"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty
Today outside your prison I stand and rattle my walking stick: Prisoners, listen; you have relatives outside. And there are thousands of ways to escape.
Years ago I bent my skill to keep my cell locked, had chains smuggled to me in pies, and shouted my plans to jailers; but always new plans occured to me, or the new heavy locks bent hinges off, or some stupid jailer would forget and leave the keys.
Inside, I dreamed of constellations— those feeding creatures outlined by stars, their skeletons a darkness between jewels, heroes that exist only where they are not.
Thus freedom always came nibbling my thought, just as—often, in light, on the open hills— you can pass an antelope and not know and look back, and then—even before you see— there is something wrong about the grass. And then you see.
That’s the way everything in the world is waiting.
Now—these few more words, and then I’m gone: Tell everyone just to remember their names, and remind others, later, when we find each other. Tell the little ones to cry and then go to sleep, curled up where they can. And if any of us get lost, if any of us cannot come all the way— remember: there will come a time when all we have said and all we have hoped will be all right.
There will be that form in the grass.
Make art about escape, the “thousands of ways to escape.”