"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Archive for the ‘Artists’ Category

Friday Call for Submissions Love! New Journal: Mockingheart Review

 

MockingHeart Review

Deadline: December 1, 2015

Call for Inaugural Issue: Submissions for the inaugural issue of MockingHeart Review open November 1, 2015 and close December 1, 2015. We favor poems that express the complexities of the human heart in clear, precise, and lyrical language. Poems should call out to us, not let us sleep or turn away. Bring us poems that gleam and palpitate with intimacy. We seek visionary works that are visceral and that will leave us emotionally undone. We encourage poems that speak to the personal and political inasmuch as the political relates to the person/a. We accept poetry only. Prose poems are welcome.

Guidelines:

We accept poetry only. Prose poems are welcome.
Works that require extensive special formatting are discouraged.  Our apologies in advance.

Here is a .pdf of Frequently Asked Questions for submitting poetry that generally apply:  How to Submit Poetry

We seek works of the highest literary quality. We expect your best work in its final form.

We favor poems that express the complexities of the human heart in clear, precise, and lyrical language. We want poems that call out to us, that won’t let us sleep or turn away. Bring us poems that gleam and palpitate with intimacy. We hope for visionary works that are visceral and that will leave us emotionally undone. We encourage poems that speak to the personal and political inasmuch as the political relates to the person/a.

We believe metaphors. Entrance us with imagery that transforms. We are especially intrigued by imaginative language which melds the real to the surreal, and are pleased when this is done well through artful craft. We question reality. So should your poems.

We do not like poems that utilize clichés or are not finely wrought. We shy away from experimental verse, unless it appeals to our aesthetic and succeeds in moving us. We want works that convey meaning and possess emotional impact, or convince us there is no meaning to be understood.

We favor poems of shorter length, generally of a line length of 30. There is room for flexibility regarding this.

If you are unsure if your work falls within these guidelines, send it to us anyway. We will respond during the selection process and may be able to help to further clarify through conversation.

Your publishing history does not matter, but the quality of the work does.

Our issues will showcase only the best selected works. We will publish issues (3) three times a year.

Unpublished poems only. Simultaneous submissions okay, if the Editor is notified immediately of publication elsewhere. Expect to hear from us in less than (4) four weeks’ time.

Submissions outside of reading periods, unless solicited, will be ignored. If your work has been accepted for an issue, please wait six months before submitting again, within an open submission period. Also, please wait to hear from us regarding a submission before sending more work.

MockingHeart Review cannot pay our contributors at this time.  Rights revert to author upon publication, although MockingHeart Review reserves the right to anthologize, in printed or electronic format, material originally published here. If work that has appeared in this journal subsequently appears elsewhere, the editor requests MockingHeart Review be acknowledged as the place of first publication.

Submissions for the Inaugural Issue will open November 1, 2015 and close at midnight December 1, 2015.

Website: mockingheartreview.com.

Email: mockingheartreview@gmail.com

Sometimes the Prompt is Haunting

Daily Prompt
 
“I have gone out, a possessed witch, haunting the black air, braver at night”~Anne Sexton
 
Make art about witches
 
#writingprompt #art #poetry #fiction #nonfiction #icastaspellonyoubaby
sexton

Anne Sexton

Sometimes the Prompt Seems So Far Away

Daily Prompt
 
“Time is the longest distance between two places.”~Tennessee Williams
 
Make art about distance, about distance covered.
 
distance

Sometimes the Prompt Can’t Be Seen

Thanks and Love to my lil brother Scott Sumner for inspiring today’s

Daily Prompt ❤

“Every day we bear up under

the liminal weight of air,

a million pounds and more,

in tiny increments

because we’ve grown used to it…”~Dan Gerber

 

Make art about the weight of invisible things.

invisible hands
PS: Scott’s an amazing musician! Check him out and buy his EP at

Daily Prompt: Trauma & Becoming

Daily Prompt
 
I am not who I was 5 years ago.
 
Make art about the Becoming after trauma.trauma
 
#writingprompt #art #poetry #fiction #nonfiction #wordsmatter #trauma #ptsd

Daily Prompt Catch-Up! Fingerpaint and Sons and Resistance :-)

Daily Prompt Catch-Up 🙂 My sons were home!

10/24/2015

Teaching a workshop on Creative Meditation Techniques today, which will include painting with our fingers! 🙂 Make art about fingerpaint–or–go on–you know you wanta!–break out the paints yourself and get a lil fingerpainting on!

10/25/2015

Both my sons home today. They make me laugh like no one else. Make art about sons.

10/26/2015

You can try to pin me down with a hundred thousand arms, but I will find a way to resist. And there are many of us out there, more than you think.”~Laura Oliver Make art about resistance.

Monday Must Read! Alexis Fancher: How I Lost My Virginity to Michael Cohen and Other Heart Stab Poems

 

Monday Must Read! 

Photo Credit: BAZ HERE

Photo Credit: BAZ HERE

This week meet Alexis Rhone Fancher, author of How I Lost My Virginity To Michael Cohen and Other Heart Stab Poems, from Sybaritic Press, 2014. Find her work in Rattle, The MacGuffin, Slipstream, The Chiron Review, and elsewhere. Her poems have been published in over twenty American and international anthologies. Her photos have been published worldwide. Since 2013 Alexis has been nominated for three Pushcart Prizes and a Best of The Net award. She is photography editor of Fine Linen, and poetry editor of Cultural Weekly, where she also publishes The Poet’s Eye, a monthly photo essay about her ongoing love affair with Los Angeles.

Alexis’ website: www.alexisrhonefancher.com

Buy Alexis’ fabulous book!

 http://www.amazon.com/How-Lost-Virginity-Michael-Cohen/dp/1495123197/ref=sr_1_1?s=books&ie=UTF8&qid=1438633881&sr=1-1&keywords=alexis+rhone+fancher

Read more from Alexis online:

Rattle

“over it”

Cultural Weekly

“Black & White Noir”

“Molten”

“On The Street”

“L.A.’s Long Legged Lovelies”

Subterranean Lovesick Clues”

Polaroid SX-70 Land Camera”

“L.A.’s Long Legged Lovelies”

“Black and White Noir”

QUAINT MAGAZINE

Daddy’s Friend Stan

PATRIA LETTERATURA

This Is Not A Poem

Walk All Over You

White Flag

Reviews of Alexis’ book:

ENTROPY

Review of How I Lost My Virginity To Michael Cohen and Other Heart Stab Poems

Black and White Gets Read

Review of How I Lost My Virginity To Michael Cohen and Other Heart Stab Poems

Interviews:

Alexis Rhone Fancher: Poetic Rhythms: LA poet / photographer Alexis Rhone Fancher talks about the progressive line between music and poetry

http://blues.gr/profiles/blogs/la-poet-photographer-alexis-rhone-fancher-talks-about-the

WICN

Radio Interview on Inquiry: WICN’s Mark Lynch interviews Alexis.

WORDS AT NINE

Interview with Anna Grace: “Alexis Next Door”

PUNK GLOBE

Author Interview

Find more of Alexisa online here: http://alexisrhonefancher.com/links.html

 

Happy Reading!

xo

Mary

 

Got Book? Let’s Make It Even Better!

I do lots of my group workshops, BUT

I also offer

One-on-One Manuscript Consultation and Editing in Poetry, Fiction, and Nonfiction

Let’s get together and let me provide you with a weekend consult at the beautiful Porches Writers Retreat in scenic Norwood, Virginia, giving your manuscript three days of undivided attention!

porches light

Got book? Let’s your beautiful work even better!

Check out the page for details! 

https://marycarrollhackett.com/weekend-retreat-one-on-one-manuscript-consultation-and-editing/

Friday Call for Submissions Love! Twisted Vine

 

 Friday Call for Submissions Love!

Twisted Vine

Open for Fall Submissions

Deadline: November 15, 2015

Produced by graduate students in the Interdisciplinary Studies Department at Western New Mexico University, Twisted Vine Literary Arts Journal is a multidisciplinary focused arts journal currently seeking literary fiction, poetry, creative nonfiction, interviews, drama, cross-genre, and visual art for fall 2015. While we love prose with a strong narrative voice and poetry that highlights concrete images, we also appreciate non-linear and experimental work. Issues are published biannually online at the end of each semester. Please visit www.twistedvine.org for more information. We look forward to reading your work.

Guidelines

Twisted Vine Literary Arts Journal is committed to showcasing undiscovered talent in the literary and visual arts. Twisted Vine seeks to publish an eclectic mix of ideas and values. We are open to all genres, though we have a special affinity for hybrid works that transcend traditional genres. The editors of Twisted Vine strongly encourage submissions that are interdisciplinary in nature (poetry about math is one example), progressive, and unexpected.

All written material submitted should be in Arial or Times New Roman 12 point font, double spaced, and adhere to basic guidelines of grammar and spelling (with obvious exceptions for creative license).

Twisted Vine reads blind, so we ask that you do not include any identifying information within your submission.  

Once a submission is selected for publication, the contributor’s name will be revealed to the staff, and additional information may be requested. We make every attempt to respond to all submissions within 2 months. Editors may provide specific feedback on works submitted but there is no guarantee.

Please limit submissions to one document, video, or collection of images per genre category at one time. If you are submitting poetry, please include no more than six (6) poems in a single document. If your submission includes more than one file, please use one ZIP file before submitting. Once you have received a response from us, you are welcome to submit again. We are looking for quality over quantity.

Twisted Vine is not interested in gratuitous sex or violence. Please keep all submissions “PG-13.”

We only accept originalunpublished material. We consider any work that is available for public viewing on social media, personal websites/blogs, or any other open source to be previously published.

If your submission is accepted elsewhere please notify us immediately by adding a note to your submission in Submittable.

Fiction Guidelines

Please limit short fiction to 4,500-5,000 words. Fiction genre includes but is not limited to romance, fantasy, science fiction, mystery, etc. We are looking to compile a diverse and eclectic body of work that represents the interdisciplinary theme of our journal. Stories should have strong narration, character development, plot, and so forth.

Creative Non-Fiction Guidelines

Creative non-fiction submissions are limited to 4,500 words. We are looking for eclectic submissions in this genre that compliment our cross-disciplinary focus. We are open to a broad range of material, however your submission must remain literary in essence.

Poetry Guidelines

Twisted Vine accepts both traditional and experimental poetry. We do not adhere to any specific guidelines for style or content and only ask that your poems reflect artistic excellence. We highly encourage poems that represent interdisciplinary themes.

Please submit no more than six (6) poems per document. Along with the written version of the poem, contributors are welcome to submit audio or video readings of their poetry for consideration on our website as well.

Art Guidelines

We accept original graphic art, photography, paintings/drawings, cartoons and all others forms of visual art in .jpg or .jpeg format. We are not genre specific, but will give preference to pieces that capture the spirit of our interdisciplinary theme.

You may submit up to six (6) images that represent a cohesive collection. If submitting more than one image, please title each image file with the same name and corresponding numbers (example: Carnival1, Carnival2, Carnival3, etc) and submit as a ZIP file. Editors reserve the right to publish any part or all of a collection submitted.

Interview Guidelines



Twisted Vine accepts audio, video, and transcribed interviews. Please limit all audio and video submissions to 10 minutes or less in length and all transcribed interviews to 4,500 words or less. Stylistically, we want interviews that discuss cross-disciplinary studies, literature, and, the arts at large. The edgier the better, but keep it above the belt.

Video Guidelines



We are looking for short, experimental videos with an interdisciplinary approach to artistic and literary subject matter. We are open to a wide range of possibilities in this category and will know what we like when we see it. We prefer videos under 5 minutes and definitely no longer than 10 minutes in length. Please polish your work as needed (before submitting) so that you are exhibiting the best of what you have to offer. Please, no unsolicited series, newsreels, or readings of unoriginal work.

For more on what we’re looking for, please check out our editor’s interview with Jim Harrington on Six Questions For…

Twisted Vine is currently a non-paying market.

Twisted Vine website: http://www.twistedvine.org/

Editor/General Questions:  twistedvine.ce1@gmail.com

Sometimes the Prompt Fills You Up

10/22/2015

“I want to remember us this way—late September sun streaming through
the window, bread loaves and golden bunches of grapes on the table, spoonfuls of hot soup rising to our lips, filling us with what endures.”~Peter Pereira

Make art about sustenance.

lentil soup

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