art 

Posit considers submissions between September 1st and May 31st, via Submittable.

Posit publishes four issues per year of finely crafted contemporary literary and visual art. Due to the large number of excellent submissions we receive, we are currently reading for publication in mid- and late- 2016. We are looking for innovation, aesthetic vision, and accomplished craftsmanship. Our tastes are non-sectarian, with an interest in the experimental. We accept simultaneous submissions, but please notify us immediately if your work is accepted elsewhere.

Posit considers only unpublished written work, and acquires first-time North American rights upon publication. Thereafter, all rights revert to the author, and the work may be reprinted as long as appropriate acknowledgement to Posit is made. No such restrictions apply to visual art submissions.

  • Poetry: 3-6 poems, no line limits, but no epics, please.
  • Fiction and hybrids: 1000 words or less.
  • Visual Art: Please submit six to twelve jpeg images, an inventory list, an artist’s statement and a one-paragraph bio.
  • Film and animation: no longer than 3 minutes, please.

See Posit’s website for complete details.

 

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Another New Journal Seeking Submissions for Inaugural Issue: Courtship of Winds!

The Courtship Of Winds

Submissions accepted year-round.

“It goes without saying that we are looking to publish the best work. For details regarding submissions and a sense of the editorial direction of The Courtship of Winds go towww.thecourtshipofwinds.org.

We are interested in publishing “unknowns,” as well as well-established writers. A writer who has published absolutely nothing will be read the same way as a prize-winning “name” writer. Work that does something not seen before or, more to the point, makes us see differently—call it avant-garde, experimental, or what you like—is always welcome.”

 

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Friday Call for Submissions Love! New Journal: Mockingheart Review

 

MockingHeart Review

Deadline: December 1, 2015

Call for Inaugural Issue: Submissions for the inaugural issue of MockingHeart Review open November 1, 2015 and close December 1, 2015. We favor poems that express the complexities of the human heart in clear, precise, and lyrical language. Poems should call out to us, not let us sleep or turn away. Bring us poems that gleam and palpitate with intimacy. We seek visionary works that are visceral and that will leave us emotionally undone. We encourage poems that speak to the personal and political inasmuch as the political relates to the person/a. We accept poetry only. Prose poems are welcome.

Guidelines:

We accept poetry only. Prose poems are welcome.
Works that require extensive special formatting are discouraged.  Our apologies in advance.

Here is a .pdf of Frequently Asked Questions for submitting poetry that generally apply:  How to Submit Poetry

We seek works of the highest literary quality. We expect your best work in its final form.

We favor poems that express the complexities of the human heart in clear, precise, and lyrical language. We want poems that call out to us, that won’t let us sleep or turn away. Bring us poems that gleam and palpitate with intimacy. We hope for visionary works that are visceral and that will leave us emotionally undone. We encourage poems that speak to the personal and political inasmuch as the political relates to the person/a.

We believe metaphors. Entrance us with imagery that transforms. We are especially intrigued by imaginative language which melds the real to the surreal, and are pleased when this is done well through artful craft. We question reality. So should your poems.

We do not like poems that utilize clichés or are not finely wrought. We shy away from experimental verse, unless it appeals to our aesthetic and succeeds in moving us. We want works that convey meaning and possess emotional impact, or convince us there is no meaning to be understood.

We favor poems of shorter length, generally of a line length of 30. There is room for flexibility regarding this.

If you are unsure if your work falls within these guidelines, send it to us anyway. We will respond during the selection process and may be able to help to further clarify through conversation.

Your publishing history does not matter, but the quality of the work does.

Our issues will showcase only the best selected works. We will publish issues (3) three times a year.

Unpublished poems only. Simultaneous submissions okay, if the Editor is notified immediately of publication elsewhere. Expect to hear from us in less than (4) four weeks’ time.

Submissions outside of reading periods, unless solicited, will be ignored. If your work has been accepted for an issue, please wait six months before submitting again, within an open submission period. Also, please wait to hear from us regarding a submission before sending more work.

MockingHeart Review cannot pay our contributors at this time.  Rights revert to author upon publication, although MockingHeart Review reserves the right to anthologize, in printed or electronic format, material originally published here. If work that has appeared in this journal subsequently appears elsewhere, the editor requests MockingHeart Review be acknowledged as the place of first publication.

Submissions for the Inaugural Issue will open November 1, 2015 and close at midnight December 1, 2015.

Website: mockingheartreview.com.

Email: mockingheartreview@gmail.com

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Friday Call for Submissions Love! Twisted Vine

 

 Friday Call for Submissions Love!

Twisted Vine

Open for Fall Submissions

Deadline: November 15, 2015

Produced by graduate students in the Interdisciplinary Studies Department at Western New Mexico University, Twisted Vine Literary Arts Journal is a multidisciplinary focused arts journal currently seeking literary fiction, poetry, creative nonfiction, interviews, drama, cross-genre, and visual art for fall 2015. While we love prose with a strong narrative voice and poetry that highlights concrete images, we also appreciate non-linear and experimental work. Issues are published biannually online at the end of each semester. Please visit www.twistedvine.org for more information. We look forward to reading your work.

Guidelines

Twisted Vine Literary Arts Journal is committed to showcasing undiscovered talent in the literary and visual arts. Twisted Vine seeks to publish an eclectic mix of ideas and values. We are open to all genres, though we have a special affinity for hybrid works that transcend traditional genres. The editors of Twisted Vine strongly encourage submissions that are interdisciplinary in nature (poetry about math is one example), progressive, and unexpected.

All written material submitted should be in Arial or Times New Roman 12 point font, double spaced, and adhere to basic guidelines of grammar and spelling (with obvious exceptions for creative license).

Twisted Vine reads blind, so we ask that you do not include any identifying information within your submission.  

Once a submission is selected for publication, the contributor’s name will be revealed to the staff, and additional information may be requested. We make every attempt to respond to all submissions within 2 months. Editors may provide specific feedback on works submitted but there is no guarantee.

Please limit submissions to one document, video, or collection of images per genre category at one time. If you are submitting poetry, please include no more than six (6) poems in a single document. If your submission includes more than one file, please use one ZIP file before submitting. Once you have received a response from us, you are welcome to submit again. We are looking for quality over quantity.

Twisted Vine is not interested in gratuitous sex or violence. Please keep all submissions “PG-13.”

We only accept original, unpublished material. We consider any work that is available for public viewing on social media, personal websites/blogs, or any other open source to be previously published.

If your submission is accepted elsewhere please notify us immediately by adding a note to your submission in Submittable.

Fiction Guidelines

Please limit short fiction to 4,500-5,000 words. Fiction genre includes but is not limited to romance, fantasy, science fiction, mystery, etc. We are looking to compile a diverse and eclectic body of work that represents the interdisciplinary theme of our journal. Stories should have strong narration, character development, plot, and so forth.

Creative Non-Fiction Guidelines

Creative non-fiction submissions are limited to 4,500 words. We are looking for eclectic submissions in this genre that compliment our cross-disciplinary focus. We are open to a broad range of material, however your submission must remain literary in essence.

Poetry Guidelines

Twisted Vine accepts both traditional and experimental poetry. We do not adhere to any specific guidelines for style or content and only ask that your poems reflect artistic excellence. We highly encourage poems that represent interdisciplinary themes.

Please submit no more than six (6) poems per document. Along with the written version of the poem, contributors are welcome to submit audio or video readings of their poetry for consideration on our website as well.

Art Guidelines

We accept original graphic art, photography, paintings/drawings, cartoons and all others forms of visual art in .jpg or .jpeg format. We are not genre specific, but will give preference to pieces that capture the spirit of our interdisciplinary theme.

You may submit up to six (6) images that represent a cohesive collection. If submitting more than one image, please title each image file with the same name and corresponding numbers (example: Carnival1, Carnival2, Carnival3, etc) and submit as a ZIP file. Editors reserve the right to publish any part or all of a collection submitted.

Interview Guidelines



Twisted Vine accepts audio, video, and transcribed interviews. Please limit all audio and video submissions to 10 minutes or less in length and all transcribed interviews to 4,500 words or less. Stylistically, we want interviews that discuss cross-disciplinary studies, literature, and, the arts at large. The edgier the better, but keep it above the belt.


Video Guidelines



We are looking for short, experimental videos with an interdisciplinary approach to artistic and literary subject matter. We are open to a wide range of possibilities in this category and will know what we like when we see it. We prefer videos under 5 minutes and definitely no longer than 10 minutes in length. Please polish your work as needed (before submitting) so that you are exhibiting the best of what you have to offer. Please, no unsolicited series, newsreels, or readings of unoriginal work.

For more on what we’re looking for, please check out our editor’s interview with Jim Harrington on Six Questions For…

Twisted Vine is currently a non-paying market.

Twisted Vine website: http://www.twistedvine.org/

Editor/General Questions:  twistedvine.ce1@gmail.com

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