Daily Prompt Love <3 Justice
4 March 2019
Make art about justice, or the lack thereof.

Elaine Fletcher Chapman lives on the West side of the Chesapeake Bay. She holds an MFA from The Bennington Writing Seminars, Bennington College where she has worked on the staff since 1999. She founded The Writer’s Studio where she teaches poetry and nonfiction, provides editing services and organizes poetry readings and writing retreats. Her poems have been published in The Tishman Review, The EcoTheo Review, The Cortland Review, Connotation, The Sun, Calyx, Poet Lore, 5AM, Salamander, and others. She was guest blogger on The Best American Poetry Blog. Green River Press published her letterpress chapbook, Double Solitude. She writes non-fiction as well as poetry.

For further inquiry: visit Elaine’s website here.
Visit St. Julian Press
Praise for Hunger For Salt
“The poems of Elaine Fletcher Chapman are meditations waiting for our eyes to open. A few of these poems remind me of the beautiful seashells one finds on the beach after a storm. Chapman writes from the heart reminding us to discover the strength to love. There is loss as well as celebration in Hunger for Salt. Here are poems Thomas Merton would tuck somewhere inside his robes. Here is the Chapman rosary for our days to come.”~ E. Ethelbert Miller Editor, Poet Lore Magazine
“In Elaine Fletcher Chapman’s Hunger for Salt, the hunger is palpable: for the natural world, the spiritual world, and the realm of the carnal. These powerful, well-crafted poems invite the reader into the place where these worlds meet. There is an intimacy here missing from much contemporary poetry, and intimacy is what drew me in until my hunger, like salt, dissolved.”~ Wyn Cooper
“Hunger for Salt is a tender evocation of the natural world. Chapman displays a poet’s sensibility, a quiet attentiveness to personal wonder, intimacy and grief. The stillness of these poems exposes the refractive quality of memory and desire; it is a poignant and elegant debut.”~ J. Mae Barizo
27 February 2019
Make art about what’s broken and beautiful, about beautiful versions of brokenness.

New Poets of Native Nations by Heid E. Erdrich
from Graywolf Press

from Erdrich’s introduction:
“Native nations are our homelands, our political bodies, our heritages, and the places that make us who we are as Natives in the United States of America. More than 566 Native nations exist in the U.S. and yet “Native American poetry” does not really exist. Our poetry might be hundreds of distinct tribal and cultural poetries as well as American poetry. The extraordinary poets gathered in New Poets of Native Nations have distinct and close ties to specific indigenous nations—including Alaskan Native and island nations. Most are members or citizens of a tribe: Dakota, Diné, Onondaga, Choctaw, and Anishinaabe/Ojibwe (my tribe), and more than a dozen others. These nations determine their own membership and their own acceptance of descendants. My criterion that a poet have a clear connection to a Native nation has nothing to do with blood quantum, the federal basis for recognition of American Indians. Race also has nothing to do with it. Geography is not a factor. These poets live on reservations, in nations, and in cities or towns. Some of their reservations and homelands are urban; most are rural. Many of these poets have relatives across the borders of Mexico and Canada. Most are multiracial. They are also a diverse group in terms of age, gender, education, and poetic styles, but they have one thing in common. Not one of them identifies as “Native American” alone.”
Read more at LitHub.
Purchase this beautiful book here.
Recent Comments