And because I feel like squawking–Some Call for Submissions Love
Thanks to Paul McVeigh for sharing this call.
Squawk Back seeks Fiction, Poetry & Creative Non-fiction
“Send any materials that you wish to have considered for publication in (the) Squawk Back—preferably as attachments in .doc, .rtf, .txt, or .odt format; or copy-pasted in the body of an email—but under no circumstances as .wps files or PDFs, and preferably not .docx’s—to…..
We read year round. All first-time submitters will hear back from us within two weeks. Those previously published in Squawk Back will wait a bit longer, as their submissions do, unfortunately, go to the bottom of a pile, owing to that we try very hard to feature new contributors in every issue.
We primarily publish fiction, poetry, and creative non-fiction. We do not publish plays or screenplays, but we may consider monologues. We will consider excerpts from unpublished novels, poetry collections &c, but please do not submit entire books.
No individual prose submission should exceed ten-thousand words in length. For submitters of poems, we’d prefer it if you kept it under ten pieces per submission. Multiple-poem submissions go in one document or are pasted into the body of one email.
Upon acceptance for publication, submitted pieces which appear in their entirety on personal blogs either Must Be Removed from those pages or replaced with excerpts and/or links to their new home in Squawk Back.
Upon submitting your work, you hereby grant (the) Squawk Back a non-exclusive, royalty-free, perpetual and irrevocable license to use, reproduce, distribute, modify and display your content for any purpose, including without limitation promoting and redistributing part or all of the site. Works submitted to Squawk Back, whether officially or unofficially copyrighted, will remain the full intellectual property of their authors. We are far less interested in exploiting emergent literary voices than providing them with a louder box with which to squawk.”
This week meet one of my most beloved brother mans 🙂 Peter Grandbois, author of seven books, including: The Gravedigger, selected by Barnes and Noble for its “Discover Great New Writers” program, The Arsenic Lobster: A Hybrid Memoir, chosen as one of the top five memoirs of 2009 by the Sacramento News and Review, Nahoonkara, winner of the gold medal in literary fiction in Foreword magazine’s Book of the Year Awards for 2011, a collection of surreal flash fictions, Domestic Disturbances, a finalist for Book of the Year in Foreword magazine’s 2013 awards, and the novella collections or “monster double features,” Wait Your Turn, The Glob Who Girdled Granville (Honorable Mention, IndieFab award in the category of best fantasy of 2014), and The Girl on the Swing. His essays and short stories have appeared in numerous journals and been shortlisted for both the Pushcart Prize and Best American Essays. His plays have been performed in St. Louis, Columbus, Los Angeles, and New York. He is senior editor at Boulevard magazine and fiction co-editor at Phantom Drift.
And we’re back—with the amazing Gabrielle Brant Freeman, author of the stunning debut collection When She Was Bad. Gabrielle’s poetry has been published in many journals, most recently in Barrelhouse, Hobart, Melancholy Hyperbole, Rappahannock Review, storySouth, and Waxwing. She was nominated twice for the Best of the Net, and she was a 2014 finalist. Gabrielle won the 2015 Randall Jarrell Poetry Competition. Press 53 published her first book, When She Was Bad, in 2016. Gabrielle earned her MFA through Converse College. 
Mary Carroll-Hackett: Poetry and Prose 
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