"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Posts tagged ‘litmags’

Friday Call for Submissions Love! New Journal: Mockingheart Review

 

MockingHeart Review

Deadline: December 1, 2015

Call for Inaugural Issue: Submissions for the inaugural issue of MockingHeart Review open November 1, 2015 and close December 1, 2015. We favor poems that express the complexities of the human heart in clear, precise, and lyrical language. Poems should call out to us, not let us sleep or turn away. Bring us poems that gleam and palpitate with intimacy. We seek visionary works that are visceral and that will leave us emotionally undone. We encourage poems that speak to the personal and political inasmuch as the political relates to the person/a. We accept poetry only. Prose poems are welcome.

Guidelines:

We accept poetry only. Prose poems are welcome.
Works that require extensive special formatting are discouraged.  Our apologies in advance.

Here is a .pdf of Frequently Asked Questions for submitting poetry that generally apply:  How to Submit Poetry

We seek works of the highest literary quality. We expect your best work in its final form.

We favor poems that express the complexities of the human heart in clear, precise, and lyrical language. We want poems that call out to us, that won’t let us sleep or turn away. Bring us poems that gleam and palpitate with intimacy. We hope for visionary works that are visceral and that will leave us emotionally undone. We encourage poems that speak to the personal and political inasmuch as the political relates to the person/a.

We believe metaphors. Entrance us with imagery that transforms. We are especially intrigued by imaginative language which melds the real to the surreal, and are pleased when this is done well through artful craft. We question reality. So should your poems.

We do not like poems that utilize clichés or are not finely wrought. We shy away from experimental verse, unless it appeals to our aesthetic and succeeds in moving us. We want works that convey meaning and possess emotional impact, or convince us there is no meaning to be understood.

We favor poems of shorter length, generally of a line length of 30. There is room for flexibility regarding this.

If you are unsure if your work falls within these guidelines, send it to us anyway. We will respond during the selection process and may be able to help to further clarify through conversation.

Your publishing history does not matter, but the quality of the work does.

Our issues will showcase only the best selected works. We will publish issues (3) three times a year.

Unpublished poems only. Simultaneous submissions okay, if the Editor is notified immediately of publication elsewhere. Expect to hear from us in less than (4) four weeks’ time.

Submissions outside of reading periods, unless solicited, will be ignored. If your work has been accepted for an issue, please wait six months before submitting again, within an open submission period. Also, please wait to hear from us regarding a submission before sending more work.

MockingHeart Review cannot pay our contributors at this time.  Rights revert to author upon publication, although MockingHeart Review reserves the right to anthologize, in printed or electronic format, material originally published here. If work that has appeared in this journal subsequently appears elsewhere, the editor requests MockingHeart Review be acknowledged as the place of first publication.

Submissions for the Inaugural Issue will open November 1, 2015 and close at midnight December 1, 2015.

Website: mockingheartreview.com.

Email: mockingheartreview@gmail.com

Monday Must Read! Alexis Fancher: How I Lost My Virginity to Michael Cohen and Other Heart Stab Poems

 

Monday Must Read! 

Photo Credit: BAZ HERE

Photo Credit: BAZ HERE

This week meet Alexis Rhone Fancher, author of How I Lost My Virginity To Michael Cohen and Other Heart Stab Poems, from Sybaritic Press, 2014. Find her work in Rattle, The MacGuffin, Slipstream, The Chiron Review, and elsewhere. Her poems have been published in over twenty American and international anthologies. Her photos have been published worldwide. Since 2013 Alexis has been nominated for three Pushcart Prizes and a Best of The Net award. She is photography editor of Fine Linen, and poetry editor of Cultural Weekly, where she also publishes The Poet’s Eye, a monthly photo essay about her ongoing love affair with Los Angeles.

Alexis’ website: www.alexisrhonefancher.com

Buy Alexis’ fabulous book!

 http://www.amazon.com/How-Lost-Virginity-Michael-Cohen/dp/1495123197/ref=sr_1_1?s=books&ie=UTF8&qid=1438633881&sr=1-1&keywords=alexis+rhone+fancher

Read more from Alexis online:

Rattle

“over it”

Cultural Weekly

“Black & White Noir”

“Molten”

“On The Street”

“L.A.’s Long Legged Lovelies”

Subterranean Lovesick Clues”

Polaroid SX-70 Land Camera”

“L.A.’s Long Legged Lovelies”

“Black and White Noir”

QUAINT MAGAZINE

Daddy’s Friend Stan

PATRIA LETTERATURA

This Is Not A Poem

Walk All Over You

White Flag

Reviews of Alexis’ book:

ENTROPY

Review of How I Lost My Virginity To Michael Cohen and Other Heart Stab Poems

Black and White Gets Read

Review of How I Lost My Virginity To Michael Cohen and Other Heart Stab Poems

Interviews:

Alexis Rhone Fancher: Poetic Rhythms: LA poet / photographer Alexis Rhone Fancher talks about the progressive line between music and poetry

http://blues.gr/profiles/blogs/la-poet-photographer-alexis-rhone-fancher-talks-about-the

WICN

Radio Interview on Inquiry: WICN’s Mark Lynch interviews Alexis.

WORDS AT NINE

Interview with Anna Grace: “Alexis Next Door”

PUNK GLOBE

Author Interview

Find more of Alexisa online here: http://alexisrhonefancher.com/links.html

 

Happy Reading!

xo

Mary

 

Friday Call for Submissions Love! Twisted Vine

 

 Friday Call for Submissions Love!

Twisted Vine

Open for Fall Submissions

Deadline: November 15, 2015

Produced by graduate students in the Interdisciplinary Studies Department at Western New Mexico University, Twisted Vine Literary Arts Journal is a multidisciplinary focused arts journal currently seeking literary fiction, poetry, creative nonfiction, interviews, drama, cross-genre, and visual art for fall 2015. While we love prose with a strong narrative voice and poetry that highlights concrete images, we also appreciate non-linear and experimental work. Issues are published biannually online at the end of each semester. Please visit www.twistedvine.org for more information. We look forward to reading your work.

Guidelines

Twisted Vine Literary Arts Journal is committed to showcasing undiscovered talent in the literary and visual arts. Twisted Vine seeks to publish an eclectic mix of ideas and values. We are open to all genres, though we have a special affinity for hybrid works that transcend traditional genres. The editors of Twisted Vine strongly encourage submissions that are interdisciplinary in nature (poetry about math is one example), progressive, and unexpected.

All written material submitted should be in Arial or Times New Roman 12 point font, double spaced, and adhere to basic guidelines of grammar and spelling (with obvious exceptions for creative license).

Twisted Vine reads blind, so we ask that you do not include any identifying information within your submission.  

Once a submission is selected for publication, the contributor’s name will be revealed to the staff, and additional information may be requested. We make every attempt to respond to all submissions within 2 months. Editors may provide specific feedback on works submitted but there is no guarantee.

Please limit submissions to one document, video, or collection of images per genre category at one time. If you are submitting poetry, please include no more than six (6) poems in a single document. If your submission includes more than one file, please use one ZIP file before submitting. Once you have received a response from us, you are welcome to submit again. We are looking for quality over quantity.

Twisted Vine is not interested in gratuitous sex or violence. Please keep all submissions “PG-13.”

We only accept originalunpublished material. We consider any work that is available for public viewing on social media, personal websites/blogs, or any other open source to be previously published.

If your submission is accepted elsewhere please notify us immediately by adding a note to your submission in Submittable.

Fiction Guidelines

Please limit short fiction to 4,500-5,000 words. Fiction genre includes but is not limited to romance, fantasy, science fiction, mystery, etc. We are looking to compile a diverse and eclectic body of work that represents the interdisciplinary theme of our journal. Stories should have strong narration, character development, plot, and so forth.

Creative Non-Fiction Guidelines

Creative non-fiction submissions are limited to 4,500 words. We are looking for eclectic submissions in this genre that compliment our cross-disciplinary focus. We are open to a broad range of material, however your submission must remain literary in essence.

Poetry Guidelines

Twisted Vine accepts both traditional and experimental poetry. We do not adhere to any specific guidelines for style or content and only ask that your poems reflect artistic excellence. We highly encourage poems that represent interdisciplinary themes.

Please submit no more than six (6) poems per document. Along with the written version of the poem, contributors are welcome to submit audio or video readings of their poetry for consideration on our website as well.

Art Guidelines

We accept original graphic art, photography, paintings/drawings, cartoons and all others forms of visual art in .jpg or .jpeg format. We are not genre specific, but will give preference to pieces that capture the spirit of our interdisciplinary theme.

You may submit up to six (6) images that represent a cohesive collection. If submitting more than one image, please title each image file with the same name and corresponding numbers (example: Carnival1, Carnival2, Carnival3, etc) and submit as a ZIP file. Editors reserve the right to publish any part or all of a collection submitted.

Interview Guidelines



Twisted Vine accepts audio, video, and transcribed interviews. Please limit all audio and video submissions to 10 minutes or less in length and all transcribed interviews to 4,500 words or less. Stylistically, we want interviews that discuss cross-disciplinary studies, literature, and, the arts at large. The edgier the better, but keep it above the belt.

Video Guidelines



We are looking for short, experimental videos with an interdisciplinary approach to artistic and literary subject matter. We are open to a wide range of possibilities in this category and will know what we like when we see it. We prefer videos under 5 minutes and definitely no longer than 10 minutes in length. Please polish your work as needed (before submitting) so that you are exhibiting the best of what you have to offer. Please, no unsolicited series, newsreels, or readings of unoriginal work.

For more on what we’re looking for, please check out our editor’s interview with Jim Harrington on Six Questions For…

Twisted Vine is currently a non-paying market.

Twisted Vine website: http://www.twistedvine.org/

Editor/General Questions:  twistedvine.ce1@gmail.com

Brand New Journal Seeking Submissions! Caravel

 Brand New Journal Seeking Submissions!

Caravel Literary Arts Journal

“Caravel Literary Arts Journal is a new journal that begins sailing in Fall 2015.  We are fans of traditional and experimental fiction, creative nonfiction, poetry, and visual art.  Though Caravel does not subscribe to any particular political ideology, please feel free to send us your socially engaged/social justice oriented poems, stories, and art.

We publish twice a year, fall and spring. Please use the “submissions” tab if you would like your work to be considered for the upcoming edition of Caravel.”

Caravel’s website: http://www.caraveljournal.org/

Friday Call for Submissions Love! Gravel Lit Mag Wants You to Shake Them Up

 

Friday Call for Submissions Love!

 

Gravel Literary Magazine

 

Send Your Unforgettable Work

Online submissions accepted July-May.

Gravel is accepting submissions of comics, graphics, art, photography, creative nonfiction, fiction, and poetry. We are publishing book reviews of newly released or forthcoming books.We are also interested in author interviews. Please don’t send us previously published work. We want work that will shake us up a bit. Work that will make us question our personal beliefs. Work that three days later will make us laugh once again. Submit here: gravel.submittable.com/submit.

 

About

This magazine is produced by the MFA program in creative writing at the University of Arkansas at Monticello editorial staff.

 

Guidelines:

We are presently accepting original, unpublished works (including posting it on any website blog, deviant art, anywhere it can be found on the web). In particular, we are interested in fiction and creative nonfiction anywhere from 25 to 2,500 words in length, poetry (no more than 3 poems per submission, and you can submit all of them at the same time on Submittable), photo essays, artwork, comics, video, hybrid—look, we’ve got eclectic tastes here. Don’t be afraid to submit works that defy form or genre. We cannot pay you, but if it makes you feel better, we’re not getting paid either.

If your work is accepted, we will request an image that represents you (you can interpret this however you’d like) to be included with your bio.

Please keep your images below 5 MB for bios and art submissions. If for some odd reason we need a larger image, we will contact you.

We do not reprint work published elsewhere, in any form, this includes work that has been published in print magazines, blogs, or anywhere online. It’s disheartening to publish something, then realize that it is posted somewhere else.

Please do not submit new work until after you hear from us regarding your first submission. If your work is accepted for publication, please wait 6 months before submitting again. We like to showcase as many writers and artists as possible.

We do not accept submissions from current UAM MFA students.

We don’t charge our readers a fee to submit, but we get charged after we have 300 submissions. It helps us if writers submit their submissions all at once, not separately, because that can increase our operations costs.

 

Friday Call for Submissions Love! 3Elements: Mania, Tower, Exposure.

 

Friday Call for Submissions Love!

3Elements Literary Review

Deadline: October 31, 2015

 Call for Submissions

3Elements Literary Review seeks fiction, nonfiction, poetry, art, and photography for Winter/January issue.

Each quarter, three elements/words are given that must be incorporated into your story or poem. The rest of the story is completely up to you. If you choose to submit art or photography, only one element is needed.

Current elements are: Mania, Tower, Exposure.

About

“We appreciate good writing in any gWe appreciate good writing in any genre. We especially like edgy writing that offers insight into darkness. We prefer character-driven stories as opposed to plot-driven ones. We relish a piece with a great deal of heart and more than a little bit of Truth (note the capital “T”).We want to read a story that makes us feel edified or philosophical or amused or creeped out or angry or melancholy or inspired or, best yet, all of these things together.enre. We especially like edgy writing that offers insight into darkness. We prefer character-driven stories as opposed to plot-driven ones. We relish a piece with a great deal of heart and more than a little bit of Truth (note the capital “T”).We want to read a story that makes us feel edified or philosophical or amused or creeped out or angry or melancholy or inspired or, best yet, all of these things together.

We want to read a story we simply can’t put down.We generally don’t enjoy science fiction, unless a particularly well-written story rises above the ordinary to engage the heart as well as the mind. We despise cliché. We find stories that include gratuitous violence distasteful. Sexism, racism, or other forms of intolerance are intolerable to us. That said, you can certainly reveal a character through his/her prejudices; just don’t use a story to perpetuate negative stereotypes or ignorance. The world is already bursting with both.c

And now, the important stuff:

The three elements for the current submission period are: Mania, Tower, Exposure.

As you might have guessed, 3Elements Review  is a themed literary journal, hence the three elements, and all THREE elements (the specific words, Mania, Tower, Exposure—art/photography excluded) given for the submission period must be included in your story or poem for your work to be considered for publication in 3Elements Review; NO EXCEPTIONS WHATSOEVER. Synonyms of the elements will not be accepted.

For more information, and to review our submission guidelines, visit www.3elementsReview.com/winter-submissions. All work must be submitted through website.

 

Monday Must Read! Diana Whitney: Wanting It

Monday Must Read!

DianaWhitneyheadshotThis week meet Diana Whitney. Diana’s first book of poetry, Wanting It, was released in 2014 by Harbor Mountain Press and became an indie bestseller. Wanting It won the Rubery International Book Award in the UK and was shortlisted for the Julie Suk Award here in the US.  Diana is the poetry columnist for the San Francisco Chronicle and the winner of the 2015 Women’s National Book Association poetry prize, selected by Ellen Bass.  She is grateful to have received grants and fellowships from the Sustainable Arts Foundation and the Vermont Studio Center.

Diana’s poems, essays, and book reviews have appeared in The Boston Globe, The Washington Post, The Crab Orchard Review, The Rumpus, Mud Season Review, and many more. Her irreverent parenting column, Spilt Milk, was syndicated for years, ran as a public radio commentary series, and is currently being collected into a risky memoir about motherhood and sexuality.  A yoga teacher by trade, Diana blogs about the darker side of mothering for The Huffington Post and runs a yoga studio in Brattleboro, Vermont, where she lives with her husband, two daughters, and thirteen chickens.

Visit Diana’s website: www.diana-whitney.com

Get Diana’s book:

http://www.spdbooks.org/Producte/9780988275522/wanting-it.aspx

Reviews of Diana’s book, Wanting It:

Gulf Coast Magazine:

http://gulfcoastmag.org/online/blog/wanting-it,-a-review/

Coal Hill Review: 

http://www.coalhillreview.com/book-review-wanting-it-by-diana-whitney/

Read Diana’s work online:

New poems:

Mud Season Review

 http://mudseasonreview.com/2015/07/poetry-issue-11/

One: Jacar Press

http://one.jacarpress.com/?s=Diana+Whitney#Diana%20Whitney

Book Reviews:

http://www.sfgate.com/books/article/Poetry-John-Burnside-Jane-Hirshfield-Rebecca-6401935.php

Essays:

http://numerocinqmagazine.com/2013/08/10/kissing-essay-diana-whitney/

http://www.huffingtonpost.com/diana-whitney/raising-a-rock-star_b_5888600.html

Author interviews:

http://mudseasonreview.com/2015/07/you-never-know-when-youre-working/

http://www.penparentis.org/interview-with-poet-diana-whitney/

 

Happy reading!

xo

Mary

 

 

Friday Call for Submissions Love! Dare. Clockhouse: Risk. Dream. Share.

 

Friday Call for Submissions Love! 

Clockhouse

About

Dare. Risk. Dream. Share. Ruminate.
How do we understand our place in the world, our responsibility to it, and our responsibility to each other? Clockhouse is an eclectic conversation about the work-in-progress of life—a soul arousal, a testing ground, a new community, a call for change. Join in.

Guidelines
Clockhouse accepts works of poetry, fiction, memoir, creative nonfiction, and dramatic works for stage or screen. We encourage submissions from both established and emerging writers.

All submissions must:
  • Be original, unpublished work written by the author
  • Follow the industry-standard formatting guidelines appropriate for the genre as well as the applicable guidelines below:
    • Fiction: Short stories and self-contained novel excerpts in a literary style. Genre fiction will be considered only if it sustains literary merit (Up to 5,000 words)
    • Poetry: All poetry in traditional and experimental styles including prose poetry (Up to 250 lines)
    • Memoir and Creative Nonfiction: All memoir and creative nonfiction in traditional and experimental literary styles. No academic or scientific essays (Up to 5,000 words)
    • Dramatic Work for Stage or Screen: Short dramatic works in traditional and experimental styles, either a standalone piece or an excerpt from a one-act or full length play or screenplay (Up to 15 pages)
  • Include a short bio of approximately 100 words or less
  • Include a brief artist statement: a few sentences about your work as an artist (i.e., not a “pitch” for this submission, but rather a statement about what you’re interested in writing about now, what drives your writing, or how your writing is reflecting or influencing the world at large, etc.)
  • Be submitted only through our online submission manager (see link at bottom of page). No email submissions will be accepted

Submissions that do not follow these guidelines will be discarded unread.

Submission period for the Summer 2016 issue opens on August 15, 2015 and closes at 11:59 p.m. on December 1, 2015.

See more at Clockhouse website: http://clockhouse.net/main/

 

Friday Call for Submissions Love! Oyez Review

Friday Call for Submissions Love!

Oyez Review

Submissions Now live!

Submission Guidelines

Oyez Review accepts previously unpublished submissions of fictioncreative nonfiction,poetry, and art. There are no restrictions on style, theme, or subject matter. Oyez Reviewis open for submissions from August 1st to October 1st each year, but please check each genre category, as certain genres may close earlier than others. The journal seeks First North American Serial Rights on all submissions, in addition to the requisite digital rights to distribute each issue of the journal as an e-book. Simultaneous submissions in any category are not accepted.

Format

All Manuscripts:

  • Standard font and font size.

  • 8.5″ x 11″ white paper is preferred.


Fiction and Creative Nonfiction:

  • Typed and double-spaced.

  • No strict length restrictions, but because of space limitations, we are unlikely to publish manuscripts longer than 15-20 pages (4,500-5,500 words).

Poetry:

  • Up to five poems, not to exceed ten pages total.

Art:

We feature one visual artist per issue, whose work appears on the front and back covers of the magazine and in an eight-page spread at the magazine’s center. We feature both color and black-and-white work. Please send us a thoughtful sampling of about thirty high-resolution images. We cannot consider work less than 300 dpi. We prefer to receive your work via Submittable, but if you are submitting by mail, please send your art on a CD or a flash drive, and be sure to include a self-addressed, stamped envelope. Do not send original artworks.


How To Submit

The annual reading period is August 1 through October 1. Submissions received before or after this period will be returned unread. Simultaneous submissions and previously published work will not be considered.

  • Or you can send your work via snail mail:

Oyez Review
Attn: Janet Wondra
Department of Literature & Languages
Roosevelt University
430 S. Michigan Ave
Chicago, IL 60605

If submitting via postal mail, please include a self-addressed, stamped envelope with sufficient postage for reply.


Need to get in touch?

If you have any additional questions, e-mail at: oyezreview@roosevelt.edu

Oyez Review Website: https://oyezreview.wordpress.com/

Special Thursday Call for Submissions :-) Shapeshifting

Little Patuxent Review

Seeking Works that Witness Shape Shifting

Submissions

Little Patuxent Review will accept submissions of poetry, fiction, creative nonfiction, and artwork for the Winter 2016 Myth issue.

Mythology both shapes and reflects culture—forming a bridge between individual and universal experience. How do you cross the bridge from past to present—or from individual to universal? How do you travel the mythic quality of life? LPR seeks works that witness shape shifting in micro and macro ways. Orhan Pamuk, winner of the 2006 Nobel prize in literature suggests: “The writer who shuts himself up in a room and goes on a journey inside will, over the years, discover literature’s eternal rule; he/she must have the artistry to tell their own stories as if they were other people’s stories, and to tell other people’s stories as their own…”

Submissions are open from August 1, 2015 to October 24, 2015.

Little Patuxent Review is a community-based publication focused on writers and artists from the Mid-Atlantic region, but all excellent work originating in the United States will be considered.

Although our issues are organized around themes, we allow considerable leeway in how contributors interpret them in order to ensure access to the broadest range of high-quality work.

Submissions details here: http://littlepatuxentreview.org/

 

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