"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty

Archive for July, 2015

Special Thursday Call for Submissions Love! Longridge Review: The Mysteries of Childhood

Special Thursday Call for Submissions Love!

Nonfiction writers, check out this call from a brand new publication!

Longridge Review

Our emphasis is on literature that explores the mysteries of childhood experience, the wonder of adult reflection, and how the two connect over a lifespan.”

Reading Opens Sept 1-Sept 30

ABOUT

Longridge Review is an evolution of the Essays on Childhood project.

Our mission is to present the finest essays on the mysteries of childhood experience, the wonder of adult reflection, and how the two connect over a lifespan.

We are committed to publishing narratives steeped in reverence for childhood perceptions, but we seek essays that stretch beyond the clichés of childhood as simple, angelic, or easy. We feature writing that layers the events of the writer’s early years with learning or wisdom accumulated in adult life.

We welcome diverse creative nonfiction pieces that depict revealing moments about the human condition.

We look forward to reading your work!

Founder and Editor: Elizabeth Gaucher, Middlebury, edg@longridgeeditors.com

Contributing Editors: Laurel Gladden, Sante Fe, and Beth Newman, Asheville

Creative Advisor and Muse: Suzanne Farrell Smith, NYC

SUBMIT

Longridge Review has one annual reading period each calendar year: September 1-30. Please read the submission guidelines before submitting. We recommend that you also read work on this site to see what we publish.

Our emphasis is on literature that explores the mysteries of childhood experience, the wonder of adult reflection, and how the two connect over a lifespan.

We are committed to publishing narratives steeped in reverence for childhood experience and perceptions, but we seek essays that stretch beyond the clichés of childhood as simple, angelic, or easy. We want to feature writing that layers the events of the writer’s early years with a sense of wisdom or learning accumulated in adult life.

We welcome diverse creative nonfiction pieces that demonstrate perceptive and revealing moments about the human condition.

We will not consider trite, light narratives; genre nonfiction; critical analyses; inspirational or motivational advice; erotica or pornography; or any writing that purposefully exploits or demeans.

We encourage established, unpublished, or emerging writers to submit their best work to Longridge Review.

We will consider one creative nonfiction piece (up to 6,500 words) during the reading period. Please do not submit more than once during the reading period.

We accept only electronic submissions through e-mail. Submit only one double-spaced creative nonfiction piece pasted into the body of the e-mail to edg@longridgeeditors.com.

The title of your submission should be included with your name (e.g., Jane Doe “My Essay Title”). Include a short biography (five to seven sentences) with your submission.

We will consider simultaneous submissions as long as you let us know if your work is accepted elsewhere. We will not consider previously published materials, including online publications, personal blogs, social media sites, etc.

Longridge Review acquires first electronic and indefinite archive rights. Upon publication, all other rights revert to the author. Please credit Longridge Review as first publisher if you reprint elsewhere. Longridge Review reserves the right to reprint work at a later date if we have the opportunity to occasionally make a print anthology and want to include your work.

Longridge Review is published three times a year: November, March, and July.

The submission period is September 1 through September 30 of each year. We try our best to respond to submissions within four weeks. If you haven’t heard from us within six weeks you may inquire about your submission via edg@longridgeeditors.com, but please not before.

Longridge Review website: http://longridgereview.com/

Monday Must Read! Lennart Lundh, So Careless of Themselves, and Poems Against Cancer

 

Mac's Backs, June 2014, by Jen PezzoThis week, meet Lennart Lundh, the author of six poetry chapbooks. Four Poems, Pictures of an Other Day, and So Careless of Themselves were published by Writing Knights Press. Fifth April 1975, an extended poem written during the American bombing of Cambodia, is self-published. Poems Against Cancer 2014 and Poems Against Cancer 2015 were written and distributed as fundraisers for the St. Baldrick’s Foundation and its research into childhood cancers.

Len’s poetry has appeared in print since 1967, and online since the turn of the century. In the last year and a half, his work has been found in the real or virtual pages of Binnacle, Children Churches and Daddies, Copperfield Review, Crisis Chronicles, Drunk Monkeys, Hessler Street Poetry 2015, Liminal Age, NonBinary Review, Poetry Quarterly, Poetry Storehouse, River Poets Journal, Silver Birch Press projects, and anthologies from Writing Knights Press. He reads regularly at Lit by the Bridge, Traveling Mollies, Waiting for the Bus, and Waterline Writers in the Chicago area. Three or four times a year, he can be found featuring at various venues in Ohio.

He is also a historian (five books and a score of articles between 1984 and 2002) and short-fictionist. His fiction has appeared in Coffee Shop Blues, Ethereal Tales, Flashquake, Inkburns, Jet Fuel Review, Liar’s League, Litro, Mocha Memoirs, NonBinary Review, Page & Spine, postcard poems and prose, Quotable, River Poets Journal, SmokeLong Quarterly, Song of the Siren, Stray Branch, and Weird Lies. A short-fiction chapbook, After the Wolves, is scheduled to appear from Writing Knights Press this year.

Len and his wife of 47 years, Lin, live in northeastern Illinois.

One of these days, Lennart will have a Web site.

He is on Facebook at https://www.facebook.com/lennart.lundh.5

Audio and video files of his work can be found on YouTube and Soundcloud.

To order his books from Writing Knights Press, go http://writingknights.bravesites.com/

To order his self-published chapbooks, contact Len at lenlundh@aol.com. Please note that all proceeds from Poems Against Cancer 2014 and Poems Against Cancer 2015 will go to the St. Baldrick’s Foundation.

Friday Call for Submissions Love! Houseguest: The Common & The Strange

Friday Call for Submissions Love!

Houseguest

About

Houseguest: House, Guest. As our name implies, we are interested in the juxtaposition of the common and the strange: the stranger that enters, that invades even as it’s invited, that may never truly leave. As a culture, we are ambivalent about houseguests, and ambivalent about ambivalence.

Here at Houseguest, we value ambivalence. We appreciate uncertainty. We espouse contradiction. We love thresholds—liminal spaces and surreal situations—and watching what gets through, what gets in. We welcome the Welcome Unwelcome.

We welcome anything you see fit to send us, provided it has not been previously published elsewhere.

 

Submissions

Houseguest is published three times a year in March, July, and November. We accept submissions year-round. We allow simultaneous submissions, but we ask that you let us know immediately if your work is accepted elsewhere.

Prose submissions should be typed, double-spaced, in an easy-to-read 12 pt font. Please limit your submission to 1000 words. Technically, we accept micro-nonfiction and flash fiction, but we aren’t overly concerned with categories. Be our guest: blur the lines.

Poetry submissions should be typed, single-spaced, in an easy-to-read 12 pt font, and formatted as a single document. Please limit your submission to five or fewer poems and include your contact information in the header of each page. All lengths and styles of poetry will be considered.

We acquire first serial rights for all work we publish. All rights revert to the author upon publication, though we ask for acknowledgement upon reprinting.

We currently accept submissions through our online submissions manager, known more commonly as email.

Submit to submission@houseguestmag.com

 

Website: http://www.houseguestmag.com/issue-03/current.php

Guidelines: http://www.houseguestmag.com/submission.php

Sometimes the Day Is the Poem

I’m never gonna stop the rain by complaining 🙂

It won’t be long til happiness steps up to greet me ❤ Hope it’s finding you too, wherever you are ❤

New Work Up at Hound Lit

New poem publication up at HOUND Lit 🙂 Thrilled to be included. Love this publication 🙂

http://www.houndlit.com/mary-carroll-hacket-when-dirt-is-hunger

Monday Must Read! Erica Plouffe Lazure, Heard Around Town

ericaMust Read Monday! Erica Plouffe Lazure, Heard Around Town

This week, meet Erica Plouffe Lazure, author of the flash fiction collection, Heard Around Town, winner of the 2014 Arcadia Fiction Chapbook Prize. Another fiction chapbook, Dry Dock, was published by Red Bird Press in Spring 2015.

Her fiction has appeared in McSweeney’s Quarterly Concern, the Greensboro Review, Meridian, American Short Fiction, The Journal of Micro Literature, Fiction Southeast, Flash: the International Short-Short Story Magazine (UK), and elsewhere. She lives and teaches in Exeter, NH

Erica’s website: ericaplouffelazure.com

Erica’s books!

Pre-order Heard Around Town:

http://www.arcadiamagazine.org/#!product/prd15/4198023721/heard-around-town-pre-order

Get Dry Dock: http://www.redbirdchapbooks.com/store/p181/Dry_Dock_by_Erica_Plouffe_Lazure.html

Interview with Erica at American Short Fiction: http://americanshortfiction.org/2014/09/07/online-fiction-interview-erica-plouffe-lazure/

Interview with Erica at One Bike, One Year, by the fabulous Devi Lockwood:

https://onebikeoneyear.wordpress.com/2015/01/22/interview-with-erica-plouffe-lazure/

Read more from Erica online:

MadHat Lit: http://madhatlit.com/red-thread-erica-plouffe-lazure/

Smokelong Quarterly: http://www.smokelong.com/smoking-with-erica-plouffe-lazure/

Black Heart Magazine: http://blackheartmagazine.com/2014/11/06/hickory-wind-by-erica-plouffe-lazure/  

Happy Reading!

xo

Mary

Friday Call for Submissions Love! Synaesthesia: “Tell us where you’re going”

Friday Call for Submissions Love!

Synaesthesia

Theme

ATLAS

DEADLINE: 30 July 2015

noun | a book of maps or charts

Tell us where you’re going. Tell us about the bridge above the river that looks like milk. Point out your favourite spot. Map out your route. Show us how it happened, where he was, where he is now. Circle the place you first kissed, the place you kissed him last. Show us where you left him, do it in red. Take us to Tibet. Get us lost. Take us home again. Draw us a map of your hand. The muscles and tendons. Where she kissed it, where she pinched it, scratched it, slapped it, held it. Send us tickets and postcards. Think about structure, style. Break conventions: give us stories and poems told through graphs, tables, charts and maps.

Be part of our collection about maps and the roads that fall between them. Be part of the atlas that makes us human, or not.

About

Editors are mothers. They cradle words in their ink-stained hands and rock them gently until they hiccup and burp and sleep without fidgeting. Sometimes they have to be strict, and tell words that they can’t play with that other word because that other word isn’t good for them. Sometimes they have to say no because that’s how stories get better. But mostly they love words and just want to see them grow into great, great stories that others point at and go, heck, I wish I’d written that.

So we’ve decided to write about what we like and what we don’t like in our submissions. And if you don’t like what we do like, then that’s fine. Maybe it’s just not meant to be. It’s important to remember that your submission absolutely doesn’t have to be perfect. We’re not expecting Shakespeare. If you bring us something that makes us coo we’ll tell you it makes us coo, and we’ll work with you to turn that extra o into an r so it makes us go corr.


We like poetry that howls from the rooftops. We don’t like poetry that shouts into a microphone. One commands, the other imposes rudely. We like modest poetry, poetry that tells us, actually, it’s pretty terrifying being human but y’know what? Here’s a puddle. Look at its rainbow.


We’re not particularly drawn to poetry that laments, or mourns, or talks about how much it misses its boyfriend. We don’t like poetry that feels sorry for itself.


We like poetry that talks to us like we’re humans, sometimes even friends, and poetry that goes bungee jumping and, if it’s not feeling up to it, puts its feet up and flicks through crappy TV channels. Not because it can’t be bothered, but because it’s honest. It doesn’t try hard. 


We like short stories that come to bed with you and kiss you somewhere you didn’t know you liked. Stories that tease and don’t necessarily give us what we want. If there’s a word in your story that you have to think twice about, get rid of it. Get in and get out. We don’t like stodgy prose or long-winded narratives.

 

We like short stories that say hey, babe, take a walk on the wide side. We like stories that pad barefoot into the kitchen on a summer night, spilling secrets. Short stories that are the beginnings of a knock knock joke but not the end. We don’t like sob stories, but we do like stories that whisper, I had to write this.

Guidelines

We like short stories that come to bed with you and kiss you somewhere you didn’t know you liked. Stories that pad barefoot into the kitchen on a summer night, spilling secrets. We like short stories that say hey, babe, take a walk on the wide side.

We like poems that jump into puddles. Poems about the ordinary: these yellow wellington boots, your hand-me-down prom dress. We like poems that have been gunned down to the ground and come back fighting.

We like short stories that are the beginnings of a knock knock joke but not the end. Stories that hum, some that blister. We don’t like sob stories, but we do like stories that whisper, I had to write this.

We are currently open for submissions for our ATLAS issue (publishing late summer/autumn). We will announce our last theme of the year very soon. Please read our submission guidelines before submitting (seriously, please do it, it will help you), and remember the following:

  • Your submission must correspond to the current theme in some way, however loosely you interpret it
  • Simultaneous submissions are totally fine and heartily encouraged, but if your submission is accepted elsewhere please inform us asap
  • We do not accept previously published submissions. We obtain First Serial Rights, which means we have the rights to publish your work for the first time. More info on our guidelines page
  • It’s completely free to submit to us and read our magazine
  • As part of the magazine’s ethos, we blend art and writing – please be aware that your work may be accompanied with another form of art
  • Response time: approx 1-4 months.

Okay, your turn now. Blow our senses

Guidelines and Submit Here: https://synaesthesia.submittable.com/submit

Special Wednesday Call for Submissions: Snapdragon, Art & Healing

I’ve been thinking a lot about Art & Healing lately ❤

Special Wednesday Call for Submissions

Snapdragon: A Journal of Art & Healing

Open July 1- July 31

Your Wild and Precious Life” Issue

Open for submissions for our 3rd issue due out in September! We publish previously published work so send us your new or old poems on the theme “your wild and precious life” (we love Mary Oliver). Spread the word! Thanks!”

About

Snapdragon: A Journal of Art & Healing aims to be the premier online literary journal for writers and all who are looking to creativity as a way to process and express the healing journey.

Whether experiencing or looking for physical, emotional, or spiritual healing, we hope this will be a place to which you come as you journey the luminous path to wholeness. AtSnapdragon Journal, in addition to poetry and creative nonfiction, we are now highlighting photography! Eventually, we will publish research articles and interviews of those doing this work in the field.

Why the Name?

We could not think of a better name for this journal other thanSnapdragon! At its deepest level, the Snapdragon flower essence helps the soul to distinguish its use of creative forces — especially those which radiate from the lower energy centers, and those which are used for spoken word. The Snapdragon flower is often used as a remedy to help persons — particularly those who experience extreme tension in the jaw and mouth — to re-direct their powerful metabolic energy into its rightful channels. By harmonizing the relationship between these energy centers, the soul evolves in its use of creative power. And so, with Snapdragon: A Journal of Art & Healing, our desire is to provide a platform for your self-expression and soul’s healing!”

Guidelines

“We’re using Submittable to receive your poetry, creative nonfiction and photography. We will only accept, via email, research papers on art and healing. All other submissions via email will not be accepted. Our Submittable link will go live the first of each month we are open for submissions (Jan., April, July, Oct.). See our themes and guidelines below. Also sign up for our mailing list to receive notifications. Thanks!”

We consider new and previously published work on the theme of healing (emotional, physical, spiritual, community, etc.).

See detailed guidelines here: http://www.snapdragonjournal.com/submit.html

 

 

 

Sometimes the Day Is the Poem

Don’t worry about a thing. Every little thing gonna be all right ❤

http://www.youtube.com/watch?v=PGYAAsHT4QE

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