"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Posts tagged ‘publish’

Monday Must Read: Kate Litterer, Ghosty Boo

 

tumblr_inline_nu5opjKRpu1repb9q_500Meet Kate Litterer, author of Ghosty Boo, just released from A-Minor Press. Kate received her MFA in poetry from the University of Massachusetts Amherst Program for Poets and Writers. Her poetry has appeared in or is forthcoming from Coconut, The Destroyer, Dusie, Finery, Forklift, Ohio, h_ngm_n, Ilk, inter|rupture, Jellyfish, La Vague, Mistress, NonBinary Review, Phantom Limb, Route Nine Literary Journal, Sixth Finch, Spoke Too Soon, Quaint, the anthology Please Excuse This Poem: 100 New Poems for the Next Generation, and the anthologyHysteria. She is pursuing a PhD in Composition and Rhetoric at the University of Massachusetts Amherst, where she focuses on queer and feminist historiography, butch/femme experience, and archival research. She lives in Western Massachusetts with her two maine coon cats.

Kate’s Website: katelitterer.com

Buy Kate’s Book!

Ghosty Boo

https://www.createspace.com/5662024

Praise for Ghosty Boo!

Ghosty Boo lives inside of a book by Kate Litterer who lives with “a hard job to hurt out of revolted love.” Poetry is always asking us what is it we’re willing to do, and when we take into our own private worlds what’s sincere and true, fierce and relentlessly unforgiving are we able to ever feel safe again? Ghosty Boo has an answer for that.” -Dara Wier, author ofYou Good Thing

Featured Excerpt in A-Minor Magazine

http://aminormagazine.com/2015/09/28/featured-excerpt-six-from-ghosty-boo/

Read More from Kate Online

http://quaintmagazine.com/issues/issue-four/from-ghosty-boo-kate-litterer/

http://ilkjournal.com/journal/issue-six/kate-litterer/

http://www.coconutpoetry.org/litterer18

http://www.barrelhousemag.com/once-we-posed-our-barbies-like-a-playboy-shoot-by-kate-litterer/

http://www.interrupture.com/archives/june_2013/kate_litterer/

http://phantombooks.net/kate-litterer-2/

Interview at Please Excuse This Poem

http://pleaseexcusethispoem.tumblr.com/post/97735057265/q-a-with-kate-litterer

Hear Kate Read

https://www.youtube.com/watch?v=Ij9FYcdF6Ag

 

 

Happy Reading!

xo

Mary

Sometimes the Prompt Is How We Connect

Daily Prompt

Building the first issue of HeartWood 🙂 So excited to be part of bringing these beautiful words out into the world. Thinking about how art lets connect in ways unlike anything else, how it lets us reach across space, across time, across history, and commune with each other.

Communion defined: the sharing or exchanging of intimate thoughts and feelings, especially when the exchange is on a mental, emotional, or spiritual level.

Make art about communion. Or about art as communion.

soul-connection-march141

Monday Must Read! Rachel Heimowitz: What the Light Reveals

Monday Must Read! Rachel Heimowitz: What the Light Reveals

rachel HThis week meet Rachel Heimowitz, the author of the chapbook, What the Light Reveals (Tebot Bach Press, 2014.) Her work has appeared in Poet Lore, Spillway, Crab Orchard Review, and Prairie Schooner and she has been nominated for The Pushcart Prize. She is currently the editor of arc-24, the literary journal of The Israel Association of Writers in English and she is due to receive her MFA from Pacific University in Spring 2015.

Visit Rachel’s Website

 http://www.rachelheimowitz.com/#!bio/c1ktj

Buy Rachel’s book!

Tebot Bach Press: http://www.tebotbach.org/publication.html#lightreveals

Amazon: http://www.amazon.com/What-Light-Reveals-Rachel-Heimowitz/dp/1939678072/ref=sr_1_1?ie=UTF8&qid=1458560531&sr=8-1&keywords=Rachel+Heimowitz

Praise for What the Light Reveals

In poem after vivid poem, Rachel Heimowitz “gather[s] what is holy/into [her] palms,” using words and “the light between words” to describe life in contemporary Israel—fraught with danger and uncertainty as well as joy and vision. The precise music of these poems moves from somber moments of religious and historical reflection to the description of dramatic, even frightening, events in contemporary life, proving once again that political realities, faith, and personal, familial life are inescapably intertwined. These are, above all, accomplished and beautiful poems that will be read and reread for a very long time.
—Gale Wronsky

Rachel Heimowitz’s collection of poems, What the Light Reveals, is a remarkable debut. This brilliant, sobering, often harrowing – yet always lyrical – account of life in Israel is also a meditation on faith and family, both immediate family and the larger human family as well. As Rachel Heimowitz reckons her place as a woman in a time and place of war, we find ourselves, as readers, enveloped in one of the most intimate and dramatic sequences of poems in recent years. This is a book to cherish.—David St. John

“Holding”, Rachel Heimowitz says, “is a woman’s purpose”, and by “holding” she means keeping, securing, preserving, remembering, carrying deep inside as in prayer, witnessing, and testifying truthfully, earnestly and urgently. It is a woman’s purpose, this is true, and it is the poet’s purpose, too. Sometimes it is a splendid accident when a gifted poet is thrown into places and times that demand the poet’s heart and eye. In What the Light Reveals, Heimowitz shows herself to be precisely that poet, and the result is poetry of grace, exquisite wrenching, and stark honesty.—Kwame Dawes

Listen to Poems from What the Light Reveals

http://www.rachelheimowitz.com/#!blank/c6ll

Read More From Rachel Online:

http://composejournal.com/articles/rachel-heimowitz-two-poems/

http://www.crowhollowbooks.com/m1-1–rachel-heimowitz.html

http://www.soul-lit.com/poems/v5/Hemiowitz/index.html

http://atticusreview.org/bright-eyes-tight/   

Happy Reading!

xo

Mary

Friday Call for Submissions Love! Blue Mesa Review

Friday Call for Submissions Love!

Blue Mesa Review

2 weeks left!

GENERAL READING PERIOD: September 30 – March 31

Blue Mesa Review accepts previously unpublished work in Fiction (up to 6,000 words), Nonfiction (up to 6,000 words), Poetry (3-5 poems), and Visual Art. We have a rotating editorial board, so each issue is fresh and unique. In general, we are seeking strong voices and lively, compelling narrative with a fine eye for craft. We look forward to reading your best work!

“We only considered unpublished work. Please do not submit anything that has been published on your blog, through your Facebook page, in other magazines including those online, or in an anthology or chapbook.

*We only accept submissions online through Submittable. We do not accept submissions via email or postal mail. Any submissions received by means other than Submittable will be returned to the submitter unread or recycled if a stamped, self-addressed envelope was not provided.

*We gladly accept simultaneous submissions. Please notify us immediately if your work is accepted elsewhere and withdraw your submission through the Submittable system. If a poem in a group of 3-5 poems is accepted, simply add a note identifying the piece that is no longer available.  

*Individuals previously affiliated with the University of New Mexico (students, staff, and/or faculty), should not submit to Blue Mesa Review until they have been unaffiliated for five full years.

*Due to the high volume of submissions we receive, response time can be longer than our standard two-six months. Please be patient. If you have not heard from us in six months, you can email us at bmreditr@unm.edu. “Submission Query” should be the subject line. 

*Submissions should be saved in Microsoft Word (.doc or .docx) or Rich Text Format (.rtf). Prose submissions should be double-spaced. Poetry can be single-spaced. Please use a standard typeface and font size (12 pt). Pages should be numbered and a brief cover letter should be provided.  Pages should be numbered and a cover letter should be provided. 

Rights: We ask for first North American serial rights and non-exclusive electronic rights for our websiteBlue Mesa Reviewdoes not consider work that has been previously published in print or online. Rights revert to the author upon publication. Each piece is published in our online issue and considered for our Annual Print Issue.”

Blue Mesa’s Website: http://bluemesareview.org/

Friday Call for Submissions Love! Apeiron Review

Issue 11 | Apeiron Review

Deadline: March 1- 31, 2016

Send us beauty, dirt, despair, and hope. Make us feel with the depth of your words and art. 3K word limit on fiction & nonfiction; flash up to 1K; submit no more than 3 poems – free verse is favored along with other styles that showcase skill more than simply rhyme. Genre fiction is not encouraged. Novice writers welcome. Full cover letter not needed.

Guidelines from their website:

Please make sure to read our terms. By submitting to Apeiron Review you are agreeing with our Terms.

What We Want

We want something real, something beautiful, something ugly, and something that sings to the far reaches of our being. Make us laugh or make us cry, but we want something visceral. Free verse poems are generally favored over those that rhyme. Experimentation is encouraged. There are no limits on form, but please keep short stories and nonfiction to 3k or less.

We do accept flash fiction with 1k word counts or less.
We are open to submissions for our main issue two times a year.

General submissions:

Open March 1-31: Publication will occur in September.

Open September 1-30: Publication will occur in March.

 Weekly Featured Content: Currently Closed

Seasonal poems, short short stories, and creative nonfiction are accepted on a rolling basis for publication on our site. This is a completely separate feature from our bi-annual magazine. Continue to our Submittable page (by clicking on the giant Submit buttons at the top and bottom of this page) for more information.

Photography

We are looking for brutal, surreal, experimental, and/or beautiful photography. Send us your best (high resolution) photos.

Terms

Apeiron Review takes one-time non-exclusive electronic rights and archival rights to your work.

We are always eager for nonfiction pieces, however we ask that the writer be prepared to support their story and assist, if necessary, with verifying statements of fact. The writer assumes all responsibility for inaccuracies. Essentially, we will do our very best to make sure that no one will be harmed in the publishing of a true story, but in the end, it’s on the writer to avoid slander and untrue statements.

Accepted submissions may be edited for spelling, grammar, and punctuation. We will not make large changes without first providing you with a proof for your review prior to publication.

Simultaneous submissions are accepted, but please let us know if a piece is published elsewhere. We do not accept reprints.

At this time we do not mail out contracts. Currently, by submitting to us you are agreeing to the above terms.

Payment

Currently there is no payment for publication. We’re working on this.

Website: apeironreview.com

HeartWood Literary Magazine!

HeartWood Literary Magazine
Poetry! Fiction! Creative Nonfiction!
 
Our inaugural issue goes live April 1st!
We’re now reading for the October issue. Send us that beautiful work!
 
HeartWood

Monday Must Read! Teow Lim Goh: Islanders

TeowThis week meet Teow Lim Goh, the author of Islanders (Conundrum Press, 2016), a book of poems on the history of the Angel Island Immigration Station. Her writing has appeared in PANK, The Toast, Guernica, The Rumpus, Winter Tangerine Review, and Open Letters Monthly, among other publications. She also makes letterpress and art editions of poetry and other writings at her imprint Black Orchid Press. She lives in Denver.

Visit Teow’s Website: http://teowlimgoh.com/

Purchase Teow’s beautiful book! Islanders

Black Orchid Press Limited Edition! Teow’s work was the inaugural Black Orchid Press title, her work featured in a series of six letterpress postcards of poems. These were produced in a Limited Edition of 100, with all copies numbered and signed. Visit and purchase these Faraway Places.

More from Teow Online:

Selected Poems and Essays:

Three Poems at The Toast.

Split at Guernica Daily.

Flowers of Prison: Ai Weiwei on Alcatraz at Open Letters Monthly.

The Stories that Bind Us at The Philadelphia Review of Books.

 

Happy Reading!

xo

Mary

New Publication! Thanks to The Blue Heron Review!

Grateful to the fine editors at Blue Heron Review for including me.

The poem here will be part of A Little Blood, A Little Rain, forthcoming later this spring from FutureCycle Press

Scroll down to read all of the wonderful writers. I’m honored to be in their company ❤

My poem “It Is Not What Waits At the Door, This Love” 🙂

http://blueheronreview.com/blue-heron-review-issue-5-winter2016/

Friday Call For Submissions Love! Rathalla Review

Rathalla Review, the literary magazine of Rosemont College, is seeking submissions for the Spring 2016 online issue. Spring Reading period closes on March 18!

“Our mission is to give emerging and established writers and artists an outlet for their creative vision in our online and print publication. We publish the best fiction, creative nonfiction, flash fiction, poetry, and art, culled from a nationwide community of writers and artists. Rathalla Review’s staff, comprised of M.F.A. in Creative Writing and M.A. in Publishing candidates, merges the creative arts and the business of publishing into a shared voice and vision.”

Submission Guidelines here:

http://rathallareview.org/?page_id=29

 

New Publications :-) Thanks to the editors at The Grief Diaries!

Gratitude and Love to the editors at The Grief Diaries for giving the first Ghost poems a home ❤ These poems are from my newest as yet unpublished collection, entitled Death For Beginners. 
 

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