"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Posts tagged ‘editors’

Got Book? Let’s Make It Even Better!

I do lots of my group workshops, BUT

I also offer

One-on-One Manuscript Consultation and Editing in Poetry, Fiction, and Nonfiction

Let’s get together and let me provide you with a weekend consult at the beautiful Porches Writers Retreat in scenic Norwood, Virginia, giving your manuscript three days of undivided attention!

porches light

Got book? Let’s your beautiful work even better!

Check out the page for details! 

https://marycarrollhackett.com/weekend-retreat-one-on-one-manuscript-consultation-and-editing/

Brand New Journal Seeking Submissions! Caravel

 Brand New Journal Seeking Submissions!

Caravel Literary Arts Journal

“Caravel Literary Arts Journal is a new journal that begins sailing in Fall 2015.  We are fans of traditional and experimental fiction, creative nonfiction, poetry, and visual art.  Though Caravel does not subscribe to any particular political ideology, please feel free to send us your socially engaged/social justice oriented poems, stories, and art.

We publish twice a year, fall and spring. Please use the “submissions” tab if you would like your work to be considered for the upcoming edition of Caravel.”

Caravel’s website: http://www.caraveljournal.org/

Special Thursday Call for Submissions :-) Shapeshifting

Little Patuxent Review

Seeking Works that Witness Shape Shifting

Submissions

Little Patuxent Review will accept submissions of poetry, fiction, creative nonfiction, and artwork for the Winter 2016 Myth issue.

Mythology both shapes and reflects culture—forming a bridge between individual and universal experience. How do you cross the bridge from past to present—or from individual to universal? How do you travel the mythic quality of life? LPR seeks works that witness shape shifting in micro and macro ways. Orhan Pamuk, winner of the 2006 Nobel prize in literature suggests: “The writer who shuts himself up in a room and goes on a journey inside will, over the years, discover literature’s eternal rule; he/she must have the artistry to tell their own stories as if they were other people’s stories, and to tell other people’s stories as their own…”

Submissions are open from August 1, 2015 to October 24, 2015.

Little Patuxent Review is a community-based publication focused on writers and artists from the Mid-Atlantic region, but all excellent work originating in the United States will be considered.

Although our issues are organized around themes, we allow considerable leeway in how contributors interpret them in order to ensure access to the broadest range of high-quality work.

Submissions details here: http://littlepatuxentreview.org/

 

Hey Artists! HeartWood wants to hear from you!

Hey Artists! HeartWood wants to hear from you!

Check out the guidelines for our

Appalachian Arts Interviews

We also welcome queries from Appalachian artists (writers, visual artists, musicians, performers, folk artists, etc) interested in being included in our Appalachian Arts section. We define Appalachian artists as an artist who is heavily influenced by the Appalachian region and its traditions, history, and people. At HeartWood, we are looking for artists who take these traditions and speak to them in a new and unexpected way.

To query about possible inclusion in the Appalachian Arts section: Submit the following in one document (doc, docx) through the Appalachian Arts link on our Submittable page:

  • Artist bio
  • Artist statement addressing what being an “Appalachian artist” means to you, how you uniquely define yourself as an Appalachian artist, and how your connection to Appalachia as you see/define it connects (or doesn’t) to your work.
  • At least one link to where artwork or samples can be seen/heard (artist website, other publications, YouTube, etc).

If we’re interested, based on the query, editors will email requesting additional information and work sample.

Complete guidelines here: 

http://www.heartwoodlitmag.com/submit/

Friday Call for Submissions: carbonate: Satisfy Your Read

Friday Call for Submissions: carbonate: Satisfy Your Read

carbonate

Deadline for Fall issue: August 31, 2015

About

carbonate is a quarterly literary magazine published online in January, April, July, and October. We accept submissions of poetry, essays, short fiction, novel excerpts, art, and photography year-round.

Originating in the heart of the Colorado Rocky Mountains, carbonate® is produced by The Foundry/Rocky Mountain Centre for Writing, a non-profit organization increasing access and visibility of the literary arts in the mountain regions.

We are seeking deeply human, fully realized work from far and wide, and always hope to include voices new to us and new to publication. We publish online: one story, one portfolio of poems, one essay or piece of narrative nonfiction, and visual art. Subscribers and selected contributors get the full edition electronically in a beautifully formatted, full color e-book.

We’re exceptionally partial to works that are well-written and engaging.

Please send us work that truly resonates and brings the reader to a new place. The online journal also publishes interviews with accepted authors and artists. Please inquire before submitting interviews.

We’ll take a look at everything, but boring work will probably not find a home here. Send us your best. Try something new. We might love it.

Deadline for Fall issue: August 31, 2015

Send your submission as an attachment to: carbonatemagazine@gmail.com

Put your contact information and a short bio in the body of the email.

Submission Guidelines

Short Fiction: 5,000 words or less.

Short fiction submitted to the magazine must be original and previously unpublished. carbonate considers work that has appeared online (including on blogs and Facebook) to be previously published.

All manuscripts must be typed and double-spaced, with the author’s name, address, phone number, and approximate word count at the top of the first page, and numbered throughout and sent as a WORD attachment to the email address listed herein.

Send only your best work. Submit only one story at a time.

We are not accepting paper submissions at this time. All paper submissions will be recycled upon receipt.

All manuscripts must be written in English. Translations are acceptable, but must be accompanied by a copy of the original text.

Poetry: 3-5 poems (no more than 8 pages)

Novel Excerpts: 5,000 words or less.  You must indicate that your submission is part of an unpublished novel.  The ideal excerpt will be self contained in terms of characterization and storyline.  We will not print setups or explanations of what is taking place.  Your writing should embody a smaller version of the overall story arc.

Creative Non-Fiction: We draw heavily from unsolicited submissions. Our editors believe that providing a platform for emerging writers and helping them find readers is an essential role of literary magazines, and it’s been our privilege to work with many fine writers early in their careers. A typical issue of carbonate contains at least one essay by a previously unpublished writer.

We’re open to all types of creative nonfiction, from immersion reportage to personal essay to memoir. Our editors tend to gravitate toward submissions structured around narratives, but we’re always happy to be pleasantly surprised by work that breaks outside this general mold. Above all, we’re most interested in writing that blends style with substance, and reaches beyond the personal to tell us something new about the world. We firmly believe that great writing can make any subject interesting to a general audience.

Art: Please submit only 4-6 pieces per email. However, you may submit more than one email. We prefer to receive submissions digitally as JPEGs or PNGs sent via email to salidafoundry@gmail.com. Please make sure that your name and contact information appears in the body of the email. Each piece should be accompanied by the work’s title (if any), medium, and contact information should one of our readers want to purchase your work.

We are unable to provide critiques or feedback regarding art submissions or the selection process. If your artwork is selected for publication, you will be notified by telephone or email with further information.  If you do not hear from us in 4-8 week’s time, you should assume that your submission was not a fit for our publication at this time, but we will place them in our files for potential use in future publications. We do accept professionally presented pencil or pen/ink images.

Photography: The photography published in ‘carbonate’ is very high level, professional-quality imagery suitable for commercial purposes. If you are a recreational photographer/hobbyist, unfortunately your work will likely not be a fit for our product lines.

Submission Deadlines

The following publishing deadlines are set for the forthcoming publications.  If we receive a submission between deadlines, we will assume it is meant for the next issue.

October 2015   deadline August 31, 2015

January 2016  deadline October 31, 2016

April 2016  deadline February 1, 2016

July 2016 deadline May 1, 2016

October 2016 deadline August 31, 2016

Publication Rights

Simultaneous submissions must be marked as such, and you should notify us immediately in the event your work is accepted elsewhere.

We do not pay contributors for any work published in carbonate. However, accepted contributors will receive a 1-year digital subscription beginning with the edition your work appears in.

Upon acceptance, we acquire first rights for publication in our online magazine and one-time rights for pieces selected for re-publication. Following publication, all rights revert to the author. Should we desire to use your work in any other context (primarily, this might occur in an advertisement-type context), we will contact you via email requesting the appropriate permission.

Visit carbonate: http://carbonatemagazine.org/

Special Wednesday Call for Submissions: Snapdragon, Art & Healing

I’ve been thinking a lot about Art & Healing lately ❤

Special Wednesday Call for Submissions

Snapdragon: A Journal of Art & Healing

Open July 1- July 31

Your Wild and Precious Life” Issue

Open for submissions for our 3rd issue due out in September! We publish previously published work so send us your new or old poems on the theme “your wild and precious life” (we love Mary Oliver). Spread the word! Thanks!”

About

Snapdragon: A Journal of Art & Healing aims to be the premier online literary journal for writers and all who are looking to creativity as a way to process and express the healing journey.

Whether experiencing or looking for physical, emotional, or spiritual healing, we hope this will be a place to which you come as you journey the luminous path to wholeness. AtSnapdragon Journal, in addition to poetry and creative nonfiction, we are now highlighting photography! Eventually, we will publish research articles and interviews of those doing this work in the field.

Why the Name?

We could not think of a better name for this journal other thanSnapdragon! At its deepest level, the Snapdragon flower essence helps the soul to distinguish its use of creative forces — especially those which radiate from the lower energy centers, and those which are used for spoken word. The Snapdragon flower is often used as a remedy to help persons — particularly those who experience extreme tension in the jaw and mouth — to re-direct their powerful metabolic energy into its rightful channels. By harmonizing the relationship between these energy centers, the soul evolves in its use of creative power. And so, with Snapdragon: A Journal of Art & Healing, our desire is to provide a platform for your self-expression and soul’s healing!”

Guidelines

“We’re using Submittable to receive your poetry, creative nonfiction and photography. We will only accept, via email, research papers on art and healing. All other submissions via email will not be accepted. Our Submittable link will go live the first of each month we are open for submissions (Jan., April, July, Oct.). See our themes and guidelines below. Also sign up for our mailing list to receive notifications. Thanks!”

We consider new and previously published work on the theme of healing (emotional, physical, spiritual, community, etc.).

See detailed guidelines here: http://www.snapdragonjournal.com/submit.html

 

 

 

Friday Call for Submissions Bonus :-) Jellyfish Highway: Postindustrial Bioluminescence

 

Bonus Call for Submissions 🙂

Because I love that they want “postindustrial bioluminescence” 🙂

Jellyfish Highway is postindustrial bioluminescence, we’re abyssal gigantism. We are a press for work that floats and undulates and lingers and stings, literature that shines from the deepest blue.

We are on Twitter at @JHighwayPress. We will be announcing our first title soon. We are everywhere. We want all of your mind.

We want full-length books of fiction (novels, collections), poetry, or nonfiction. Also, we are looking for chapbook-like works to publish on an indeterminate schedule as ebooks and such.

Website: http://www.jellyfishhighway.com/

Submissions: http://www.jellyfishhighway.com/submissions/

Author of The Real Politics of Lipstick, If We Could Know Our Bones, and The Night I Heard Everything

 

Mary Carroll-Hackett’s work is alive with the language of the heart.

It is angry, sad, celebratory, DSCN2880sexy, erotic, reverent and irreverent in equal degree. The voices on these pages are distinct, and human, and so accessible, you can see the whole world through the prism of these poems. Mary Carroll-Hackett wields the prose poem as a cudgel or a caress, as a song, or a meditation, a prayer or a curse. She is as fine an artist with this form as we have in our time. 

~Robert Bausch, author of Far As the Eye Can See,  Almighty Me (optioned for film and eventually adapted as Bruce Almighty), A Hole in the Earth (a New York Times Notable and Washington Post Favorite Book of the Year), and Out of  Season.

Forthcoming Work from Mary Carroll-Hackett

April 2015 

The Night I Heard Everything

FutureCycle Press

“Mary Carroll-Hackett knows what love means, both for body and soul. She knows about the riches of listening as well as the rewards of watching. For her, looking, listening, and remembering are forms of prayer. With an intense focus on language that is sharp, precise, and rhythmic—she reminds us…”~Peter Makuck

Front Cover 1 (2)--fixed
Thanks and love to Editor Diane Kistner and all the beautiful folks at FutureCycle Press.

http://www.futurecycle.org/index.php/en/catalog/by-author

Other Titles

If We Could Know Our Bones
bones a-minor cover

“These prose poems offer us shelter and meaning in the everyday, yet reach out to brush the hair back out of the face of the immortal as if to say, “God, let me see your eyes.” Intimate and strange they occupy a place thumping within the physical human heart and the other heart we cannot fathom.”~ Jerry D. Mathes II

 A-Minor Press, 2014

Thanks and love to Editors Nicolette Wong, Walter Bjorkman, and all the beautiful folks at A-Minor Press.

Available at: http://aminorpress.com/titles/

The Real Politics of Lipstick

lipstick

 

“This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender.” —Jan Beatty

 Slipstream Press, Winner 2010 Poetry Competition.

Thanks and love to Editor Dan Sicoli and all the beautiful folks at Slipstream.

Available at: http://www.slipstreampress.org/lipstick.html

 

Animal Soul 

Carroll-Hackett-cover1

“In her new collection, Animal Soul, Mary Carroll-Hackett does not just give us “the colon before the list of truest things.” She begins that list for us, with poems like “Galileo’s Fingers,” “Six Rules For Devils,” and “This Bread, Those Beans.” ~Sammy Greenspan

 Kattywompus Press, 2013.

Thanks and love to all the beautiful folks at Kattywompus.

Available at:  http://kattywompuspress.com/shop/books-and-chapbooks/animal-soul-by-mary-carroll-hackett/

 

 ______________________

BIO

Mary Carroll-Hackett earned Bachelor’s degrees in Philosophy and Anthropology and a Master’s of Arts in English/Creative Writing from East Carolina University, then went on to earn an MFA in Literature and Writing from Bennington College. Her poetry and fiction have appeared in more than a hundred journals including Carolina Quarterly, Clackamas Literary Review, Pedestal Magazine, The Potomac, Reed, Superstition Review, Drunken Boat and The Prose-Poem Project, among others.

Her awards include being named a North Carolina Blumenthal Writer and winner of the Willamette Award for Fiction. Her scripts have won or placed in numerous competitions, including Best Screenplay at Moondance, the Great Lakes Film Festival, Beaufort Film Festival, American Gem, Gimme Credit, the Page Awards, and Wildsound. The National Center for Film in Toronto staged a reading of her script OBX in 2008. She had an O Henry Recommended recognition for her story “Placing.”

Her first chapbook, Three, was released in 2004, and her first collection of stories, What the Potter Said, in July 2005. The Real Politics of Lipstick was named winner of the 2010 annual poetry competition by Slipstream. A chapbook,  Animal Soul, was released in 2012 from Kattywompus Press, and a full-length collection, If We Could Know Our Bones, by A-Minor Press in January 2014.  Another full collection is forthcoming in April 2015, The Night I Heard Everything, from FutureCycle Press, as well as a chapbook, Trailer Park Oracle, from Aldrich Press in November 2015.

Mary founded and for ten years edited The Dos Passos Review, Briery Creek Press, and The Liam Rector First Book Prize for Poetry. She also co-founded and launched SPACES, an innovative online magazine of art and literature, featuring videos of writers reading. Mary regularly teaches workshops and seminars on Writing Through the Chakras, Writing the Spiritual Life, Writing the Body, and Writing the Mother, Mothering the Writer.

She has taught writing for nearly twenty years, and in 2003, founded the Creative Writing programs, undergraduate and graduate, at Longwood University in Farmville, VA, serving as Program Director of those programs until Fall 2011.  Most recently, she joined the low-residency faculty for the MFA program at West Virginia Wesleyan.

Mary is currently at work on a memoir.

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