"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Archive for the ‘publishing’ Category

Call for Submissions Love! Common Ground

Road trip tomorrow, so here’s some Call for Submissions Love before I go 🙂 

COMMON GROUND REVIEW seeks engaging, well-crafted poems that surprise and illuminate, amuse and inform. Creative non-fiction and short stories must be no more than 12 pages, double-spaced. Two publications a year (Spring/Summer and Fall/Winter), no reading fees. We accept year-round submissions at our website; see submission guidelines, use the Submittable link, or send snail mail. Excite us!

Common Ground Website

Submissions Guidelines

 

A Little Different Call for Submissions: The Artist Unleashed, and It Pays!

Write About Your Personal Experience as a Writer or Artist.

Submissions accepted year-round.

Earn $0.015 per word to be published on our blog, The Artist Unleashed. We want articles based on your personal experience as a writer or artist to help fellow creatives. Articles for this website must be about an aspect of writing and/or art and must also inspire and/or motivate, encourage discussion, offer advice or argue an opinion, and be rich with informative/engaging content. We will tweet and Facebook your post to get it as much exposure as possible. Views on a single post have reached 1500+ within 24 hours.

Please visit our website for submission guidelines: www.theartistunleashed.com.

Call for Submissions: HeartWood

Poets, please submit.
Also seeking fiction and creative nonfiction.
Reading now for the October issue.
 

HeartWood

The Birds of Grief

This week I keep going back to a poem I wrote a couple of years ago, about grief, about sheer physicality of grief and loss. About feeling helpless. About how loss, no matter what, belongs to all of us. 

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I Want to Bring the Birds

inside, hold them in my hands, tuck them inside my shirt, claws and all, feel the sharp tic of each frightened beak, surround them with my fingers, cradle them against the cage of my ribs, whisper shh shh shh—until they each find and linger in their place: the titmice tatting nests into my hair, crested sparrows and juncos perched and singing from my feet, the jays who see me as so much meat, supplier of suet and otherwise foolish and useless, each take a shoulder, their alarm squawk sudden and hard as a couple of crows stand sentry on my back. The chickadees, those flying golf balls with their punk rock eyes and ebony mohawks, bossy and brazen, take my ears, letting me know just how they see this whole thing going, while the shy nuthatch hides, its cinnamon shadow disappearing under my shirt as it hops up my ribs and nuzzles in like a newborn near my heart. A pair of doves, and then another, their wings ash gray and spotted with apricot, nestle in on the soft give of my belly; I touch them with just the tips of my fingers, hoping, praying, they’ll teach me the tender songs only possible in the dark. One by one, they all settle in, on my limbs, my skin, feathering, resting, and maybe, so will I, settle for real, for the first time in years, as I hear and feel their heartbeats steady, slow, ease finally, into a companion rhythm with my own. Or mine to theirs? In my dreams, it doesn’t matter. In my dreams,we are the same.

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This poem is included in my collection The Night I Heard Everything from FutureCycle Press

birds of grief

Friday Call for Submissions Love: Brand New Mag: Collateral

Collateral Literary Journal—New Military Themed Magazine
Submissions accepted year-round.

Collateral is a new online literary journal affiliated with the University of Washington, Tacoma. We showcase high quality creative writing and art that explores the impact of the military and military service on the lives of people beyond the active service person. These voices sometimes go unheard, and this journal captures the “collateral” impact of military service, whether it is from the perspective of the partner or child; parent or sibling; friend or co-worker; veteran, refugee, or protester. Our editorial vision is to be as inclusive as possible and ideologically diverse. We encourage submissions from professional and emerging writers.

From their About page: 

 

MISSION STATEMENT:
Collateral explores the perspectives of those whose lives are touched indirectly by the realities of military service. Numerous journals already showcase war literature, but we provide a creative platform that highlights the experiences of those who exist in the space around military personnel and the combat experience. We feel these voices sometimes go unheard, and this journal captures the “collateral” impact of military service, whether it is from the perspective of the partner or child; the parent or sibling; the friend or co-worker; or the elderly veteran, the refugee, or the protester. In any issue, you might find the haiku of a seven-year old girl whose father is in Afghanistan alongside the short story of an award-winning fiction writer. Or the first-person essay of a military spouse alongside the critical essay of an academic.

Our editorial vision is to be as inclusive as possible and ideologically diverse. We encourage submissions from professional and emerging writers alike. Regardless of authorship, we are committed to publishing high-quality fiction, poetry, nonfiction, and art that speaks authentically about the collateral impact of military service.

Collateral Website

Submission Guidelines

Midweek Call for Submissions: Chattahoochee Review: Off the Record

Call for Submissions: Off the Record

Deadline: September 15, 2016

 

Off the Record. Disappearing remarks. Invisible people. Music that isn’t there. Intuition. Gut. Unclaimed, unofficial, uncategorized. A record respects the broadest possible audience. Off the record, your audience awaits. What you don’t want to write. We want to read. Note the call in a cover letter.

Deadline September 15 or until the issue fills.

thechattahoocheereview.gpc.edu

Friday Call for Submissions Love! Brand New Mag: The Quiet Circle

The Quiet Circle: Introspective Essays, Subtle poems, Gently Unreal Fiction

Submissions accepted year-round.

 

“For its inaugural issue, The Quiet Circle seeks writing that journeys inward and cares about the human condition while avoiding flashiness or shock value. We seek fiction in non-realist categories (surreal, fabulist, speculative, and others) but we avoid harshness and spectacle in favor of depth. We desire sincerity and humanity in essays. We seek poems that maintain grace and gentleness even in revolution.”

Submit here! 

 

A Really Cool Call for Submissions: 3Elements

3Elements Review Seeks Submissions for Issue 12 (Relic, Passageway, Kiss)

Deadline: July 31, 2016

 

3Elements Review is now accepting submissions for Issue 12! The elements are Relic, Passageway, and Kiss. All three words must be used in any poetry, fiction, or creative nonfiction submissions. Art and photography submissions must represent at least one of those elements. We have published new and well-known writers from all over the world. Due July 31. Issue will be released October 1.

Submit here: 3elementsreview.com/submit

 

Special Sunday Call for Submissions: HeartWood

HeartWood reading now for our October issue! 

Seeking poetry, fiction, and nonfiction! Also seeking profile & interview proposals for our Appalachian Arts section! 

Submission Guidelines Here! 

HeartWood

Friday Call for Submissions Love!

Crab Fat is Now a Monthly Journal!

Deadline: Rolling

 

“Crab Fat Magazine is reading for our September & October issues! We’re currently accepting literary fiction, poetry, flash, creative nonfiction, transcribed interviews, screen/stage plays, book reviews, & visual art. Crab Fat is interested in eclectic queer, feminist, punk, hybrid, experimental, awkward, & nonlinear work. Be sure to review our website & past issues to get a sense of what we’re publishing. Crab Fat is an online monthly with a “best of” print anthology featuring 25 pieces released each June.

Please visit www.crabfatmagazine.com for complete submission guidelines.”

Note: from Crab Fat’s Guidelines

We do not accept email submissions. If you send us email submissions, we will delete them, unread. We use Submittable.”

 

 

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