"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Posts tagged ‘fiction’

Friday Call for Submissions Love! Kentucky Review: Good Words & Charity

Friday Call for Submissions Love!

Kentucky Review

About

All profits of Kentucky Review, including sales of magazine issues and personal donations, are given to charity: Action Against Hunger: http://www.actionagainsthunger.org.

We are proud to be part of FutureCycle Press’s Good Works Projects.

Kentucky Review publishes poetry and flash fiction online and in print. Works accepted for publication appear permanently on this website, and each year’s poems are assembled into a print edition.

You won’t find any lofty mission statements here. We simply want to publish work we consider worthy. We hope you will find an eclectic mix of writing in these pages. We are always open to submissions. No matter where you live in this world, you are welcome to send English-language poetry and flash fiction. See the Submit page for details on how to send your work to us.”

Guidelines

Kentucky Review reads submissions year round and considers poems and flash fiction of all styles and subjects, except pornography. Works accepted for publication appear permanently on this website, and each year’s poems are assembled into a print edition. For previously unpublished work, we acquire First North American rights. After publication in the printed issue, all rights revert to authors. We ask only for an acknowledgment if you reprint work that appeared first inKentucky Review.

Please send work you are proud of, carefully crafted and polished.

We consider simultaneous submissions provided that you notify us immediately if any poems from your submission are accepted elsewhere.

Previously published work is considered only if it has not appeared online and in print within the past 10 years. Please indicate where and when the work was published.

Submit no more than six poems or three works of flash fiction (max 1000 words per story). Please wait until we have responded before submitting again.

Submit all work (poems, stories, or videos) via our online system only. Please note that we do not consider email or snail-mail submissions. We use the Submittable online system (click the Submit button on this page). Files submitted must be in one of the following file formats: Word (DOC or DOCX), WordPerfect (WPD), Rich Text Format (RTF), Open Office (ODT), or Portable Document Format (PDF). Submittable accounts are free, and you can create an account during the submission process, or you can also log in to your current account.”

Kentucky Review’s full detailed guidelines here: http://www.kentuckyreview.org/index.php/itsubmit

 

Friday Call for Submissions Bonus :-) Jellyfish Highway: Postindustrial Bioluminescence

 

Bonus Call for Submissions 🙂

Because I love that they want “postindustrial bioluminescence” 🙂

Jellyfish Highway is postindustrial bioluminescence, we’re abyssal gigantism. We are a press for work that floats and undulates and lingers and stings, literature that shines from the deepest blue.

We are on Twitter at @JHighwayPress. We will be announcing our first title soon. We are everywhere. We want all of your mind.

We want full-length books of fiction (novels, collections), poetry, or nonfiction. Also, we are looking for chapbook-like works to publish on an indeterminate schedule as ebooks and such.

Website: http://www.jellyfishhighway.com/

Submissions: http://www.jellyfishhighway.com/submissions/

Friday Call for Submissions Love! Profane, A Print and Audio Journal

Friday Call for Submissions Love! 

Profane

About 

Profane is an annual print and audio journal featuring an eclectic mix of poetry, creative non-fiction, and fiction where they also record every poem and piece of prose they publish in the author’s own voice. We publish in the winter.

“We’re keen on celebrating writers who present us with challenging material. Writing that’s surprising or difficult, emotionally and/or intellectually, in even small, subtle ways, has the potential to leave readers different as a result. To possess that potential is our definition of “good writing.” And ultimately, good writing, whatever form it takes, is what we publish.”

Guidelines

Profane reads submissions year round through our submissions manager, and we read for free from March to August. Now open for submissions.

We don’t accept work that has been printed elsewhere. We do accept simultaneous submissions, but ask that you alert us promptly should your work be accepted in another journal.

One of the things that makes our journal unique is the focus we place on audio. All submissions should be text only. However, if we accept your work, we’ll record you reading your work aloud, and briefly interview you about it and your writing at large (5 to 10 minutes). This will be conducted in our studio over the phone, at your convenience.

Despite the audio feature, we only accept work that stands up to scrutiny on the page. We feel the audio adds texture to our journal, and that it makes for an even more exciting product for our contributors and readers to share. It also makes it easier to ingest and digest an entire issue in the midst of hectic schedules.

It may be helpful to you, before submitting, to check out our previous issues (back digital issues are free).

We acquire only first North American printing rights, and all other rights stay with the author.

We strive to have a quick turnaround time, responding inside a month, often much quicker.

While we cannot offer monetary payment at this time, all contributors will receive a contributor’s copy of the print edition, the audio edition, and the digital edition.

Website

http://www.profanejournal.com/

Friday Call for Submissions Love! Qu: A Contemporary Literary Magazine

If Monday’s about Must Reads 🙂 then Friday needs some Love too!

So I’ll be posting a new Call for Submissions each week! Send that beautiful work out!

Qu: A Contemporary Literary Magazine

Queens University of Charlotte

Now open for submissions, until August 31st 2015!

Payment Upon Publication: $100 per prose piece, $50 per poem

Prose submissions (fiction, essays, script excerpts) should be a maximum of 8000 words. Poetry submissions may include up to 3 poems.

Authors retain all rights and copyright to their works. Qu requests one-time, non-exclusive rights to publish your work.

http://www.qulitmag.com/

Author of The Real Politics of Lipstick, If We Could Know Our Bones, and The Night I Heard Everything

 

Mary Carroll-Hackett’s work is alive with the language of the heart.

It is angry, sad, celebratory, DSCN2880sexy, erotic, reverent and irreverent in equal degree. The voices on these pages are distinct, and human, and so accessible, you can see the whole world through the prism of these poems. Mary Carroll-Hackett wields the prose poem as a cudgel or a caress, as a song, or a meditation, a prayer or a curse. She is as fine an artist with this form as we have in our time. 

~Robert Bausch, author of Far As the Eye Can See,  Almighty Me (optioned for film and eventually adapted as Bruce Almighty), A Hole in the Earth (a New York Times Notable and Washington Post Favorite Book of the Year), and Out of  Season.

Forthcoming Work from Mary Carroll-Hackett

April 2015 

The Night I Heard Everything

FutureCycle Press

“Mary Carroll-Hackett knows what love means, both for body and soul. She knows about the riches of listening as well as the rewards of watching. For her, looking, listening, and remembering are forms of prayer. With an intense focus on language that is sharp, precise, and rhythmic—she reminds us…”~Peter Makuck

Front Cover 1 (2)--fixed
Thanks and love to Editor Diane Kistner and all the beautiful folks at FutureCycle Press.

http://www.futurecycle.org/index.php/en/catalog/by-author

Other Titles

If We Could Know Our Bones
bones a-minor cover

“These prose poems offer us shelter and meaning in the everyday, yet reach out to brush the hair back out of the face of the immortal as if to say, “God, let me see your eyes.” Intimate and strange they occupy a place thumping within the physical human heart and the other heart we cannot fathom.”~ Jerry D. Mathes II

 A-Minor Press, 2014

Thanks and love to Editors Nicolette Wong, Walter Bjorkman, and all the beautiful folks at A-Minor Press.

Available at: http://aminorpress.com/titles/

The Real Politics of Lipstick

lipstick

 

“This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender.” —Jan Beatty

 Slipstream Press, Winner 2010 Poetry Competition.

Thanks and love to Editor Dan Sicoli and all the beautiful folks at Slipstream.

Available at: http://www.slipstreampress.org/lipstick.html

 

Animal Soul 

Carroll-Hackett-cover1

“In her new collection, Animal Soul, Mary Carroll-Hackett does not just give us “the colon before the list of truest things.” She begins that list for us, with poems like “Galileo’s Fingers,” “Six Rules For Devils,” and “This Bread, Those Beans.” ~Sammy Greenspan

 Kattywompus Press, 2013.

Thanks and love to all the beautiful folks at Kattywompus.

Available at:  http://kattywompuspress.com/shop/books-and-chapbooks/animal-soul-by-mary-carroll-hackett/

 

 ______________________

BIO

Mary Carroll-Hackett earned Bachelor’s degrees in Philosophy and Anthropology and a Master’s of Arts in English/Creative Writing from East Carolina University, then went on to earn an MFA in Literature and Writing from Bennington College. Her poetry and fiction have appeared in more than a hundred journals including Carolina Quarterly, Clackamas Literary Review, Pedestal Magazine, The Potomac, Reed, Superstition Review, Drunken Boat and The Prose-Poem Project, among others.

Her awards include being named a North Carolina Blumenthal Writer and winner of the Willamette Award for Fiction. Her scripts have won or placed in numerous competitions, including Best Screenplay at Moondance, the Great Lakes Film Festival, Beaufort Film Festival, American Gem, Gimme Credit, the Page Awards, and Wildsound. The National Center for Film in Toronto staged a reading of her script OBX in 2008. She had an O Henry Recommended recognition for her story “Placing.”

Her first chapbook, Three, was released in 2004, and her first collection of stories, What the Potter Said, in July 2005. The Real Politics of Lipstick was named winner of the 2010 annual poetry competition by Slipstream. A chapbook,  Animal Soul, was released in 2012 from Kattywompus Press, and a full-length collection, If We Could Know Our Bones, by A-Minor Press in January 2014.  Another full collection is forthcoming in April 2015, The Night I Heard Everything, from FutureCycle Press, as well as a chapbook, Trailer Park Oracle, from Aldrich Press in November 2015.

Mary founded and for ten years edited The Dos Passos Review, Briery Creek Press, and The Liam Rector First Book Prize for Poetry. She also co-founded and launched SPACES, an innovative online magazine of art and literature, featuring videos of writers reading. Mary regularly teaches workshops and seminars on Writing Through the Chakras, Writing the Spiritual Life, Writing the Body, and Writing the Mother, Mothering the Writer.

She has taught writing for nearly twenty years, and in 2003, founded the Creative Writing programs, undergraduate and graduate, at Longwood University in Farmville, VA, serving as Program Director of those programs until Fall 2011.  Most recently, she joined the low-residency faculty for the MFA program at West Virginia Wesleyan.

Mary is currently at work on a memoir.

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