Daily Prompt Love <3 Drenched
25 April 2017
Seventh day of rain here. Everything is gray, saturated.
Make art about being drenched.
Archive for the ‘fiction’ Category
Daily Prompt Love <3 Through the Body
24 April 2017
A prompt I do with my students, an effort to reconnect them with their bodies, and to use that beautiful sensory work in their writing.
Home smells like….
Fear tastes like…..
Beauty feels like…..
Sorrow looks like….
Love sounds like….
Make art intersecting and grounding a large concept through the body, through an unexpected sense.
Monday Must Read! Michael Meyerhofer, What To Do If You’re Buried Alive
Michael Meyerhofer is a contemporary poet and fantasy author who believes those two genres genuinely can get along. To illustrate this, his debut fantasy novel, Wytchfire (Book I in the Dragonkin Trilogy), was published by Red Adept Publishing, and went on to win the Whirling Prize and a Readers Choice nomination from Big Al’s Books and Pals. The sequels, Knightswrath and Kingsteel, are out now. He is also the author of the forthcoming Godsfall Trilogy.
Michael’s fourth poetry book, What To Do If You’re Buried Alive, was published by Split Lip Press. His third, Damnatio Memoriae (lit. “damned memory”), won the Brick Road Poetry Book Contest. His previous books are Leaving Iowa (winner of the Liam Rector First Book Award) and Blue Collar Eulogies (Steel Toe Books, finalist for the Grub Street Book Prize).
He has also published five poetry chapbooks: Pure Elysium (winner of the Palettes and Quills Chapbook Contest), The Clay-Shaper’s Husband (winner of the Codhill Press Chapbook Award), Real Courage (winner of the Terminus Magazine and Jeanne Duval Editions Poetry Chapbook Prize), The Right Madness of Beggars (winner of the Uccelli Press 3rd Annual Chapbook Competition), and Cardboard Urn (winner of the Copperdome Chapbook Contest).
Michael has won the Marjorie J. Wilson Best Poem Contest, the Laureate Prize for Poetry, the James Wright Poetry Award, and the Annie Finch Prize for Poetry. His work has appeared in Ploughshares, North American Review, Arts & Letters, River Styx, Quick Fiction, Asimov’s Science Fiction Magazine, and other journals.
He received his BA from the University of Iowa and his MFA from Southern Illinois University Carbondale. An avid weightlifter, medieval weapons collector, and unabashed history nerd, he currently lives, teaches, and inhabits various coffee shops around Fresno, CA.
Visit Michael’s Website: https://www.troublewithhammers.com/
Praise for What To Do If You’re Buried Alive
“With a compassionate eye, and his trademark sense of humor that hooks readers from the very first page, Meyerhofer sends us back to our earliest memories, and shows us a world of heartbreak and wonder.” -Mary Biddinger, author of A Sunny Place with Adequate Water
“…Meyerhofer sings in a pure American tenor, his voice haunted by late night diners, small town heartbreak, and somehow, out there in the desolate vastness of the heartland, a flash of humor and a sweet glimmer of hope.” -George Bilgere, author of Imperial
“While never flinching from confronting the irredeemable damage we do to one another, these urgent and necessary poems remind us ‘that if we focus on what hurts, / face it wholly, it dissolves / like a light from a burnt-out bulb, / a curtain gone up in flames.” -Jon Tribble, author of Natural State
Buy Michael’s Books!
What To Do If You’re Buried Alive
More From Michael Online
https://www.poets.org/poetsorg/poet/michael-meyerhofer
http://www.splitlipmagazine.com/6-meyerhofer-interview
http://www.versedaily.org/2011/aboutmichaelmeyerhoferdm.shtml
http://www.valpo.edu/vpr/meyerhoferportrait.html
Happy Reading!
xo
Mary
Daily Prompt Love <3 According to Pooh :-)
23 April 2017
Rainy Sunday. Yep. Make art about the art of the nap.
Daily Prompt Love <3 For the March for Science
22 April 2017
I can’t join the March for Science today, so to honor those who march–
Make art inspired by this.
Friday Call for Submissions Love <3 HeartWood, General Submissions & Broadside Contest
HeartWood, a literary magazine in association with the low-res MFA at West Virginia Wesleyan College, is accepting submissions for the October issue. Seeking poetry, fiction, and creative nonfiction.
Guidelines for journal here: http://www.heartwoodlitmag.com/submit/
HeartWood also hosts an annual broadside competition, open for reading now.
A writing practice requires us to slow down, reflect, attend. HeartWood Literary Magazine & West Virginia Wesleyan’s MFA Program seek to honor this practice with an annual broadside series and contest. Partnering with West Virginia letterpress company Base Camp Printing, we print the winning entry (poetry or flash prose) on a limited-edition letterpress broadside featuring an original image inspired by the text. The annual broadside serves as artifact companion to the fall issue of the digital magazine. Both the handmade and the electronic HeartWood venues aim to showcase work that gets to the heart of the matter.
2017 Contest Judge: MAGGIE ANDERSON is the author of five books of poems most recently Dear All, (Four Way Books, 2017) and five edited or co-edited volumes of poetry. She was the founding director of the Wick Poetry Center and founder and editor of the Wick Poetry Series of the Kent State University Press. Anderson was also the Director of the Northeast Ohio MFA in creative writing from 2006-2009 and is the recipient of two grants from the National Endowment for the Arts as well as grants from the Ohio, West Virginia, and Pennsylvania Councils on the Arts. Maggie Anderson is Professor Emerita in English of Kent State University and currently lives in Asheville, NC.
- $15 entry fee (includes a mailed copy of the winning broadside)
- Contest opens April 1, 2017. The submission deadline for the prize is midnight June 1, 2017.
- Submit one poem (of any form) or flash prose piece (fiction or nonfiction) per entry; regardless of genre, the entry must be 200 words or less. There is no limit on the number of entries per person.
- $500 cash prize + 25 copies of limited-edition letterpress broadside will be awarded to the winner.
- All entries will also be considered for publication in HeartWood
Broadside Guidelines here: http://www.heartwoodlitmag.com/contest/
Daily Prompt Love <3 Giving, and Balance
20 April 2017
“No one has ever become poor by giving.” -Anne Frank
Make art about the benefits of giving.
21 April 2017
Lots of company above this morning for our walk.
Make art about maintaining balance, about regaining balance, about seeking balance.
Daily Prompt Catch-Up <3 Vessels, Relentlessness, and Talk in the Night
17 April 2017
- Vessel (n.)
- c. 1300, “container,” from Old French vessel “container, receptacle, barrel; ship” (12c., Modern French vaisseau) from Late Latin vascellum “small vase or urn,” also “a ship,” alteration of Latin vasculum, diminutive of vas “vessel.” Sense of “ship, boat” is found in English from early 14c. “The association between hollow utensils and boats appears in all languages” [Weekley]. Meaning “canal or duct of the body” (especially for carrying blood) is attested from late 14c.
- Make art about a vessel.
- 18 April 2017
- Make art about something relentless, about relentless emotion.
- 19 April 2017
- Awake until four in the morning last night, me and the deer, and a lone owl in the oak outside the window.
- Make art about a conversations in the night, about how the night talks to you.
Daily Prompt Love <3 Some People Just Need to Fight
16 April 2017
“He fought because he actually felt safer fighting than running.”
– Richard Adams
It’s hard to empathize with the combative life attitude until we look below the surface and see it’s a protective mechanism, meant to combat the anxiety produced from a world perceived as hostile. The need to fight is really just a signal of deep fear.
Make art about the fear driving combative people, or about understanding and forgiving them.
Daily Prompt Love <3 Being Seen
15 April 2017
At some point every semester, I challenge my students to look everyone they meet in the eye, even the strangers they pass, to turn while standing in line and speak to the person behind them, in front of them, to make acknowledging other human beings around them a habit.
One of my current students asked me, sadness softening her young face, why other people won’t, don’t, look at each other, much less look each other in the eyes as they pass. We’re afraid, I told her, of revealing ourselves, of being seen.
Make art about seeing each other, about taking the risk of being seen.
Mary Carroll-Hackett: Poetry and Prose 
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