"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Archive for the ‘Editing’ Category

Openings in March & April for Distance Manuscript Consultations

Distance One-on-One Manuscript Consultation Proposal

A Month By Mail, Focused Completely On Your Work!

Week 1: I receive and focus on a close reading of your manuscript.

Week 2: I will closely read a second time, this time making line by line editorial comments, returning the line-edited manuscript to you, and a detailed 6-8 page letter with initial response and suggestions by mail at the end of the first week. Upon your receipt of the manuscript, we’ll have an initial phone call (these usually last around 2 hours) to discuss those suggested edits, focusing that first week primarily on characterization, consistency, voice, the perceived goals of the narrative.

Week 3: I’ll compose a second detailed letter, this time focusing on structure and control of the narrative throughline, as well as any other elements I see presenting in the submitted work. This I’ll email to you by midweek, and again, we can schedule a phone meeting at week’s end to address this second editorial run through.

Week 4: I’ll ask that you send to me a list of your questions or comments early in the week, which I’ll address in writing, as well as sending you another detailed critique letter, focused on language and new ways of understanding and crafting voice and storytelling. We’ll finish with a third phone meeting to tie up any loose ends, address any remaining questions you might have on the critique provided.

So that’s Full Line Edits, Three Critique Letters, and Three Phone Meetings.

Contact me at carrollhackettma@gmail.com for a quote and scheduling.

editing

Monday Must Read! New Poets of Native Nations

New Poets of Native Nations by Heid E. Erdrich 

from Graywolf Press 

MMR Native Nations

from Erdrich’s introduction: 

“Native nations are our homelands, our political bodies, our heritages, and the places that make us who we are as Natives in the United States of America. More than 566 Native nations exist in the U.S. and yet “Native American poetry” does not really exist. Our poetry might be hundreds of distinct tribal and cultural poetries as well as American poetry. The extraordinary poets gathered in New Poets of Native Nations have distinct and close ties to specific indigenous nations—including Alaskan Native and island nations. Most are members or citizens of a tribe: Dakota, Diné, Onondaga, Choctaw, and Anishinaabe/Ojibwe (my tribe), and more than a dozen others. These nations determine their own membership and their own acceptance of descendants. My criterion that a poet have a clear connection to a Native nation has nothing to do with blood quantum, the federal basis for recognition of American Indians. Race also has nothing to do with it. Geography is not a factor. These poets live on reservations, in nations, and in cities or towns. Some of their reservations and homelands are urban; most are rural. Many of these poets have relatives across the borders of Mexico and Canada. Most are multiracial. They are also a diverse group in terms of age, gender, education, and poetic styles, but they have one thing in common. Not one of them identifies as “Native American” alone.”

Read more at LitHub

Purchase this beautiful book here. 

 

Friday Call for Submissions Love <3 Barren Magazine

Barren Magazine accepts flash fiction, short fiction, poetry, and essays about the complexities of the human condition. They also accept photography — all images in Barren Magazine are original. Please read the current issue to get an idea of what catches their eye. Barren Magazine accepts simultaneous submissions, but ask that you please let them know immediately if your work is accepted somewhere else. Barren Magazine prefers previously unpublished material, but may accept previously published material as long as authors own its copyright and provide appropriate attribution.

For submission details, visit Barren here

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Friday Call for Submission Love <3 little somethings

little somethings press seeks all things flash and micro

Deadline: March 15, 2019

“What gnaws at your bones? little somethings press: a collection of small writings is seeking all things flash and micro—memoir, fiction, and poetry—that delve into the grittiness and beauty (why not make room for some optimism) of modern life. Confessions, rants, lessons learned, rebirths, regrets, and anything else are welcome as long as they fit on one page. Prose is limited to 250 words. Poets can submit up to 4 micro poems of 50 words each, or one poem no longer than 15 lines.”

Please send all submissions to littlesomethingspress@gmail.com as Word documents by March 15th. Visit their site at littlesomethingspress.com

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Summer’s a Great Time to Get That Book in Shape!

Distance One-on-One Manuscript Consultation Proposal

A Month By Mail, Focused Completely On Your Work!

Week 1: I receive and focus on a close reading of your manuscript.

Week 2: I will closely read a second time, this time making line by line editorial comments, returning the line-edited manuscript to you, and a detailed 6-8 page letter with initial response and suggestions by mail at the end of the first week. Upon your receipt of the manuscript, we’ll have an initial phone call (these usually last around 2 hours) to discuss those suggested edits, focusing that first week primarily on characterization, consistency, voice, the perceived goals of the narrative.

Week 3: I’ll compose a second detailed letter, this time focusing on structure and control of the narrative throughline, as well as any other elements I see presenting in the submitted work. This I’ll email to you by midweek, and again, we can schedule a phone meeting at week’s end to address this second editorial run through.

Week 4: I’ll ask that you send to me a list of your questions or comments early in the week, which I’ll address in writing, as well as sending you another detailed critique letter, focused on language and new ways of understanding and crafting voice and storytelling. We’ll finish with a third phone meeting to tie up any loose ends, address any remaining questions you might have on the critique provided.

So that’s Full Line Edits, Three Critique Letters, and Three Phone Meetings.

Contact me at carrollhackettma@gmail.com for a quote and scheduling.

Let’s Make Your Beautiful Work Even Better! 

Check out all of the editing services I offer here!

editing

One on One Manuscript Consultations This Summer!

I have openings for manuscript consultations in June. 
Poetry, Fiction, Nonfiction
 
Distance One-on-One Manuscript Consultation!
 
A Month By Mail, Focused Completely On Your Work!
 
More details HERE!
 
Let’s make your beautiful work even better!
 
editing

Call for Submissions Love <3 K'in! Still Reading For Our Inaugural Issue. Especially Seeking Fiction

Submission Details

Prose: 5000 words or less, open to content, form, structure.

Fiction: We welcome short stories of all shapes and sizes, from the mind-blowing traditional story to fiction that blurs the lines between forms, genre fiction, experimental fiction, etc. We also welcome flash and micro fiction.

Nonfiction: We’re looking for slow burns in a world of hot takes, questions asked instead of answers proved. We welcome a wide variety of nonfiction—traditional essay, narrative nonfiction, micro/flash memoir—and encourage experimentation, though not at the expense of factual truth. Too many true stories go untold, and we want to offer space to honor those voices.

Poetry: 3-5 poems, open to content, form, structure. Please don’t forget the power voice, sound, and time can have in poetry.

For all submissions, simultaneous submissions are permitted, but please let us know. To withdraw one part of a submission, please add a note in Submittable so that the information is instantly available to all editors. We will not process emailed withdrawal requests.
Experimental, traditional, playful, prayerful, celebratory, challenging: human—try us. Show us a new way to tell one of the millions of stories under that glorious sun.  

SUBMIT HERE

Sunrise for K'in--Large               

Call for Submissions Love <3 The Disappointed Housewife

The Disappointed Housewife 

a new literary journal for writers, and readers, seeking something different.

Their Call:

“We like the idiosyncratic, the iconoclastic, the offbeat, the hard-to-categorize. Out of the universe of fiction, poetry, and creative nonfiction, we want to attract work that plays with form and presentation. Work that’s not just outside the box but turns the box inside out.

We believe that imagination and the creative drive can guide literature toward a new stage in its evolution — a growth spurt. Multi-media, mash-ups, music, photography-as-writing: anything is possible.

As we like to say around here: Don’t disappoint the disappointed housewife.

Read our submission guidelines and send us your work if you think it will fit here. We’re listening.”

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Friday Call for Submissions Love! K’in Still Reading for Inaugural Issue

K’in wants to read your beautiful work! 

Submission Details

Prose: 5000 words or less, open to content, form, structure.

Fiction: We welcome short stories of all shapes and sizes, from the mind-blowing traditional story to fiction that blurs the lines between forms, genre fiction, experimental fiction, etc. We also welcome flash and micro fiction.

Nonfiction: We’re looking for slow burns in a world of hot takes, questions asked instead of answers proved. We welcome a wide variety of nonfiction—traditional essay, narrative nonfiction, micro/flash memoir—and encourage experimentation, though not at the expense of factual truth. Too many true stories go untold, and we want to offer space to honor those voices.

Poetry: 3-5 poems, open to content, form, structure. Please don’t forget the power voice, sound, and time can have in poetry.

For all submissions, simultaneous submissions are permitted, but please let us know. To withdraw one part of a submission, please add a note in Submittable so that the information is instantly available to all editors. We will not process emailed withdrawal requests.
Experimental, traditional, playful, prayerful, celebratory, challenging: human—try us. Show us a new way to tell one of the millions of stories under that glorious sun.  

Visit K’in Here

Complete Guidelines Here

Sunrise for K'in--Large

Friday Call for Submissions Love

Nebo: A Literary Journal

“Calling all poets, fiction writers, creative nonfiction writers, graphic novelists, and visual artists!

Please consider submittingyour work to Nebo: A Literary Journal, Arkansas Tech University’s literary journal. Nebo has been publishing quality work for 45 years and has published writers from all over the world.

Nebo accepts submissions year round. We’re interested in all kinds of creative work—fiction, poetry, creative nonfiction, drama, comics, art, etc. 

Send your submissions as an attachment to neboATatuDOTedu.

Please include a brief, 3rd person author bio of no more than 100 words. 

Simultaneous submissions and multiple submissions are fine. Please let us know if your work gets accepted for publication elsewhere.

We are also happy to consider reprints from print journals. Please let us know where the piece was published previously.

Submissions should include no more than 5,000 words of prose, five poems, or 20 pages of comics.” 

Submit Here

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