"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Posts tagged ‘Art is Power’

Monday Must Read! Lauren K. Alleyne: Difficult Fruit

What a beautiful read this week!

Lauren-Alleyne-2Lauren K. Alleyne is the author of Difficult Fruit (Peepal Tree Press, 2014). She holds an MFA in Poetry and a graduate certificate in Feminist, Gender, and Sexuality Studies from Cornell University, and an MA in English and Creative Writing from Iowa State University. Alleyne’s fiction, non-fiction, interviews, and poetry have been widely published in journals and anthologies such as Women’s Studies Quarterly, Guernica, The Caribbean Writer, Black Arts Quarterly, The Cimarron Review, Crab Orchard Review, Gathering Ground, and Growing Up Girl, among others. Her work has earned several honors and awards, most recently the Picador Guest Professorship in Literature at the University of Leipzig, Germany, a 2014 Iowa Arts Council Fellowship, and first place in the 2016 Split This Rock Poetry Contest. Alleyne is a Cave Canem graduate, and is originally from Trinidad and Tobago. She currently works at James Madison University as Assistant Director of the Furious Flower Poetry Center and an Associate Professor of English.

Buy Lauren’s Beautiful Book Here!

Praise for Difficult Fruit

Lauren Alleyne’s voice is a revelatory and formidable fusion of irrepressible music and uncompromising craft. Like snippets of cinema, these poems arrest the senses and challenge what’s known. Every door this exceptional work opens opens onto a larger light.—Patricia Smith

To go back “is a verb conjugated in dreams,” Lauren Alleyne writes in her debut volume Difficult Fruit, inscribing the governing mystery of this work, the secret knowledge of the dead. In anaphoric bursts of incantatory disclosure, in ghazals of love and survival, eros and the infinite, she does, indeed, go back, past all griefs and illuminations, “to the song beneath the song.” There is uncommon spiritual knowledge here as well as political discernment. There is much to learn while accompanying Alleyne on her “raft of language,” through a troubled world and an imagined heaven, to the place “from which comes all singing.” I have gone with her and would do so again and again.—Carolyn Forché

Difficult Fruit is a book I wish there were no need for. But need there is; and Alleyne delivers poems of loss and grief and, thankfully, hope. “Meaning is the closest we get to salvation,/which is to say the word changes nothing/–it does not unmake the rivers,” she writes. But addressing the ages in ghazal and crown and free verse forms, she reminds us, in the “flaming sentence” that in one’s life, “it is in the raft of language we begin our escape.”Lyrae Van Clief-Stefanon

Visit Lauren’s Website

More From Lauren Online

http://www.laurenkalleyne.com/work.html

http://www.gwarlingo.com/2014/the-sunday-poem-lauren-k-alleynes-difficult-fruit/

https://www.connotationpress.com/poetry/689-lauren-k-alleyne-poetry

http://www.2river.org/2RView/10_4/poems/alleyne.html

http://www.thegriefdiaries.org/poetry-by-lauren-k-alleyne/

http://caribbeanreviewofbooks.com/crb-archive/24-november-2010/two-poems/

http://www.thethepoetry.com/2013/02/poem-of-the-week-lauren-k-alleyne/

http://www.thefeministwire.com/2015/09/poetry-madame-x-by-lauren-k-alleyne/

Hear Lauren Read!

https://www.youtube.com/watch?v=E8VfxSkn3dc

https://www.youtube.com/watch?v=ax3nmQXD0YQ

https://www.youtube.com/watch?v=6E5PvO_Lkcs

https://www.youtube.com/watch?v=70DVGoDzRlI

 

Wonderful work!

Happy Reading!

xo

Mary

Daily Prompt Love <3 Other People's Pictures

3 June 2017

I collect photographs from thrift stores, other people’s pictures sold, I guess, in estate sales and such. I carry some of them with me when I travel, sometimes keep some of them on my night stand, wait for them to tell me their stories, or just so I can say that someone remembers them. 

I scanned in some of my favorites. 

Make art inspired by one of these photos. 

blind womenold family pic 1thrift store pics 1cthrift store pics 2thrift store pics 3thrift store pics 4

 

Friday Call for Submissions Love x 2: Malevolent Soap, Intersecting ‘High’ and ‘Low’ Culture

Malevolent Soap

Deadline: July 1, 2017

 

Malevolent Soap is an independent journal of poetry and fiction. We’re based in Melbourne, Australia, but our issues feature emerging and established voices from around the planet. We publish annually, in September. Anything goes, but we’re partial to work that explores intersections of ‘high’ and ‘low’ culture. Whether it invokes Nicolas Cage as muse or bemoans Rick Deckard’s overconsumption of MSG in verse, we’re interested.

Our debut issue is slated for release on September 1. Submissions are open until July 1. We pay $20 AUD per published piece.

To submit, visit the website malevolentsoap.com

submit

Friday Call for Submissions Love <3 Collateral: Work Concerned with Impact of Military Service

COLLATERAL

Poetry, Prose and Art on the Impact of Military Service

Submissions accepted year-round.

 

Collateral is an online literary journal affiliated with the University of Washington Tacoma. We publish poetry, fiction, creative nonfiction, and visual arts concerned with the impact of military service beyond the combat zone. The voices of those more indirectly impacted by war sometimes go unheard, and our journal seeks to capture the “collateral” impact of military service in all its forms. We publish work by veterans, reserve/active duty soldiers, and civilians every May and November; we accept submissions year-round through our website. Send up to 5 poems, 3,000 words of prose, or 7 images.

Website:  www.collateraljournal.com

 

submit

Daily Prompt Catch-Up <3 Lost, Sold, and Declined

31 May 2017

For years I suffered with mazeophobia, the fear of getting lost. One family member, I remember before one trip, scoffed, asking if I was afraid of flying. No, I said, I’m afraid of airports. What I actually was fearful of was getting lost in the airport. Not long after that, I ended up stranded in the Minneapolis airport for seventeen hours, walking, walking, every inch of that airport. By the time I finally boarded my plane, I wasn’t afraid of airports anymore. But…the fear of getting lost in general remained.

I bought and studied an atlas. I bought a Garmin GPS. I learned how to use the GPA on my phone. I created a system of tracking my entire journey. I not only got in my car and traveled with others, I got in that little red car and traveled by myself, thousands of miles every year, two lane backroads, me and Garmin and my maps and my notes and my music.

I still have a phobia of becoming lost, but I am more afraid of being trapped, limited, by my fear.

Make art about what it means to be lost.

maze

1 June 2017

Make art about what’s being bought and paid for.

bought and paid for

2 June 2017

Make art about the decline of an empire.

decline of empire

Daily Prompt Love <3 Like A Circle In a Spiral

30 May 2017

Been hearing (and singing) this song since I woke up. 

Like a circle in a spiral
Like a wheel within a wheel
Never ending or beginning
On an ever-spinning reel
As the images unwind
Like the circles that you find
In the windmills of your mind

Make art about circles, inside circles, circling, unending spirals, cycles, the circles we inhabit, the circles we create.

Daily Prompt Love <3 The Cost

29 May 2017

Make art inspired by this quote:

who-wishes-to-fight-must

Monday Must Read <3 Poets Against the War, Sam Hamill

Poets Against the War: The Movement, The Anthology

Led by poet Sam Hamill, February 12, 2003 became a day of Poetry Against the War conducted as a reading at the White House gates in addition to over 160 public readings in many different countries and almost all of the 50 states. Since then, over 9,000 poets have joined this grassroots peace movement by submitting poems and statements to http://www.poetsagainstthewar.org, registering their opposition to the Bush administration’s headlong plunge toward war in Iraq. Poets Against the War features a selection of the best poems that were submitted to the website. Contributors include: Adrienne Rich, W.S. Merwin, Galway Kinnell, Robert Bly, Marilyn Hacker, Grace Schulman, Shirley Kaufman, Wanda Coleman, Yusef Komunyakaa, Hayden Carruth, Jane Hirshfield, Tess Gallagher, Sandra Cisneros, former Poet Laureate Rita Dove, and many others.

Buy This Beautiful Necessary Book   

Poets Against The War Website

More Online About Poets Against the War

The Nation: https://www.thenation.com/article/poets-against-war/

In These Times: http://inthesetimes.com/article/49/poets_against_the_war

Voices in Educationhttp://voiceseducation.org/content/poets-against-war

Voices in Wartime Documentary (12 Minute Preview; Full documentary available):  http://voiceseducation.org/voices-wartime-12-minute-preview

Excerpts From Voice in Wartime

Wonderful Reading by Sam Hamill  

Write on, y’all! 

xo

Mary

Daily Prompt Catch-Up <3 Falling, Rising

27 May 2017

Make art about struggling with depression.

depression

28 May 2017

Make art about learning how to rise from the ashes.

rising from the ashes

Friday Call for Submissions Love x 2 Burningword Literary Journal

Submission Guidelines

Burningword Literary Journal accepts poetry, flash fiction, and flash nonfiction submissions for publication. Please read through the brief guidelines and publishing schedule before you submit.

Genres and Details (revised for 2017)

  • Poetry in any form or style. Your poetry submission may contain up to five (5) poems, may be submitted as one file, run fewer than 10 pages in length, and must be unpublished. Simultaneous submissions are welcomed so long as you withdraw them when accepted elsewhere.
  • Flash fiction (a.k.a. microfiction, short-short story, sudden fiction, etc.) submissions should aim for a word-count of 300-500 words or less per piece, may contain up to two (2) pieces per submission, may be submitted as one file, should run fewer than 5 pages in length, and must be unpublished. Simultaneous submissions are welcomed so long as you withdraw them when accepted elsewhere.
  • Flash nonfiction up to 300 words. You may submit up to two (2) pieces per issue, may be submitted as one file, should run fewer than 5 pages in length, and must be unpublished. Simultaneous submissions are welcomed so long as you withdraw them when accepted elsewhere.
  • Please keep your email address updated in Submittable because that’s how we notify you of our editorial decisions. We now charge a modest submission fee of $3 to help offset the cost of maintaining the manuscript system and web-hosting. Because of this change, we now encourage multiple pieces per submission, as outlined above.

Important Guidelines

  • The submission review process is double-blind; please remove all instances of your name from your work before uploading it!
  • Your name (or pen name), along with contact info. and third-person bio should be entered using the submission form. Those items will be published with the selected work, per the terms of use agreement. Do not include any information that you do not wish to be shared publicly!
  • Visual art and similar decoration should not be included in your submission. If such elements are critical to your work, please consider another publication.
  • If you need to withdraw a submission for any reason, please do so within our submission system.
  • If you use a pen name, be sure to use that in place of your real name, in all instances.
  • Your name (or pen name), along with contact info. and third-person bio will be published as is, along with your selected work.
  • If you need to modify a submission for any reason, including your name (or pen name), contact email, biography, etc., please do so within our submission system. Modifications to work, including byline and bio, are not possible after publication.
  • We accept simultaneous submissions and prefer unpublished material.

Guidelines After Publication

  • There is no ability to “proof” your work after it has been chosen for publication. Errors made by Burningword Literary Journal to either the print or electronic versions will be corrected by Burningword ASAP. Please let us know if you find an error.
  • We accept simultaneous submissions; however, if we accept your work for publication, it is your responsibility to immediately notify all other magazines it is no longer available.
  • The authors we publish receive a complimentary eBook issue and reduced rates for print copies.

Schedule

Burningword is a quarterly web, print and digital publication with issues published January 5, April 5, July 5, and October 5. The cut-off date for submissions is the 5th day of the prior month for each quarter:

  • January Issue Submissions open October 1st and close December 5th
  • April Issue Submissions open January 1st and close March 5th
  • July Issue Submissions open April 1st and close June 5th
  • October Issue Submissions open July 1st and close September 5th

Copyrights, Reprinting, and Attribution

Burningword Literary Journal typically asks for the rights to publish an author’s work in a single print edition, an epub version of the same issue, and also in future retrospective editions of the journal. We make our entire journal available to subscribers, with the most recent issues available to all. After publication, all rights revert to our authors, and if you wish to reprint, repost, or redistribute their work in any form, it is your responsibility to contact the writer and secure permission. Please take a quick look at the Copyright Notice and our Terms of Use. Our policies were created to help protect your rights, and ours, too.

Submit

The process is simple and will allow you to keep track of where you’re sending your writing. Good luck!

Submit Here!

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