"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Archive for the ‘poetry’ Category

Monday Must Read! Sarah Busse: Do It Yourself Airplanes

Monday Must Read!

sarah busseThis week meet Sarah Sadie (Sarah Busse). Sarah is co-editor of Cowfeather Press and one of the Poets Laureate of Madison, Wisconsin (2012-2015). Her poems and books have won the Council for Wisconsin Writers’ Niedecker and Posner Prizes, as well as a Pushcart. Her most recent chapbook, Do-It-Yourself Paper Airplanes, was published in 2015 by Five Oaks Press.

Sarah teaches online at the Loft, at the University of Iowa’s Summer Writing Festival, and occasionally elsewhere. These days you can find her blogging at Dowsing for Divinity on the Patheos Pagan channel, tweeting as @sarahsadie1313 and occasionally posting articles, pictures and notes of interest at sarahsadiesadiesarah.tumblr.com. This month she is participating in Tupelo Press’s 30/30 poetry challenge.

Buy Sarah’s beautiful books!

Do-It-Yourself Paper Airplanesc

http://five-oaks-press.com/our-titles/

Somewhere Piano

http://mayapplepress.com/somewhere-piano-sarah-busse/

Given These Magics

https://finishinglinepress.com/product_info.php?cPath=2&products_id=1060&osCsid=k0mh09kddebblprtjbvqqed1j5

Visit Cowfeather Press

http://cowfeatherpress.org/

Follow Sarah on Tumblr:

http://sarahsadiesadiesarah.tumblr.com/

Read More of Sarah Online

http://www.yourdailypoem.com/listpoem.jsp?poem_id=442

http://www.webdelsol.com/Perihelion/busse.htm

http://www.dmqreview.com/nov02/bussej.html

http://www.dmqreview.com/nov02/busseo.html

http://www.ayearofbeinghere.com/2015/03/sarah-busse-evening-walk-mid-march.html

 

Happy Reading!

xo

Mary

 

 

 

Friday Call for Submissions Love! Conclave: Looking for Work Focused on Change

Conclave 

(Feb 2016 issue)

Ends on 1/15/2016

As this established literary journal changes hands, the theme for the next edition accordingly focuses on change as an inevitable force in our lives, ideally though not certainly a force for progress and growth. We’re looking for contributions relating to political and social change and well as changes in the human character. We’re looking for work that envisions the future, better tomorrows and bitter tomorrows, changes in love and life and the heart of humankind.

Conclave: A Journal of Character seeks poetry, fiction, and non-fiction of exceptional literary merit. The work we seek has a transcendent aesthetic impact on the reader. It is not merely about the mystery of being, but heightens the reader’s sense of the mystery underlying the fabric of our daily lives. We are looking for work about character or work that displays character, that holds it up to a fresh light and helps reader see what they did not see before.

We seek to be broad, inclusive, and open to perspectives spanning all spectrums of thought, ethnicity, gender identity, and sexual orientation.

We are interested in work originally written in English and work in English translation from any language. We are interested in all genres, including mixed or multiple genre works, or work that simply defies classification.

Guidelines:

1   We are an environmentally conscious journal and only accept submissions through Submittable.

2   Format and Length. Poetry: Submit 1-3 original, unpublished poems, in a single document, each poem on a separate page, no longer than 10 pages total. Short Fiction: Submit 1 story, no longer than 5000 words. Creative Nonfiction: Submit one essay, no longer than 5000 words. Photography: Submit 1-3 photographs, black and white only. Unclassifiable: No longer than 2000 words.

3   You are welcome to submit more than once, but each submission must be a separate file uploaded to Submittable.

4   Do not put your name or any other identifying information on the document that holds your submission. Do not include your name in the file name for your submission. We follow a “blind” reading system: our editors read all submissions without knowing who wrote them.

5   Use Times New Roman 12 pt. for the text of your submission. Single-space your poems; double space between stanzas. Double-space prose manuscripts.

6   Include a 60-word bio written in third person, providing specific information about your writing life and your previous publishing credits.

7   No previously published work — print or online — including work posted on personal websites or social network websites. If your work can be found searching Google, we consider it published.

8   If you have questions, please visit our website, conclavejournal.com, or email wbernhardt@conclave.com.

Conclave’s Website: conclavejournal.com

 

Monday Must Read! Amy Tudor: Book of Birds, Professor of Bees

 

amy tudorThis week meet Amy Tudor, whose first collection of poetry, A Book of Birds, won the Liam Rector First Book Prize for Poetry from Briery Creek Press and was published in 2008. Her second collection, Studies in Extinction, is forthcoming from Aldrich Press in early 2016. Her honors and awards include individual artist grants from the Kentucky Arts Council, the Kentucky Foundation for Women, and the Virginia Commission for the Arts. She holds both a Ph.D. in Interdisciplinary Humanities and a M.F.A. in creative writing and currently teaches creative writing and interdisciplinary courses in thanatology at Bellarmine University in Louisville, Kentucky. In addition, Amy is a published essayist, short fiction writer, and photographer, and she is also a working songwriter, with recent collaborations with British artists Mark Chadwick of the Levelers and Jamie Freeman of the Jamie Freeman Agreement.

Buy Amy’s Beautiful Books!

Professor Of Bees

https://finishinglinepress.com/product_info.php?products_id=227

The Secret Museum

https://finishinglinepress.com/product_info.php?products_id=1893

Book of Birds

http://www.amazon.com/Amy-Tudor/e/B00J7CGLL4

And watch for Amy’s new book, Studies in Extinction, forthcoming from Aldrich Books in 2016!

Read More of Amy’s Amazing Work Online!

http://www.newsoutherner.com/2012/12/19/studies-in-extinction/

http://www.stilljournal.net/amy-tudor-poetry.php

http://www.blackbird.vcu.edu/v12n2/poetry/tudor_a/death_page.shtml

http://www.newsoutherner.com/tag/amy-tudor/

http://www.connotationpress.com/a-poetry-congeries-with-john-hoppenthaler/2011/april-2011/812-amy-tudor-poetry

Interview at Boxcar Poetry

http://www.boxcarpoetry.com/019/interview_tudor_cunningham.html

 

 

 

 

Friday Call for Submissions Love! SLAB, Submissions closing soon!

Slab

Submissions close December 1

SLAB WANTS IT ALL, your raise-the-roof, funky creative nonfiction, fiction, poetry, and text/image pieces. We love flash, too. Reading period: late summer until December 1. All submissions read by bipedal mammals, accompanied by the occasional marsupial.

Samples and more info at slablitmag.org

MONDAY MUST READ! LYNN PEDERSEN: TIKTAALIK, ADIEU

Monday Must Read!

pedersenauthorphotoThis week meet Lynn Pedersen. Lynn’s poems, essays, and reviews have appeared in New England Review,EcotonePoet LoreSouthern Poetry ReviewPalo Alto Review, and Heron Tree. She has two chapbooks, Tiktaalik, Adieu (2014 Finishing Line Press New Women’s Voices Series) and Theories of Rain (2009 Main Street Rag’s Editor’s Choice Chapbook Series). A full-length collection, The Nomenclature of Small Things, is forthcoming from Carnegie Mellon University Press in early 2016. A graduate of the Vermont College of Fine Arts, she lives in Atlanta, Georgia.

Lynn’s website:

www.lynnpedersen.wordpress.com

Buy books!

Finishing Line Press

https://finishinglinepress.com/product_info.php?products_id=2179

Amazon

http://www.amazon.com/Tiktaalik-Adieu-NWVS-Lynn-Pedersen/dp/1622297997

Praise for Tiktaalik, Adieu

Science looms large and lives well in Tiktaalik, Adieu. Pedersen’s lovely poems speak for, and to, our ever evolving, rapidly changing natural world, wherein the human animal seeks peace, or simply survival, from “resting place to resting place.” ~ Nance Van Winckel, author of Pacific Walkers

Lynn Pedersen gathers the world into her poems: its classical elements, its intricate patterns, its infinite mysteries. She makes gorgeous lyrics of stars and bone. ~Tania Rochelle, author ofKaraoke Funeral and The World’s Last Bone

Interviews/Reviews of Tiktaalik, Adieu:

https://chapbookinterviews.wordpress.com/2015/03/08/lynn-pedersen/

http://dailydoseoflit.com/2015/08/17/three-questions-lynn-pedersen/

Find more Lynn’s works online:

Heron Tree

A Catalog of What We’re Not Meant to See” Heron Tree (2014)

http://herontree.com/wp-content/uploads/2014/02/pedersen2pdf.pdf

Wilson’s Warbler” Heron Tree (2013)

http://herontree.com/wp-content/uploads/2013/11/pedersen1pdf.pdf

Cider Press Review

Begin” Cider Press Review (2014)

http://ciderpressreview.com/cpr-volume-16-1/begin/#.Vjdvy6SirmG

Eve Paints the Apple Tree” Cider Press Review (2013)

http://ciderpressreview.com/cpr-volume-15-4/eve-paints-the-apple-tree/#.

Got book? Let’s work together to make your beautiful work even better!

Got book? Let’s work together to make your beautiful work even better!
editor
 
I offer full manuscript consultations in all genres, drawing on my two decades as a writing teacher, more than ten years editing, and lessons learned in pursuit of publication of my own five, soon to be six, books.
 
My consultations are offered two ways, by correspondence, or in a three-day intensive one-on-one weekend totally focused on your manuscript at the beautiful and inspiring writers retreat The Porches in Norwood VA.
 
PM or email at carrollhackettma@gmail.com if interested 🙂
Check out the website for more details!
 

Friday Call for Submissions Love! Bluestem, until December 1

Bluestem
 
“Bluestem magazine is waiving submission fees for the month of November and seeking fiction, poetry, nonfiction, and art. Based out of Eastern Illinois University, Bluestem produces two quarterly online issues (September and December) and an annual spring print issue. Please submit no more than five poems at one time, or one short story, or one creative non fiction essay, or five black & white drawings. Fiction / prose / essays should be no longer than 5,000 words. All work is considered for both print and online publication.”
 
We only accept submissions via our online submission manager ,which can be accessed at bluestem.submittable.com. 
 
Submissions close for the year on December 1.

Sometimes the Prompt Takes You Home

11/19/2015
Daily Prompt
 
“Man, you’re already home and you don’t even know it.
You have a room you can return to, and you’ll never outgrow it.
See, you’re already home when you don’t know where to find it.”
~The Antlers
 
Make art about refuge.
 
#writingprompt #art #poetry #fiction #nonfiction #music #wordsmatter
 

Special Tuesday Call for Submissions :-) HeartWood

HeartWood, an online literary magazine in association with West Virginia Wesleyan’s Low-Residency MFA program, publishes twice yearly, in April and October. Our inaugural issue will go live April 2016.

HeartWood

We accept submissions year round through Submittable, and welcome previously unpublished poetry, fiction, and creative nonfiction, from both established and emerging writers. We do love Appalachian voices, but we enthusiastically encourage writers from all backgrounds to submit.

General Submissions

What We Want:

We are interested in writing that pushes into, dares to reveal, its own truth, that takes emotional risks, that gets to the heart of the matter.

Simultaneous submissions are fine, provided you notify us if the work is accepted elsewhere.

We also welcome queries from Appalachian artists (writers, visual artists, musicians, performers, folk artists, etc) interested in being included in our Appalachian Arts section.

Submission Details

Prose submissions, fiction or nonfiction, should be 3000 words or less.

Fiction: Fiction submissions may include short stories, flash fiction, or novel excerpts if the excerpt can stand alone. You may submit more than one piece of flash fiction, as long as the total word count does not exceed 3000 words.

Creative Nonfiction: We’re open to a wide range of nonfiction, with the exception of academic articles, or that which would be considered more traditionally journalistic. Personal essay, memoir, lyric, literary journalism, or some blurring in between, are all acceptable.

Poetry: Poets should submit no more than 3-5 single-spaced poems at a time. Include all poems in a single document for upload. Lyric, narrative, experimental, prose poems–we’re open to all variations of the poetic voice.

Surprise us. Make us think. Make us feel. Make our hearts race.

Appalachian Arts Interviews

We also welcome queries from Appalachian artists (writers, visual artists, musicians, performers, folk artists, etc) interested in being included in our Appalachian Arts section. We define Appalachian artists as an artist who is heavily influenced by the Appalachian region and its traditions, history, and people. At HeartWood, we are looking for artists who take these traditions and speak to them in a new and unexpected way.

To query about possible inclusion in the Appalachian Arts section: Submit the following in one document (doc, docx) through the Appalachian Arts link on our Submittable page:

  • Artist bio
  • Artist statement addressing what being an “Appalachian artist” means to you, how you uniquely define yourself as an Appalachian artist, and how your connection to Appalachia as you see/define it connects (or doesn’t) to your work.
  • At least one link to where artwork or samples can be seen/heard (artist website, other publications, YouTube, etc).

If we’re interested, based on the query, editors will email requesting additional information and work sample.

What We’ll Do

Submissions will be responded to within three months. If you haven’t heard from us after three months, feel free to inquire by sending us a note through Submittable.  If your work is accepted, HeartWood acquires first North American rights. All rights revert to the author upon publication, but we do ask for first publication attribution in any future publications. We also reserve the right to include accepted pieces in any future anthologies or promotions. If we have passed on a submission, please wait 6 months before submitting again. Regrettably, time being as it is, we are unable offer feedback on submissions. 

As much as we would love to be able to pay our contributors, unfortunately we are not able to do so. This is a labor of love for all of us, and we will do our best to honor and promote your work. 

(Please note: We regret that current or past employees, current or past students, and alumni of WVWC are not eligible for publication in HeartWood, but we wish you much luck with your work elsewhere.)

HeartWood website: http://www.heartwoodlitmag.com/

Sometimes the Prompt Comes in Intervals

11/17/2015
Daily Prompt
 
Kept hittin the snooze button 🙂 
Make art about the need to keep dreaming.
snooze_button

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