"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Archive for the ‘2016 Prompts’ Category

Daily Prompt Love <3 One Body, Many Parts

12 There is one body, but it has many parts. But all its many parts make up one body…13 We were all baptized by one Holy Spirit. And so we are formed into one body. It didn’t matter whether we were Jews or Gentiles, slaves or free people. We were all given the same Spirit to drink. 14 So the body is not made up of just one part. It has many parts.

15 Suppose the foot says, “I am not a hand. So I don’t belong to the body.” By saying this, it cannot stop being part of the body. 16 And suppose the ear says, “I am not an eye. So I don’t belong to the body.” By saying this, it cannot stop being part of the body. 17 If the whole body were an eye, how could it hear? If the whole body were an ear, how could it smell? 18 God has placed each part in the body just as he wanted it to be. 19 If all the parts were the same, how could there be a body?20 As it is, there are many parts. But there is only one body.

21 The eye can’t say to the hand, “I don’t need you!” The head can’t say to the feet, “I don’t need you!” 22 In fact, it is just the opposite. The parts of the body that seem to be weaker are the ones we can’t do without. 23 The parts that we think are less important we treat with special honor.–1 Corinthians 12:12-23 New International Reader’s Version (NIRV)

Make art about Connectedness, the inescapability of how we are all connected.

one-body-many-parts

 

 

Daily Prompt Love <3 Janus at the Gate

11/19/2016

Dreamt a conversation with a friend last night about the ancient Roman god Janus. In ancient Roman religion and myth, Janus is the god of beginnings, gates, transitions, time, doorways, passages, and endings. He is usually depicted as having two faces, since he looks to the future and to the past. 

Janus presided over the beginning and ending of conflict, and hence war and peace. The doors of his temple were open in time of war, and closed to mark the peace. As a god of transitions, he had functions pertaining to birth and to journeys and exchange, and is associated with progression of past to future, of one condition to another, of one vision to another, and of one universe to another.

Make art about Janus, or about gateways, doorways, transitions from past to future, from one world to another. 

janus-two-face

Daily Prompt Love <3 No Irish Need Apply

11/18/2016

Thinking on how it wasn’t all that long ago that it was my Irish ancestors that many people wanted out of the country, saw as less than human, thought they were taking their jobs, hated for their faith and their culture. 

Make art about fear and exclusion. 

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Some MidWeek Call for Submissions: Unleash It, Y’all <3

Submit Your Personal Essays to The Artist Unleashed

Deadline: Rolling

 

Website: http://www.theartistunleashed.com/

Earn $0.015 per word to be published on our blog, The Artist Unleashed. We want articles based on your personal experience as a writer or artist to help fellow creatives. Articles for this website must be about an aspect of writing and/or art and must also inspire and/or motivate, encourage discussion, offer advice or argue an opinion, and be rich with informative/engaging content. We will tweet and Facebook your post to get it as much exposure as possible. Unique views on a single post have reached 1500+ within 24 hours. Please visit our website for guidelines: theartistunleashed.com/write-for-us.

Daily Prompt Love <3 What We Need to Hear

11/17/2016

I called my beloved brother, my late husband’s brother, for advice early yesterday, and in the way he has that I love and respect and admire and need so much, he started by saying, “You may not like the advice I have to give. You might get mad at me.”

I laughed, and said, “I’m not gonna get mad. That’s why I called you.” 

Later last night I texted him Thank you. He called and asked, “So did my cantankerous advice work out?”

I laughed again, and said, “Sure did. Thank you so much.”

He said, “Don’t thank me. It’s you. All you. Just sometimes, even when we know what’s right, what we need to do, we just need someone else to say it, to say what’s hard to hear.” 

Yep. 

Make art about hearing hard truths. 

uncomfrotable-truths

Daily Prompt Love <3

11/16/2016

Make art about focus, about losing focus, about regaining focus, about staying focused. 

stay-focused

 

Daily Prompt Love <3 Convergence

11/15/2016

“There is no other space, no other time. This moment is all. In this moment the whole existence converges. In this moment all is available.”-Osho

Make art about convergence. 

convergence-t2

Daily Prompt Love <3 Dissent

11/14/2016

dissent (v.)

early 15c., from Latin dissentire “differ in sentiments, disagree, be at odds, contradict, quarrel,” from dis- “differently” (see dis-) + sentire “to feel, think” (see sense (n.)).

Related: Dissenteddissenting. The noun is 1580s, from the verb.

Has there ever been a society which has died of dissent? Several have died of conformity in our lifetime. [Jacob Bronowski “Science and Human Values,” 1956] 

Make art about dissent. 

dissent

Daily Prompt Love <3 Our Work

11/13/2016

Make art about our work, about what you think our work is, about what work means now. 

work

Gettin to the Heart of It All <3 Call for Submissions <3 HeartWood Literary Magazine

HeartWood, an online literary magazine in association with West Virginia Wesleyan’s Low-Residency MFA program, publishes twice yearly, in April and October. Our inaugural issue will go live April 2017.


We accept submissions year round through Submittable, and welcome previously unpublished poetry, fiction, and creative nonfiction, from both established and emerging writers. We do love Appalachian voices, but we enthusiastically encourage writers from all backgrounds to submit. 

General Submissions

What We Want:

We are interested in writing that pushes into, dares to reveal, its own truth, that takes emotional risks, that gets to the heart of the matter.

Simultaneous submissions are fine, provided you notify us if the work is accepted elsewhere.

We also welcome queries from Appalachian artists (writers, visual artists, musicians, performers, folk artists, etc) interested in being included in our Appalachian Arts section.

Submission Details

Prose submissions, fiction or nonfiction, should be 3000 words or less.

Fiction: Fiction submissions may include short stories, flash fiction, or novel excerpts if the excerpt can stand alone. You may submit more than one piece of flash fiction, as long as the total word count does not exceed 3000 words.

Creative Nonfiction: We’re open to a wide range of nonfiction, with the exception of academic articles, or that which would be considered more traditionally journalistic. Personal essay, memoir, lyric, literary journalism, or some blurring in between, are all acceptable.

Poetry: Poets should submit no more than 3-5 single-spaced poems at a time. Include all poems in a single document for upload. Lyric, narrative, experimental, prose poems–we’re open to all variations of the poetic voice.

Surprise us. Make us think. Make us feel. Make our hearts race.

Appalachian Arts Interviews

We also welcome queries from Appalachian artists (writers, visual artists, musicians, performers, folk artists, etc) interested in being included in our Appalachian Arts section. We define Appalachian artists as an artist who is heavily influenced by the Appalachian region and its traditions, history, and people. At HeartWood, we are looking for artists who take these traditions and speak to them in a new and unexpected way.

To query about possible inclusion in the Appalachian Arts section: Submit the following in one document (doc, docx) through the Appalachian Arts link on our Submittable page:

  • Artist bio
  • Artist statement addressing what being an “Appalachian artist” means to you, how you uniquely define yourself as an Appalachian artist, and how your connection to Appalachia as you see/define it connects (or doesn’t) to your work.
  • At least one link to where artwork or samples can be seen/heard (artist website, other publications, YouTube, etc).

If we’re interested, based on the query, editors will email requesting additional information and work sample.

What We’ll Do

Submissions will be responded to within three months. If you haven’t heard from us after three months, feel free to inquire by sending us a note through Submittable.  If your work is accepted, HeartWood acquires first North American rights. All rights revert to the author upon publication, but we do ask for first publication attribution in any future publications. We also reserve the right to include accepted pieces in any future anthologies or promotions. If we have passed on a submission, please wait 6 months before submitting again. Regrettably, time being as it is, we are unable offer feedback on submissions. 

As much as we would love to be able to pay our contributors, unfortunately we are not able to do so. This is a labor of love for all of us, and we will do our best to honor and promote your work. 

(Please note: We regret that current or past employees, current or past students, and alumni of WVWC are not eligible for publication in HeartWood, but we wish you much luck with your work elsewhere.)

 

Website: http://www.heartwoodlitmag.com/

Submit Here!

HeartWood

 

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