"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Posts tagged ‘nonfiction’

A VERY Special Special Call for Submissions: HeartWood: Getting to the Heart of the Matter

Why is this one special special? 

Because in the company of an amazing group of people, this Call for Submissions is coming directly from me!

😀

Allow me to introduce

HeartWood

an online literary journal in association with West Virginia Wesleyan’s Low-Residency MFA program, publishes twice yearly, in April and October. Our inaugural issue will go live April 2016.

HeartWood

 

General Submissions

We accept submissions year round through Submittable, and welcome previously unpublished poetry, fiction, and creative nonfiction, from both established and emerging writers.

What We Want:

We are interested in writing that pushes into, dares to reveal, its own truth, that takes emotional risks, that gets to the heart of the matter.

Simultaneous submissions are fine, provided you notify us if the work is accepted elsewhere.

We also welcome queries from Appalachian artists (writers, visual artists, musicians, performers, folk artists, etc) interested in being included in our Appalachian Arts section.

 

Submission Details

Prose submissions, fiction or nonfiction, should be 3000 words or less.

Fiction: Fiction submissions may include short stories, flash fiction, or novel excerpts if the excerpt can stand alone. You may submit more than one piece of flash fiction, as long as the total word count does not exceed 3000 words.

Creative Nonfiction: We’re open to a wide range of nonfiction, with the exception of academic articles, or that which would be considered more traditionally journalistic. Personal essay, memoir, lyric, literary journalism, or some blurring in between, are all acceptable.

Poetry: Poets should submit no more than 3-5 single-spaced poems at a time. Include all poems in a single document for upload. Lyric, narrative, experimental, we’re open to all variations of the poetic voice.

Surprise us. Make us think. Make us feel. Make our hearts race.

 

Appalachian Arts Interviews

We also welcome queries from Appalachian artists (writers, visual artists, musicians, performers, folk artists, etc) interested in being included in our Appalachian Arts section. We define Appalachian artists as an artist who is heavily influenced by the Appalachian region and its traditions, history, and people. At HeartWood, we are looking for artists who take these traditions and speak to them in a new and unexpected way.

To query about possible inclusion in the Appalachian Arts section: Submit the following in one document (doc, docx) through the Appalachian Arts link on our Submittable page:

  • Artist bio
  • Artist statement addressing what being an “Appalachian artist” means to you, how you uniquely define yourself as an Appalachian artist, and how your connection to Appalachia as you see/define it connects (or doesn’t) to your work.
  • At least one link to where artwork or samples can be seen/heard (artist website, other publications, YouTube, etc).

If we’re interested, based on the query, editors will email requesting additional information and work sample.

 

What We’ll Do

Submissions will be responded to within three months. If you haven’t heard from us after three months, feel free to inquire by sending us a note through Submittable.

If your work is accepted, HeartWood acquires first North American rights. All rights revert to the author upon publication, but we do ask for first publication attribution in any future publications. We also reserve the right to include accepted pieces in any future anthologies or promotions.

If we have passed on a submission, please wait 6 months before submitting again.

Submit here:

http://www.heartwoodlitmag.com/submit/

Write on! We can’t wait to hear from you!

 

Category:

Bless the Day, Call for Submissions, Creativity, Editing, Friday Call for Submissions, Gratitude, litmags, publishing, Writing

Tagged with:

Friday Call for Submissions: carbonate: Satisfy Your Read

Friday Call for Submissions: carbonate: Satisfy Your Read

carbonate

Deadline for Fall issue: August 31, 2015

About

carbonate is a quarterly literary magazine published online in January, April, July, and October. We accept submissions of poetry, essays, short fiction, novel excerpts, art, and photography year-round.

Originating in the heart of the Colorado Rocky Mountains, carbonate® is produced by The Foundry/Rocky Mountain Centre for Writing, a non-profit organization increasing access and visibility of the literary arts in the mountain regions.

We are seeking deeply human, fully realized work from far and wide, and always hope to include voices new to us and new to publication. We publish online: one story, one portfolio of poems, one essay or piece of narrative nonfiction, and visual art. Subscribers and selected contributors get the full edition electronically in a beautifully formatted, full color e-book.

We’re exceptionally partial to works that are well-written and engaging.

Please send us work that truly resonates and brings the reader to a new place. The online journal also publishes interviews with accepted authors and artists. Please inquire before submitting interviews.

We’ll take a look at everything, but boring work will probably not find a home here. Send us your best. Try something new. We might love it.

Deadline for Fall issue: August 31, 2015

Send your submission as an attachment to: carbonatemagazine@gmail.com

Put your contact information and a short bio in the body of the email.

Submission Guidelines

Short Fiction: 5,000 words or less.

Short fiction submitted to the magazine must be original and previously unpublished. carbonate considers work that has appeared online (including on blogs and Facebook) to be previously published.

All manuscripts must be typed and double-spaced, with the author’s name, address, phone number, and approximate word count at the top of the first page, and numbered throughout and sent as a WORD attachment to the email address listed herein.

Send only your best work. Submit only one story at a time.

We are not accepting paper submissions at this time. All paper submissions will be recycled upon receipt.

All manuscripts must be written in English. Translations are acceptable, but must be accompanied by a copy of the original text.

Poetry: 3-5 poems (no more than 8 pages)

Novel Excerpts: 5,000 words or less.  You must indicate that your submission is part of an unpublished novel.  The ideal excerpt will be self contained in terms of characterization and storyline.  We will not print setups or explanations of what is taking place.  Your writing should embody a smaller version of the overall story arc.

Creative Non-Fiction: We draw heavily from unsolicited submissions. Our editors believe that providing a platform for emerging writers and helping them find readers is an essential role of literary magazines, and it’s been our privilege to work with many fine writers early in their careers. A typical issue of carbonate contains at least one essay by a previously unpublished writer.

We’re open to all types of creative nonfiction, from immersion reportage to personal essay to memoir. Our editors tend to gravitate toward submissions structured around narratives, but we’re always happy to be pleasantly surprised by work that breaks outside this general mold. Above all, we’re most interested in writing that blends style with substance, and reaches beyond the personal to tell us something new about the world. We firmly believe that great writing can make any subject interesting to a general audience.

Art: Please submit only 4-6 pieces per email. However, you may submit more than one email. We prefer to receive submissions digitally as JPEGs or PNGs sent via email to salidafoundry@gmail.com. Please make sure that your name and contact information appears in the body of the email. Each piece should be accompanied by the work’s title (if any), medium, and contact information should one of our readers want to purchase your work.

We are unable to provide critiques or feedback regarding art submissions or the selection process. If your artwork is selected for publication, you will be notified by telephone or email with further information.  If you do not hear from us in 4-8 week’s time, you should assume that your submission was not a fit for our publication at this time, but we will place them in our files for potential use in future publications. We do accept professionally presented pencil or pen/ink images.

Photography: The photography published in ‘carbonate’ is very high level, professional-quality imagery suitable for commercial purposes. If you are a recreational photographer/hobbyist, unfortunately your work will likely not be a fit for our product lines.

Submission Deadlines

The following publishing deadlines are set for the forthcoming publications.  If we receive a submission between deadlines, we will assume it is meant for the next issue.

October 2015   deadline August 31, 2015

January 2016  deadline October 31, 2016

April 2016  deadline February 1, 2016

July 2016 deadline May 1, 2016

October 2016 deadline August 31, 2016

Publication Rights

Simultaneous submissions must be marked as such, and you should notify us immediately in the event your work is accepted elsewhere.

We do not pay contributors for any work published in carbonate. However, accepted contributors will receive a 1-year digital subscription beginning with the edition your work appears in.

Upon acceptance, we acquire first rights for publication in our online magazine and one-time rights for pieces selected for re-publication. Following publication, all rights revert to the author. Should we desire to use your work in any other context (primarily, this might occur in an advertisement-type context), we will contact you via email requesting the appropriate permission.

Visit carbonate: http://carbonatemagazine.org/

Category:

Call for Submissions, Creativity, fiction, Friday Call for Submissions, litmags, nonfiction, poetry, publishing

Tagged with:

Special Thursday Call for Submissions: That, Brand New Litmag Wants Your Work

Brand New Litmag Seeking Submissions

That Literary Review

About THAT

THAT Literary Review is affiliated with the Creative Writing Program, the Department of English and Philosophy, and the College of Arts and Sciences at Auburn University at Montgomery. Published annually, THAT will be available online with print copies available at additional cost.

Submission Guidelines

All manuscripts should be in 12-point type, preferably Times Roman. All poems should be submitted in a single document. Fiction must be double-spaced, poetry single-spaced. Please send us your work as a .doc, .docx, .pdf, or .rtf file via the Submittable portal below. We do not accept submissions by post.

Our reporting time is three months; if you have not heard from us by then, feel free to query us at editor@thatliteraryreview.com.

The author’s name, address, telephone number, email address, and approximate word count should be typed at the top of the first page; all other pages should include the page number and the author’s last name in the header.

Fiction

We’re looking for excellently written fiction between 100 and 5,000 words in length.
It should be surprising, relentlessly engaging, fun, and humming with vibrancy. Include compelling characters, lively but minimal dialogue, and plots charting the unexpected.

Poetry

The poetry that we prefer is alive and idiosyncratic and that opens new vistas to the reader. We stay away from rhyming poetry, conventional forms, and love poetry unless brilliantly revisited. Three poems may be submitted (as a single document) at a time, with a total maximum of twenty pages.

General Guidelines

– We are interested only in work that has not appeared previously in either electronic or print format.

– Submit only one story or three poems at one time. If you have material under consideration with THAT, please do not submit additional work until you have heard back from us.

– Simultaneous submissions are permissible, but notify us if the work you’ve sent to us has been accepted elsewhere.

– It is recommended that all interested writers take a look at a sample issue of THAT. It really helps.

-THAT acquires first serial rights, including both print and electronic rights. Copyright remains with the author.

Payment

Authors published in THAT will receive a print copy of the issue in which they appear.

Website for That: http://www.thatliteraryreview.com/home.html

 

 

 

Category:

Call for Submissions, Editing, fiction, litmags, nonfiction, poetry, publishing

Tagged with:

Writing Prompts Updated Daily!

Good Morning!

I’ve been on the road, home only three days in the last three weeks–whew! But now, I’m home and it’s time to get a little writing done!

Join me!

Check out my page of writing prompts, updated daily!

Get that beautiful write on, y’all!

https://marycarrollhackett.com/writing-prompts/

Happy writing!

xo

Mary

Category:

Creativity, fiction, Gratitude, nonfiction, poetry, Writing, Writing Prompts

Tagged with:

Special Thursday Call for Submissions Love! Longridge Review: The Mysteries of Childhood

Special Thursday Call for Submissions Love!

Nonfiction writers, check out this call from a brand new publication!

Longridge Review

“Our emphasis is on literature that explores the mysteries of childhood experience, the wonder of adult reflection, and how the two connect over a lifespan.”

Reading Opens Sept 1-Sept 30

ABOUT

Longridge Review is an evolution of the Essays on Childhood project.

Our mission is to present the finest essays on the mysteries of childhood experience, the wonder of adult reflection, and how the two connect over a lifespan.

We are committed to publishing narratives steeped in reverence for childhood perceptions, but we seek essays that stretch beyond the clichés of childhood as simple, angelic, or easy. We feature writing that layers the events of the writer’s early years with learning or wisdom accumulated in adult life.

We welcome diverse creative nonfiction pieces that depict revealing moments about the human condition.

We look forward to reading your work!

Founder and Editor: Elizabeth Gaucher, Middlebury, edg@longridgeeditors.com

Contributing Editors: Laurel Gladden, Sante Fe, and Beth Newman, Asheville

Creative Advisor and Muse: Suzanne Farrell Smith, NYC

SUBMIT

Longridge Review has one annual reading period each calendar year: September 1-30. Please read the submission guidelines before submitting. We recommend that you also read work on this site to see what we publish.

Our emphasis is on literature that explores the mysteries of childhood experience, the wonder of adult reflection, and how the two connect over a lifespan.

We are committed to publishing narratives steeped in reverence for childhood experience and perceptions, but we seek essays that stretch beyond the clichés of childhood as simple, angelic, or easy. We want to feature writing that layers the events of the writer’s early years with a sense of wisdom or learning accumulated in adult life.

We welcome diverse creative nonfiction pieces that demonstrate perceptive and revealing moments about the human condition.

We will not consider trite, light narratives; genre nonfiction; critical analyses; inspirational or motivational advice; erotica or pornography; or any writing that purposefully exploits or demeans.

We encourage established, unpublished, or emerging writers to submit their best work to Longridge Review.

We will consider one creative nonfiction piece (up to 6,500 words) during the reading period. Please do not submit more than once during the reading period.

We accept only electronic submissions through e-mail. Submit only one double-spaced creative nonfiction piece pasted into the body of the e-mail to edg@longridgeeditors.com.

The title of your submission should be included with your name (e.g., Jane Doe “My Essay Title”). Include a short biography (five to seven sentences) with your submission.

We will consider simultaneous submissions as long as you let us know if your work is accepted elsewhere. We will not consider previously published materials, including online publications, personal blogs, social media sites, etc.

Longridge Review acquires first electronic and indefinite archive rights. Upon publication, all other rights revert to the author. Please credit Longridge Review as first publisher if you reprint elsewhere. Longridge Review reserves the right to reprint work at a later date if we have the opportunity to occasionally make a print anthology and want to include your work.

Longridge Review is published three times a year: November, March, and July.

The submission period is September 1 through September 30 of each year. We try our best to respond to submissions within four weeks. If you haven’t heard from us within six weeks you may inquire about your submission via edg@longridgeeditors.com, but please not before.

Longridge Review website: http://longridgereview.com/

Category:

Call for Submissions, Creativity, Friday Call for Submissions, nonfiction, publishing, Writing

Tagged with:

Friday Call for Submissions Love! Houseguest: The Common & The Strange

Friday Call for Submissions Love!

Houseguest

About

Houseguest: House, Guest. As our name implies, we are interested in the juxtaposition of the common and the strange: the stranger that enters, that invades even as it’s invited, that may never truly leave. As a culture, we are ambivalent about houseguests, and ambivalent about ambivalence.

Here at Houseguest, we value ambivalence. We appreciate uncertainty. We espouse contradiction. We love thresholds—liminal spaces and surreal situations—and watching what gets through, what gets in. We welcome the Welcome Unwelcome.

We welcome anything you see fit to send us, provided it has not been previously published elsewhere.

 

Submissions

Houseguest is published three times a year in March, July, and November. We accept submissions year-round. We allow simultaneous submissions, but we ask that you let us know immediately if your work is accepted elsewhere.

Prose submissions should be typed, double-spaced, in an easy-to-read 12 pt font. Please limit your submission to 1000 words. Technically, we accept micro-nonfiction and flash fiction, but we aren’t overly concerned with categories. Be our guest: blur the lines.

Poetry submissions should be typed, single-spaced, in an easy-to-read 12 pt font, and formatted as a single document. Please limit your submission to five or fewer poems and include your contact information in the header of each page. All lengths and styles of poetry will be considered.

We acquire first serial rights for all work we publish. All rights revert to the author upon publication, though we ask for acknowledgement upon reprinting.

We currently accept submissions through our online submissions manager, known more commonly as email.

Submit to submission@houseguestmag.com

 

Website: http://www.houseguestmag.com/issue-03/current.php

Guidelines: http://www.houseguestmag.com/submission.php

Category:

Creativity, Editing, fiction, Friday Call for Submissions, nonfiction, publishing

Tagged with:

Friday Call for Submissions Love! Synaesthesia: “Tell us where you’re going”

Friday Call for Submissions Love!

Synaesthesia

Theme

ATLAS

DEADLINE: 30 July 2015

noun | a book of maps or charts

Tell us where you’re going. Tell us about the bridge above the river that looks like milk. Point out your favourite spot. Map out your route. Show us how it happened, where he was, where he is now. Circle the place you first kissed, the place you kissed him last. Show us where you left him, do it in red. Take us to Tibet. Get us lost. Take us home again. Draw us a map of your hand. The muscles and tendons. Where she kissed it, where she pinched it, scratched it, slapped it, held it. Send us tickets and postcards. Think about structure, style. Break conventions: give us stories and poems told through graphs, tables, charts and maps.

Be part of our collection about maps and the roads that fall between them. Be part of the atlas that makes us human, or not.

About

Editors are mothers. They cradle words in their ink-stained hands and rock them gently until they hiccup and burp and sleep without fidgeting. Sometimes they have to be strict, and tell words that they can’t play with that other word because that other word isn’t good for them. Sometimes they have to say no because that’s how stories get better. But mostly they love words and just want to see them grow into great, great stories that others point at and go, heck, I wish I’d written that.

So we’ve decided to write about what we like and what we don’t like in our submissions. And if you don’t like what we do like, then that’s fine. Maybe it’s just not meant to be. It’s important to remember that your submission absolutely doesn’t have to be perfect. We’re not expecting Shakespeare. If you bring us something that makes us coo we’ll tell you it makes us coo, and we’ll work with you to turn that extra o into an r so it makes us go corr.


We like poetry that howls from the rooftops. We don’t like poetry that shouts into a microphone. One commands, the other imposes rudely. We like modest poetry, poetry that tells us, actually, it’s pretty terrifying being human but y’know what? Here’s a puddle. Look at its rainbow.


We’re not particularly drawn to poetry that laments, or mourns, or talks about how much it misses its boyfriend. We don’t like poetry that feels sorry for itself.


We like poetry that talks to us like we’re humans, sometimes even friends, and poetry that goes bungee jumping and, if it’s not feeling up to it, puts its feet up and flicks through crappy TV channels. Not because it can’t be bothered, but because it’s honest. It doesn’t try hard. 


We like short stories that come to bed with you and kiss you somewhere you didn’t know you liked. Stories that tease and don’t necessarily give us what we want. If there’s a word in your story that you have to think twice about, get rid of it. Get in and get out. We don’t like stodgy prose or long-winded narratives.

 

We like short stories that say hey, babe, take a walk on the wide side. We like stories that pad barefoot into the kitchen on a summer night, spilling secrets. Short stories that are the beginnings of a knock knock joke but not the end. We don’t like sob stories, but we do like stories that whisper, I had to write this.

Guidelines

We like short stories that come to bed with you and kiss you somewhere you didn’t know you liked. Stories that pad barefoot into the kitchen on a summer night, spilling secrets. We like short stories that say hey, babe, take a walk on the wide side.

We like poems that jump into puddles. Poems about the ordinary: these yellow wellington boots, your hand-me-down prom dress. We like poems that have been gunned down to the ground and come back fighting.

We like short stories that are the beginnings of a knock knock joke but not the end. Stories that hum, some that blister. We don’t like sob stories, but we do like stories that whisper, I had to write this.

We are currently open for submissions for our ATLAS issue (publishing late summer/autumn). We will announce our last theme of the year very soon. Please read our submission guidelines before submitting (seriously, please do it, it will help you), and remember the following:

  • Your submission must correspond to the current theme in some way, however loosely you interpret it
  • Simultaneous submissions are totally fine and heartily encouraged, but if your submission is accepted elsewhere please inform us asap
  • We do not accept previously published submissions. We obtain First Serial Rights, which means we have the rights to publish your work for the first time. More info on our guidelines page
  • It’s completely free to submit to us and read our magazine
  • As part of the magazine’s ethos, we blend art and writing – please be aware that your work may be accompanied with another form of art
  • Response time: approx 1-4 months.

Okay, your turn now. Blow our senses

Guidelines and Submit Here: https://synaesthesia.submittable.com/submit

Category:

Call for Submissions, Friday Call for Submissions, litmags, publishing, Writing

Tagged with:

Special Wednesday Call for Submissions: Snapdragon, Art & Healing

I’ve been thinking a lot about Art & Healing lately ❤

Special Wednesday Call for Submissions

Snapdragon: A Journal of Art & Healing

Open July 1- July 31

“Your Wild and Precious Life” Issue

“Open for submissions for our 3rd issue due out in September! We publish previously published work so send us your new or old poems on the theme “your wild and precious life” (we love Mary Oliver). Spread the word! Thanks!”

About

“Snapdragon: A Journal of Art & Healing aims to be the premier online literary journal for writers and all who are looking to creativity as a way to process and express the healing journey.

Whether experiencing or looking for physical, emotional, or spiritual healing, we hope this will be a place to which you come as you journey the luminous path to wholeness. AtSnapdragon Journal, in addition to poetry and creative nonfiction, we are now highlighting photography! Eventually, we will publish research articles and interviews of those doing this work in the field.

Why the Name?

“We could not think of a better name for this journal other thanSnapdragon! At its deepest level, the Snapdragon flower essence helps the soul to distinguish its use of creative forces — especially those which radiate from the lower energy centers, and those which are used for spoken word. The Snapdragon flower is often used as a remedy to help persons — particularly those who experience extreme tension in the jaw and mouth — to re-direct their powerful metabolic energy into its rightful channels. By harmonizing the relationship between these energy centers, the soul evolves in its use of creative power. And so, with Snapdragon: A Journal of Art & Healing, our desire is to provide a platform for your self-expression and soul’s healing!”

Guidelines

“We’re using Submittable to receive your poetry, creative nonfiction and photography. We will only accept, via email, research papers on art and healing. All other submissions via email will not be accepted. Our Submittable link will go live the first of each month we are open for submissions (Jan., April, July, Oct.). See our themes and guidelines below. Also sign up for our mailing list to receive notifications. Thanks!”

We consider new and previously published work on the theme of healing (emotional, physical, spiritual, community, etc.).

See detailed guidelines here: http://www.snapdragonjournal.com/submit.html

 

 

 

Category:

Call for Submissions, Friday Call for Submissions, litmags, publishing, Writing

Tagged with:

Writing Workshops for the Fall: Writing through the Chakras, Writing the Spiritual Life, and More

Good morning!

I’m beginning to schedule weekend and one-day workshops for the Fall 🙂

Check out my workshop and contact page for details.

https://marycarrollhackett.com/contact/

images

If you’re in the Mid-Atlantic area and you’re interested in having me teach a workshop in your area, email me and let’s make your beautiful work even better!

Hope it’s beautiful where you are today!

xo

Mary

 

Category:

Creativity, Editing, Gratitude, workshop, Writing, Writing Through the Chakras

Tagged with:

Pretend It’s Still Friday Call for Submissions: Apogee, Reclaiming the Margins

I was out of town with sick family (good thoughts, good energy, prayer in whatever your fashion appreciated), so we’re gonna pretend it’s still Friday, and get some

Call for Submissions Love!

Apogee

About

“Apogee is a literary journal specializing in art and literature that engage with issues of identity politics: race, gender, sexuality, class, and hyphenated identities. We currently produce a biannual issue featuring fiction, nonfiction, poetry, and visual art. Our goal is to publish exciting work that interrogates the status quo, providing a platform for unheard voices, including emerging writers of color.

The word “apogee” denotes the point in an object’s orbit that is farthest from the center. Our mission combines literary aesthetic with political activism. We believe that by elevating underrepresented literary voices we can effect real change: change in readers’ attitudes, change in writers’ positions in literature, and broader change in society.”

 

Submit

Submissions for Issue 6 are now open! Issue 6 will be published in print fall/winter 2015. Here are our guidelines:

    • – We accept original poetry, short fiction, and nonfiction.
    • – Please keep your prose submissions under 6,000 words and send no more than 3 poems for consideration.
    • – Send your submissions in either .doc or .docx format.


Apogee Journal’s dual purpose is to showcase writers from the periphery and to provide a platform for all writers to thoughtfully engage with issues of race, class, and identity. Our goal is to publish exciting work that sits at some distance from the mainstream and to provide a forum where unheard issues and voices can rise to the fore. To get a sense of what we publish, please browse our previous two issues or click here to order a hard copy of our current issue: http://www.apogeejournal.org/issue-three/

 

Year Round on the Blog


Submissions for our blog Perigee are open year round. We will consider completed interviews, critical and lyrical essays, book reviews and flash fiction for publication.

http://www.apogeejournal.org/blog/

 

 

Category:

Call for Submissions, Creativity, Friday Call for Submissions, litmags, publishing, Writing

Tagged with:

Tag Cloud