"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Posts tagged ‘call for submissions’

Friday Call for Submissions Love! Houseguest: The Common & The Strange

Friday Call for Submissions Love!

Houseguest

About

Houseguest: House, Guest. As our name implies, we are interested in the juxtaposition of the common and the strange: the stranger that enters, that invades even as it’s invited, that may never truly leave. As a culture, we are ambivalent about houseguests, and ambivalent about ambivalence.

Here at Houseguest, we value ambivalence. We appreciate uncertainty. We espouse contradiction. We love thresholds—liminal spaces and surreal situations—and watching what gets through, what gets in. We welcome the Welcome Unwelcome.

We welcome anything you see fit to send us, provided it has not been previously published elsewhere.

 

Submissions

Houseguest is published three times a year in March, July, and November. We accept submissions year-round. We allow simultaneous submissions, but we ask that you let us know immediately if your work is accepted elsewhere.

Prose submissions should be typed, double-spaced, in an easy-to-read 12 pt font. Please limit your submission to 1000 words. Technically, we accept micro-nonfiction and flash fiction, but we aren’t overly concerned with categories. Be our guest: blur the lines.

Poetry submissions should be typed, single-spaced, in an easy-to-read 12 pt font, and formatted as a single document. Please limit your submission to five or fewer poems and include your contact information in the header of each page. All lengths and styles of poetry will be considered.

We acquire first serial rights for all work we publish. All rights revert to the author upon publication, though we ask for acknowledgement upon reprinting.

We currently accept submissions through our online submissions manager, known more commonly as email.

Submit to submission@houseguestmag.com

 

Website: http://www.houseguestmag.com/issue-03/current.php

Guidelines: http://www.houseguestmag.com/submission.php

Friday Call for Submissions Love! Synaesthesia: “Tell us where you’re going”

Friday Call for Submissions Love!

Synaesthesia

Theme

ATLAS

DEADLINE: 30 July 2015

noun | a book of maps or charts

Tell us where you’re going. Tell us about the bridge above the river that looks like milk. Point out your favourite spot. Map out your route. Show us how it happened, where he was, where he is now. Circle the place you first kissed, the place you kissed him last. Show us where you left him, do it in red. Take us to Tibet. Get us lost. Take us home again. Draw us a map of your hand. The muscles and tendons. Where she kissed it, where she pinched it, scratched it, slapped it, held it. Send us tickets and postcards. Think about structure, style. Break conventions: give us stories and poems told through graphs, tables, charts and maps.

Be part of our collection about maps and the roads that fall between them. Be part of the atlas that makes us human, or not.

About

Editors are mothers. They cradle words in their ink-stained hands and rock them gently until they hiccup and burp and sleep without fidgeting. Sometimes they have to be strict, and tell words that they can’t play with that other word because that other word isn’t good for them. Sometimes they have to say no because that’s how stories get better. But mostly they love words and just want to see them grow into great, great stories that others point at and go, heck, I wish I’d written that.

So we’ve decided to write about what we like and what we don’t like in our submissions. And if you don’t like what we do like, then that’s fine. Maybe it’s just not meant to be. It’s important to remember that your submission absolutely doesn’t have to be perfect. We’re not expecting Shakespeare. If you bring us something that makes us coo we’ll tell you it makes us coo, and we’ll work with you to turn that extra o into an r so it makes us go corr.


We like poetry that howls from the rooftops. We don’t like poetry that shouts into a microphone. One commands, the other imposes rudely. We like modest poetry, poetry that tells us, actually, it’s pretty terrifying being human but y’know what? Here’s a puddle. Look at its rainbow.


We’re not particularly drawn to poetry that laments, or mourns, or talks about how much it misses its boyfriend. We don’t like poetry that feels sorry for itself.


We like poetry that talks to us like we’re humans, sometimes even friends, and poetry that goes bungee jumping and, if it’s not feeling up to it, puts its feet up and flicks through crappy TV channels. Not because it can’t be bothered, but because it’s honest. It doesn’t try hard. 


We like short stories that come to bed with you and kiss you somewhere you didn’t know you liked. Stories that tease and don’t necessarily give us what we want. If there’s a word in your story that you have to think twice about, get rid of it. Get in and get out. We don’t like stodgy prose or long-winded narratives.

 

We like short stories that say hey, babe, take a walk on the wide side. We like stories that pad barefoot into the kitchen on a summer night, spilling secrets. Short stories that are the beginnings of a knock knock joke but not the end. We don’t like sob stories, but we do like stories that whisper, I had to write this.

Guidelines

We like short stories that come to bed with you and kiss you somewhere you didn’t know you liked. Stories that pad barefoot into the kitchen on a summer night, spilling secrets. We like short stories that say hey, babe, take a walk on the wide side.

We like poems that jump into puddles. Poems about the ordinary: these yellow wellington boots, your hand-me-down prom dress. We like poems that have been gunned down to the ground and come back fighting.

We like short stories that are the beginnings of a knock knock joke but not the end. Stories that hum, some that blister. We don’t like sob stories, but we do like stories that whisper, I had to write this.

We are currently open for submissions for our ATLAS issue (publishing late summer/autumn). We will announce our last theme of the year very soon. Please read our submission guidelines before submitting (seriously, please do it, it will help you), and remember the following:

  • Your submission must correspond to the current theme in some way, however loosely you interpret it
  • Simultaneous submissions are totally fine and heartily encouraged, but if your submission is accepted elsewhere please inform us asap
  • We do not accept previously published submissions. We obtain First Serial Rights, which means we have the rights to publish your work for the first time. More info on our guidelines page
  • It’s completely free to submit to us and read our magazine
  • As part of the magazine’s ethos, we blend art and writing – please be aware that your work may be accompanied with another form of art
  • Response time: approx 1-4 months.

Okay, your turn now. Blow our senses

Guidelines and Submit Here: https://synaesthesia.submittable.com/submit

Special Wednesday Call for Submissions: Snapdragon, Art & Healing

I’ve been thinking a lot about Art & Healing lately ❤

Special Wednesday Call for Submissions

Snapdragon: A Journal of Art & Healing

Open July 1- July 31

Your Wild and Precious Life” Issue

Open for submissions for our 3rd issue due out in September! We publish previously published work so send us your new or old poems on the theme “your wild and precious life” (we love Mary Oliver). Spread the word! Thanks!”

About

Snapdragon: A Journal of Art & Healing aims to be the premier online literary journal for writers and all who are looking to creativity as a way to process and express the healing journey.

Whether experiencing or looking for physical, emotional, or spiritual healing, we hope this will be a place to which you come as you journey the luminous path to wholeness. AtSnapdragon Journal, in addition to poetry and creative nonfiction, we are now highlighting photography! Eventually, we will publish research articles and interviews of those doing this work in the field.

Why the Name?

We could not think of a better name for this journal other thanSnapdragon! At its deepest level, the Snapdragon flower essence helps the soul to distinguish its use of creative forces — especially those which radiate from the lower energy centers, and those which are used for spoken word. The Snapdragon flower is often used as a remedy to help persons — particularly those who experience extreme tension in the jaw and mouth — to re-direct their powerful metabolic energy into its rightful channels. By harmonizing the relationship between these energy centers, the soul evolves in its use of creative power. And so, with Snapdragon: A Journal of Art & Healing, our desire is to provide a platform for your self-expression and soul’s healing!”

Guidelines

“We’re using Submittable to receive your poetry, creative nonfiction and photography. We will only accept, via email, research papers on art and healing. All other submissions via email will not be accepted. Our Submittable link will go live the first of each month we are open for submissions (Jan., April, July, Oct.). See our themes and guidelines below. Also sign up for our mailing list to receive notifications. Thanks!”

We consider new and previously published work on the theme of healing (emotional, physical, spiritual, community, etc.).

See detailed guidelines here: http://www.snapdragonjournal.com/submit.html

 

 

 

Pretend It’s Still Friday Call for Submissions: Apogee, Reclaiming the Margins

I was out of town with sick family (good thoughts, good energy, prayer in whatever your fashion appreciated), so we’re gonna pretend it’s still Friday, and get some

Call for Submissions Love!

Apogee

About

Apogee is a literary journal specializing in art and literature that engage with issues of identity politics: race, gender, sexuality, class, and hyphenated identities. We currently produce a biannual issue featuring fiction, nonfiction, poetry, and visual art. Our goal is to publish exciting work that interrogates the status quo, providing a platform for unheard voices, including emerging writers of color.

The word “apogee” denotes the point in an object’s orbit that is farthest from the center. Our mission combines literary aesthetic with political activism. We believe that by elevating underrepresented literary voices we can effect real change: change in readers’ attitudes, change in writers’ positions in literature, and broader change in society.”

 

Submit

Submissions for Issue 6 are now open! Issue 6 will be published in print fall/winter 2015. Here are our guidelines:

    • We accept original poetry, short fiction, and nonfiction.
    • Please keep your prose submissions under 6,000 words and send no more than 3 poems for consideration.
    • Send your submissions in either .doc or .docx format.


Apogee Journals dual purpose is to showcase writers from the periphery and to provide a platform for all writers to thoughtfully engage with issues of race, class, and identity. Our goal is to publish exciting work that sits at some distance from the mainstream and to provide a forum where unheard issues and voices can rise to the fore. To get a sense of what we publish, please browse our previous two issues or click here to order a hard copy of our current issue: http://www.apogeejournal.org/issue-three/

 

Year Round on the Blog


Submissions for our blog Perigee are open year round. We will consider completed interviews, critical and lyrical essays, book reviews and flash fiction for publication.

http://www.apogeejournal.org/blog/

 

 

Special Wednesday Call for Submissions: MIEL: Nonfiction & Poetry Chapbooks

Special Wednesday Call for Submissions

Nonfiction writers! Poets too! Got a chapbook? Send it in!  

Only 1 week left to submit!

MIEL

“We are looking to add four more chapbooks: two of poetry (of any kind), two of prose (fiction, nonfiction, hybrid, cross-discipline, multigenre).”

“We encourage women writers, non-binary writers, trans writers, and writers of color to send work.

We are looking for work that is experimental or conceptual without a disregard for embodiment.

We are looking for work that is socially aware and alive.

We are looking for work that feels like springtime.

We would love to see work about faith, religion, science, nature, history, power, philosophy, politics, art.”

About

MIEL was established in 2011 to promote and publish difficult, innovative, intelligent, and deeply felt writing and visual art.

As a small, independent press, we exist because of subscriptions and book sales. You can support us by purchasing books in our shop.

We read manuscript submissions in June via Submittable. We read work for our biannual literary magazine 111O much of the year.

Guidelines

Open reading 2015

We will read work in June for chapbooks to add to our 2016 list. You can send work to us via Submittable. (Note that we are on Belgian time, which means our June 1 may begin before yours, and our June 30 may end before yours.)

For our 2015 reading period, there will be no reading fee. If you would like to make a gesture of support for the press, please take a look at the books in our shop and purchase one. (You can use the code IHEARTMIEL2015 for 30% off from June 1 – 30, Belgian time.) All work will be given consideration regardless of purchase.

Our 2016 list already contains three art chapbooks, two poetry chapbooks, and two nonfiction chapbooks. We are looking to add four more chapbooks: two of poetry (of any kind), two of prose (fiction, nonfiction, hybrid, cross-discipline, multigenre). Reading the work we have already published is the best way to see whether your work would be a good fit for MIEL. There are sample texts in each book page in the shop, as well as many sample poems on our website.

Website: http://miel.ohbara.com/wordpress/

On Submittable: https://111o.submittable.com/submit

Special Monday Call for Submissions: HOAX: Counter-Argument to the Commonplace

Special Monday Call for Submissions: HOAX

Only two weeks left to submit for Issue 6!

HOAX

About

We strongly encourage submissions from women, PoC, LGBTQIA people, differently-abled people and other underrepresented people and minorities.

HOAX is a counter-argument to the commonplace notion that art and creative writing are mutually exclusive. We champion all creative work that incorporates text in some way. HOAX is an artist-run, printed journal dedicated to publishing creative works incorporating text. Issue 6 will be available in galleries, bookshops and creative spaces across Europe, North America and Asia.

Started in early 2012, HOAX is an independent, artist-led project providing a space in print and online to show all forms of creative work incorporating text alongside each other without prejudice or predefined “rules” about the look, format, content or execution of the work. Our output is the weekly publication of new work to our website, alongside a free-of-charge, one-sheet print edition featuring works by artists/writers throughout the world, of which each issue is curated to be strong, dynamic, interesting and innovative.

We publish new work to our website every Thursday and a new printed issue every 6 months, with side-projects in between.”

Guidelines

Issue 6 submissions deadline Monday 6 July 2015
We are always accepting submissions to the HOAX website.

We are constantly seeking innovative and interesting new submissions for both our website and the publication itself. The website features a new work every Thursday; the printed publication currently comes out bi-annually but is set to increase to quarterly- please bear with us as our reach grows!


Anyone can submit creative work incorporating text for either the publication or the website at any time by emailing it to hoaxpublication@gmail.com, providing the work is previously unpublished and created relatively recently. We strongly encourage submissions from women, PoC, LGBTQIA people, differently-abled people and other underrepresented people and minorities. There are no themes or briefs, however we do recommend that you read our manifesto before submitting work so that you have a good understanding of the project and its intentions.

All submissions for the print publication will be printed only in black ink and must be able to be confined to one side of A5 paper (if your work can’t fit this, please see below). Any work that doesn’t fit the print guidelines for the publication itself (above) will be taken as submissions for the website. Submissions for the website can take the form of images, text, video or sound files. There is no minimum or maximum size.

Image files must be large and of good quality; text files must be properly formatted as you would like them to appear to a viewer- we recommend that you also send a screenshot of the text file so that this can be as accurate as possible; video files are best uploaded to a hosting site (e.g. Youtube) and then the links sent to us.

When submitting work, please include (where possible):

– Your name
– The title of the piece
– A link to your professional website

Please send submissions to hoaxpublication@gmail.com

Due to the volume of submissions we receive, we will only contact you if and when we would like to publish your work, however all submissions will be held onto for possible future publishing as appropriate to the project’s curation. Please do not expect an immediate reply. If you would like to withdraw a submission for any reason please notify us via email.

Thank you!”

Website: hoaxpublication.co.uk

Guidelines: http://goo.gl/11ltc1

Donate towards HOAX at http://goo.gl/0D1xb1

HOAX on Facebook: https://www.facebook.com/events/1376281546025771/

Friday Call for Submissions Bonus: The Grief Diaries

Because it seems right for this sad week.

 

The Grief Diaries: An Online Magazine Created to Exhibit Art That Speaks to Grief and Loss.

About

The Grief Diaries was founded by Kristi DiLallo, an MFA candidate in the Graduate Writing Program at Columbia University. She is currently working on a memoir, which is largely a meditation on grief, trauma, and memory. She has struggled with the stigma of writing about personal tragedy, so she chose to create a safe space where grief can be discussed openly through art across all genres and media.

Guidelines

The Grief Diaries is a brand new independent online journal interested in exhibiting writing and other forms of art that center on the concept of grief/mourning/loss. We are open to submissions of poetry, fiction, nonfiction, photography, artwork, etc. that speak to the experience of dealing with loss of any kind. Submission guidelines are flexible: we know that grief looks different to everyone, so we just want our journal to reflect what grief means to you, no matter the form, style, or genre.

Please send relevant submissions by email at griefdiary@gmail.com

We are looking to publish poetry, fiction, nonfiction, photography, and artwork that relates in some way to grief/loss/mourning. The term “grief” is open to interpretation. We are looking for powerful, moving works of art that speak to the incredible journey of living after we have lost.

There are no preferences in terms of formatting or style. The grieving process looks different to everyone, so we want the work in our magazine to reflect that.

We accept submissions on a rolling basis. We have a very small team (one person!) so please be patient. You will receive a response as soon as possible.

Please understand that we cannot pay contributors at this time.

Visit The Grief Diaries at http://www.thegriefdiaries.org/

Friday Call for Submissions Love! Kentucky Review: Good Words & Charity

Friday Call for Submissions Love!

Kentucky Review

About

All profits of Kentucky Review, including sales of magazine issues and personal donations, are given to charity: Action Against Hunger: http://www.actionagainsthunger.org.

We are proud to be part of FutureCycle Press’s Good Works Projects.

Kentucky Review publishes poetry and flash fiction online and in print. Works accepted for publication appear permanently on this website, and each year’s poems are assembled into a print edition.

You won’t find any lofty mission statements here. We simply want to publish work we consider worthy. We hope you will find an eclectic mix of writing in these pages. We are always open to submissions. No matter where you live in this world, you are welcome to send English-language poetry and flash fiction. See the Submit page for details on how to send your work to us.”

Guidelines

Kentucky Review reads submissions year round and considers poems and flash fiction of all styles and subjects, except pornography. Works accepted for publication appear permanently on this website, and each year’s poems are assembled into a print edition. For previously unpublished work, we acquire First North American rights. After publication in the printed issue, all rights revert to authors. We ask only for an acknowledgment if you reprint work that appeared first inKentucky Review.

Please send work you are proud of, carefully crafted and polished.

We consider simultaneous submissions provided that you notify us immediately if any poems from your submission are accepted elsewhere.

Previously published work is considered only if it has not appeared online and in print within the past 10 years. Please indicate where and when the work was published.

Submit no more than six poems or three works of flash fiction (max 1000 words per story). Please wait until we have responded before submitting again.

Submit all work (poems, stories, or videos) via our online system only. Please note that we do not consider email or snail-mail submissions. We use the Submittable online system (click the Submit button on this page). Files submitted must be in one of the following file formats: Word (DOC or DOCX), WordPerfect (WPD), Rich Text Format (RTF), Open Office (ODT), or Portable Document Format (PDF). Submittable accounts are free, and you can create an account during the submission process, or you can also log in to your current account.”

Kentucky Review’s full detailed guidelines here: http://www.kentuckyreview.org/index.php/itsubmit

 

Friday Call for Submissions Bonus :-) Jellyfish Highway: Postindustrial Bioluminescence

 

Bonus Call for Submissions 🙂

Because I love that they want “postindustrial bioluminescence” 🙂

Jellyfish Highway is postindustrial bioluminescence, we’re abyssal gigantism. We are a press for work that floats and undulates and lingers and stings, literature that shines from the deepest blue.

We are on Twitter at @JHighwayPress. We will be announcing our first title soon. We are everywhere. We want all of your mind.

We want full-length books of fiction (novels, collections), poetry, or nonfiction. Also, we are looking for chapbook-like works to publish on an indeterminate schedule as ebooks and such.

Website: http://www.jellyfishhighway.com/

Submissions: http://www.jellyfishhighway.com/submissions/

Friday Call for Submissions Love! Rhino: General Reading Period

Friday Call for Submissions Love!

Rhino

About

The Poetry Forum/RHINO Poetry is a non-profit literary organization, primarily devoted to the publication of RHINO Poetry, an annual high-quality print journal featuring well-crafted, diverse poetry, flash fiction, and translations. While remaining committed to our print journal, beginning with the 2014 issue, all poems will be placed online throughout the year. We also feature audio versions of our poems.

RHINO Poetry occupies a niche somewhere between academia and the emerging poetry scene – devoted to creative work that tells stories, provokes thought, and pushes the boundaries in form and feeling – while connecting with our readers and audience.

We invite traditional or experimental work reflecting passion, originality, artistic conviction, and a love affair with language.  We encourage emerging and established writers throughout the United States and around the world. Submissions are read by multiple editors with various tastes, all looking for quality work. Sometimes we call ourselves “eclectic” in the best sense of the word. We are proud of the content and variety of each issue we publish.

Guidelines

We are reading for general submissions: April 1 – August 31.

Founders’ Prize submissions are accepted September 1 – October 31. Reading Fee: $10

We accept one submission per each reading period.

We strongly prefer online submissions.

Our diverse group of editors looks for the very best in contemporary writing, and we have created a dynamic process of soliciting and reading new work by local, national, and international writers. We read for previously unpublished poems, translations, and flash-fiction.

We welcome all styles of poems, and look for work which is well-crafted, reflects passion, originality, engagement with contemporary culture, and a love affair with language. All entries considered for the Editors’ Prize.

Our basic editorial principle, however, is unwavering—we’re looking to publish the best work we can find.”

Rhino’s full detailed guidelines here: http://rhinopoetry.org/submit/guidelines/

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