11/18/2016
Thinking on how it wasn’t all that long ago that it was my Irish ancestors that many people wanted out of the country, saw as less than human, thought they were taking their jobs, hated for their faith and their culture.
Make art about fear and exclusion.
11/15/2016
“There is no other space, no other time. This moment is all. In this moment the whole existence converges. In this moment all is available.”-Osho
Make art about convergence.
11/14/2016
early 15c., from Latin dissentire “differ in sentiments, disagree, be at odds, contradict, quarrel,” from dis- “differently” (see dis-) + sentire “to feel, think” (see sense (n.)).
Related: Dissented; dissenting. The noun is 1580s, from the verb.
Has there ever been a society which has died of dissent? Several have died of conformity in our lifetime. [Jacob Bronowski “Science and Human Values,” 1956]
Make art about dissent.
11/13/2016
Make art about our work, about what you think our work is, about what work means now.
Hofstra University Has Two Forums for Your Literary Work
Submissions accepted year-round.
Submissions for AMP: Always Electric (a digital literary site) are accepted in poetry, short prose, innovative and cross-genre texts, video poems and literary videos. AMP is a project of the Hofstra University Digital Research Center and is co-sponsored by the MFA program and the Department of English. amp.hofstradrc.org
Windmill: The Hofstra Journal of Literature & Art accepts both print and digital submissions including fiction, creative nonfiction, art and photography, and poetry. Our inaugural issue will be published in January 2017. Windmill is a joint project of Hofstra University’s MFA in Creative Writing and BA in English/Publishing Studies. hofstrawindmill.com
10/1/2016
Walking in these West Virginia mountains 🙂
“The falling leaves, all over the forest, are protecting the roots of my plants. Only look at what is to be seen, and you will have garden enough, without deepening the soil in your yard. We have only to elevate our view a little to see the whole forest as a garden.” ~Thoreau
Make art about ‘garden enough.’
10/2/2016
Driving back from WV, I stopped for gas, and Road Angel Louise tells me her story of trying to recover from the recent flooding, what it’s like to lose so much. “Just go from here, I reckon,” she said.
Make art about rebounding from tragedy, about how we ‘just go from here.’
10/3/2016
Dreamt someone I love brought me apples, Honey Crisp and Red Delicious, Granny Smith and Winesap, even a couple of Arkansas Black. He sliced one with his sharp knife, and smiling, said, Here you go, Missy. A taste of what’s to come.
Make art about the taste of autumn. Or about what’s to come.
The most recent book from one of my always favorite poets, Pattiann Rogers.
Ms. Rogers has published eleven books of poetry; two book-length essay collections, The Dream of the Marsh Wren and The Grand Array; and A Covenant of Seasons, poems and monotypes, in collaboration with Joellyn Duesberry. She is the recipient of two NEA grants, a Guggenheim Fellowship, and a Lannan Literary Award for poetry. She lives in Colorado.
Read the title poem here in American Scientist
http://www.americanscientist.org/bookshelf/pub/holy-heathen-rhapsody
Buy Holy Heathen Rhapsody
https://www.amazon.com/Holy-Heathen-Rhapsody-Penguin-Poets/dp/0143123882
Praise for Holy Heathen Rhapsody
“I believe Pattiann Rogers walks the world at night when we are sleeping. Her poems are translations of our dreaming life—what we know to be true but fail to remember. We read her words, sentence by sentence, image by image, and return to all that is beautiful, mysterious, and erotic.”
—Terry Tempest Williams
“Pattiann Rogers is a visionary of reality, perceiving the material world with such intensity of response that impulse, intention, meaning, interconnections beyond the skin of appearance are revealed. Her language, unmarred by clichés, springs up out of a sense of how various and endlessly amazing are the forms of life and the human ability to notice them.”
—Denise Levertov
“How the densely detailed, thickly textured, imaged stanzas of Pattiann Rogers result in so much light-as-air wonderment is surely one of the greater questions—one of the greater magics—of contemporary poetry. But however it happens, we must be thankful—for both the science text and the psalter of her work, for both the physical abundance and for the spirit flimmering over it.”
—Albert Goldbarth
Read More from Ms. Rogers Online
https://www.poetryfoundation.org/poems-and-poets/poets/detail/pattiann-rogers#about
http://www.terrain.org/2014/poetry/two-poems-by-pattiann-rogers/
https://orionmagazine.org/poetry/pattiann-rogers-poem/
https://imagejournal.org/article/speak-rain/
Interviews
http://www.missourireview.com/anthology/interview-with-pattiann-rogers
http://www.pw.org/content/interview_poet_pattiann_rogers?cmnt_all=1
Ms. Rogers on Merging Science and Poetry:
https://www.youtube.com/watch?v=gicNcqk08Pk
http://www.cennamology.com/home/pattiann-rogers-review-merging-poetry-science-and-philosophy
Reading
https://www.youtube.com/watch?v=8vBelOceSMA
Happy Reading!
xo
Mary
9/30/2016
Make art about the struggle between faith and fear, or about faith overcoming fear.
Otis Nebula Now Open to Submissions
Deadline: Rolling
Otis Nebula is now accepting submissions of poetry, fiction, nonfiction, video, and hybrid forms. To get a sense of what we’re looking for, please read an issue, available for free online.
Website: http://www.otisnebula.com/otisnebula/Home.html
Submission details: www.otisnebula.com/otisnebula/contribute.html.
Mary Carroll-Hackett: Poetry and Prose 
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