"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Posts tagged ‘writers’ life’

Monday Must Read! Hunger for Salt by Elaine Fletcher Chapman

Elaine Fletcher Chapman lives on the West side of the Chesapeake Bay. She holds an MFA from The Bennington Writing Seminars, Bennington College where she has worked on the staff since 1999. She founded The Writer’s Studio where she teaches poetry and nonfiction, provides editing services and organizes poetry readings and writing retreats. Her poems have been published in The Tishman Review, The EcoTheo Review, The Cortland Review, Connotation, The Sun, Calyx, Poet Lore, 5AM, Salamander, and others. She was guest blogger on The Best American Poetry Blog. Green River Press published her letterpress chapbook, Double Solitude. She writes non-fiction as well as poetry.

http___elainefletcherchapman.com_img_hungerSalt

For further inquiry: visit Elaine’s website here. 

Purchase Hunger for Salt Here

Visit  St. Julian Press

Praise for Hunger For Salt

The poems of Elaine Fletcher Chapman are meditations waiting for our eyes to open. A few of these poems remind me of the beautiful seashells one finds on the beach after a storm. Chapman writes from the heart reminding us to discover the strength to love. There is loss as well as celebration in Hunger for Salt. Here are poems Thomas Merton would tuck somewhere inside his robes. Here is the Chapman rosary for our days to come.”~ E. Ethelbert Miller Editor, Poet Lore Magazine

In Elaine Fletcher Chapman’s Hunger for Salt, the hunger is palpable: for the natural world, the spiritual world, and the realm of the carnal. These powerful, well-crafted poems invite the reader into the place where these worlds meet. There is an intimacy here missing from much contemporary poetry, and intimacy is what drew me in until my hunger, like salt, dissolved.”~ Wyn Cooper

Hunger for Salt is a tender evocation of the natural world. Chapman displays a poet’s sensibility, a quiet attentiveness to personal wonder, intimacy and grief. The stillness of these poems exposes the refractive quality of memory and desire; it is a poignant and elegant debut.”~ J. Mae Barizo

Daily Prompt Love <3 Daughters

3 March 2019 

Today is my daughter’s 32nd birthday. She is beautiful and brave and smart and loving, and I am grateful and humbled to know her. She has been and remains one of my most important teachers. 

Make art about daughters.

Lia me dancing

 

Daily Prompt Love <3 The Machine

2 March 2019 

Make art about the machine, about the spirit in the machine, about the magical machines we inhabit. 

robot

Image by Comfreak on Pixabay

 

Friday Call for Submissions Love <3 Oyster River

Oyster River Pages Call for Submissions – Special & Regular Issue

Deadline: May 31, 2019

Oyster River Pages is a literary and artistic collective seeking submissions of fiction, creative nonfiction, poetry, and visual arts that stretch creative and social boundaries.

“We believe in the power of art to connect people to their own and others’ humanity. Because of this, we seek to feature artists whose voices have been historically decentered and marginalized. In addition to regular submissions, we are temporarily seeking submissions for our themed issue, Delta, which is reflective of change, transformation, expansion, unification, and of the liminal spaces between land and water.

Please visit Oyster River  for more submission details.

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Daily Prompt Love <3 Curtain

1 March 2019 

Make art about what’s behind the curtain. 

behind the curtain

 

Daily Prompt Love <3 Hurry

28 February 2019

Make art about the hurry, about being in a hurry, about the dangers of a hurried life. 

hurry

Image by TeroVesalainen on Pixabay

Daily Prompt Love <3 Broken and Beautiful

27 February 2019 

Make art about what’s broken and beautiful, about beautiful versions of brokenness. 

 

BW angel - Copy

Daily Prompt Love <3 In the Flood

26 February 2019

Make art about the river rising, about what the flood takes with it, what it leaves behind. 

flood

Openings in March & April for Distance Manuscript Consultations

Distance One-on-One Manuscript Consultation Proposal

A Month By Mail, Focused Completely On Your Work!

Week 1: I receive and focus on a close reading of your manuscript.

Week 2: I will closely read a second time, this time making line by line editorial comments, returning the line-edited manuscript to you, and a detailed 6-8 page letter with initial response and suggestions by mail at the end of the first week. Upon your receipt of the manuscript, we’ll have an initial phone call (these usually last around 2 hours) to discuss those suggested edits, focusing that first week primarily on characterization, consistency, voice, the perceived goals of the narrative.

Week 3: I’ll compose a second detailed letter, this time focusing on structure and control of the narrative throughline, as well as any other elements I see presenting in the submitted work. This I’ll email to you by midweek, and again, we can schedule a phone meeting at week’s end to address this second editorial run through.

Week 4: I’ll ask that you send to me a list of your questions or comments early in the week, which I’ll address in writing, as well as sending you another detailed critique letter, focused on language and new ways of understanding and crafting voice and storytelling. We’ll finish with a third phone meeting to tie up any loose ends, address any remaining questions you might have on the critique provided.

So that’s Full Line Edits, Three Critique Letters, and Three Phone Meetings.

Contact me at carrollhackettma@gmail.com for a quote and scheduling.

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Monday Must Read! New Poets of Native Nations

New Poets of Native Nations by Heid E. Erdrich 

from Graywolf Press 

MMR Native Nations

from Erdrich’s introduction: 

“Native nations are our homelands, our political bodies, our heritages, and the places that make us who we are as Natives in the United States of America. More than 566 Native nations exist in the U.S. and yet “Native American poetry” does not really exist. Our poetry might be hundreds of distinct tribal and cultural poetries as well as American poetry. The extraordinary poets gathered in New Poets of Native Nations have distinct and close ties to specific indigenous nations—including Alaskan Native and island nations. Most are members or citizens of a tribe: Dakota, Diné, Onondaga, Choctaw, and Anishinaabe/Ojibwe (my tribe), and more than a dozen others. These nations determine their own membership and their own acceptance of descendants. My criterion that a poet have a clear connection to a Native nation has nothing to do with blood quantum, the federal basis for recognition of American Indians. Race also has nothing to do with it. Geography is not a factor. These poets live on reservations, in nations, and in cities or towns. Some of their reservations and homelands are urban; most are rural. Many of these poets have relatives across the borders of Mexico and Canada. Most are multiracial. They are also a diverse group in terms of age, gender, education, and poetic styles, but they have one thing in common. Not one of them identifies as “Native American” alone.”

Read more at LitHub

Purchase this beautiful book here. 

 

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